Rules: Answer some or all of the questions below. Tag some of your writer friends. Enjoy!
thank you for the tag @chasingdreamer
1. Link to your Masterlist: Masterlist here
2. Favorite and least favorite genres to write (angst/smut/fluff, etc.)
favorite- action scenes, least favorite- smut
3. Favorite character to write for?
Bucky Barnes
4. Which one of your works is your favorite?
Chapter 1 and Chapter 15 of Halcyon
5. Which one of your works was more popular than you thought it would be?
Halcyon in general received much more attention than I ever anticipated and I’m really quite rpoud of it as it’s my first venture into fic writing
6. Which one of your works is less popular than you thought it would be?
A few chapters in Halcyon didn’t get as much attention as I thought they would such as Chapter 18 and Chapter 23
7. Which of your works was the hardest to write? Why?
This recent fic Broken Dreams has been very difficcult yo write because so much of it is based on recent real life events that still cause me a lot of grief and despair. But I have found writing it out to be very cathartic.
8. What is your favorite fanfic by someone else?
I’m just going to mention some of my favorite writers in general (there’s so many more and ‘ll add them as I think of them)
Some tropes and cliches work for fanfiction. Some don’t. You’ll see lists on Tumblr and Pinterest of whump prompts or cliches to use. Some of them are not worth your time. Others, that we will discuss, are. We’re going to rapid-fire this chapter. We’ll take a trope/prompt/cliche and explain why it works and in what context it works best.
A good cliche or good trope allows the audience to see the growth and development of a character. We have talked negatively of twin OCs and evil twins because those characters are always the exact same as their cast counterpart, just louder. A good cliche or trope will push your characters into development. An evil twin doesn’t do anything for your OC. An OC who’s been written as calm and in-control finally losing it and snapping? That shows the audience the OC has been pushed over the emotional edge. If the cliche can develop a character, it’s a cliche or trope worth using.
Angst and angst-fics are so popular because they are pure character development. They are a character coming to terms with themselves and getting past an event that continuously haunts and guilts them. It’s all character development, and we as an audience like to see that kind of journey. There’s nothing wrong with angst fics, and light angst in your own stories is good because it shows not only development for the character but more realistic consequences for a character’s actions. We’ve talked about realism before, and fanfics that aren’t rooted in reality will let horrors, trauma, and death roll off the back of their OC like it’s a Tuesday at Wendy’s. Life isn’t like that, and angst fics lean heavily into the recovery and grieving of loss. It’s what makes them compelling because we see how damaged a person can become, and how strong they are to heal themselves.
Fluff tropes or whump prompts work especially well if the character has been penned as someone who doesn’t trust others or struggles with being vulnerable. Seeing two people dance drunk in their kitchen, sick prompts, and scenes where one character has to be vulnerable works when that character isn’t comfortable there. It creates inner conflict with the character having to trust other people, and having to rely on others. It creates an exterior conflict where the character is incapacitated or becoming open with others. These fluff prompts can work when they’re placed later in the story. They can appear more organically if they’re used as a tool for character development and not an AU in a piece that is already fanfiction.
The Editor is a big fan of opposites attract. We’ll also combine this with enemies to friends to lovers prompts, which are popular for a reason. They are filled with character development. Being able to look past your hatred and find the beauty in someone you previously despised is a major representative of growth. It shows us how a character can mature and learn to let go of the past and be open to the future. Brooklyn 99’s Jake and Amy is a great example of friends to lovers, but beyond romantic interest, this works for companionship and friends as well. Look at Zuko and Aang’s relationship in Avatar: The Last Airbender. The growth and maturity from these two characters were monumental; it showed the ability to forgive and to be kind and to take the traumas of your past and not let them define you. Zuko is a fantastic example of character growth, and his entire arc can speak for the development that comes from being an enemy to a friend.
The Editor also likes slow burns. I do too, primarily for the realism they present. To quote Frozen, “You can’t marry a guy you just met!” Love takes time and effort and work. It takes so long for feelings to fester and grow and blossom into something more, that stories, where two characters fall in love in a matter of days, seem unrealistic. Not only that but in the real-world relationships like this are unhealthy and create characters that are co-dependent. Slow burns don’t have to go from hatred to love either. It can just start at indifference. If you look at Percy Jackson, Percy and Annabeth didn’t even kiss until the end of the Last Olympian. They had a friendship for 4 years before that, and in that time were able to figure themselves out before figuring out a relationship. That really represents the pinnacle of slow burns: we don’t want a character’s entire story or history to be tied to some other person. Slow burn fanfic lets the character blossom as a healthy individual and figure out who they want to be, before merging their ideals and their life with someone else. It’s realistic, and the time it takes for two characters to come together only lets your heart grow fonder. Your audience will feel more emotionally connected to these characters because they will have seen them go through so many personal struggles. There’s nothing wrong with taking your time. We want to see it.
I am a slut for hospital prompts. The hurt/injury cliches, where the character collapses and ends up in the hospital for an extended period of time. It’s sometimes not realistic but that’s some good shit right there. What can make these prompts especially juicy, is if the character is written as a strong or capable character. Seeing Sam or Dean Winchester end up hospitalized hurt the audience more because we know those characters A) don’t get hurt that bad that often and B) Have never relied on hospitals unless it’s really serious. So, when they did turn up in the hospital we knew that the stakes were increased and that the situation was dire. It offers tension, and it can show you how human even your strongest characters are. You can’t re-set a broken leg on your own. You can’t fix a bullet wound by yourself. So seeing these characters have to acknowledge that they don’t have all the answers and can’t fix themselves. It shows the audience how false a character’s confidence or competence can be.
I personally like little-kid prompts or genius little-kid tropes. That isn’t everyone’s cup of tea, and it has to do with little children being poorly written. Usually, this trope is used so the writer doesn’t have to stress about writing a realistic child. If they make the child a genius they can have it brought up to the same speed as the adults. However, writing children is easier than you think (See unit 5) and a super-genius child can be smart, but not wise. What I mean is that a genius child needs to pick a struggle and commit to it. They can’t be both book smart and street smart because they still don’t have the life experience that adults have. So you can have a genius mathematician child, but that kid isn’t going to be of much help in your detective fanfic where your OCs are supposed to be busting drug rings, because what child knows about that? Now, you could have a child know about the criminal underground because maybe they’ve grown up in it and worked as a mule, but that child isn’t going to be a mathematician like the other kid. You need to pick a side of the line, and there are so many ways for a person or a child to be a genius. What makes it realistic is picking just one. Look at Damian Wayne. He was a child prodigy in combat. He was gifted because he had tutors and masters who taught him for his entire life. But he knew so little about the outside world and how it worked. He was gifted but sheltered. Jason Todd is the opposite. He was a street rat, who had an innate knowledge of the criminal underground but didn’t have as much of an opportunity to learn through academic outlets. He knew the streets but didn’t get to learn the books until much much later. Each picked a struggle to start out with. That’s not to say that you can’t expand their range of knowledge later on, but it comes with time is the key note: if your character starts out knowing everything there’s nowhere for them to go.
Speaking of little kids, the outcast/weird kid making a ton of friends is often used, and it’s an oldie that’s been around since The Lightning Thief. What this prompt represents is the ability of a person who doesn’t fit traditional molds to find their place and their happiness in the world. We all like content that makes us feel less alone, and prompts like this can even be cathartic for the reader to remind them that they themselves are not alone. Your writing should mean something to someone up to and including you, and these prompts warm us up and make us feel like somewhere there’s a place for us. No one likes to be alone.
What you should take away from this unit is that predictability is okay as long as it’s done well. Cliches are not going to kill your narrative. Tropes and whump prompts are not bad, they just need to be executed in a way that makes us feel like it’s genuine character development and not an out-of-body experience. We want to see development and growth because that truly shows progression not just of time but of a person, and if you can execute it well, you can pull off just about anything.
Next week we’re discussing research, and diving deeper into how you should be researching your settings, flaws, and how you should study your own field of work. We apologize for the delay. Unforeseen circumstances came up that life never prepares you for, and the Big Sad came over me for a while. We’ll see you next week!
