Not today Justin
Sade Olutola
taylor price
styofa doing anything
NASA
Stranger Things
hello vonnie

#extradirty
Claire Keane
$LAYYYTER
will byers stan first human second
One Nice Bug Per Day
sheepfilms
Show & Tell
Three Goblin Art
h

@theartofmadeline
I'd rather be in outer space 🛸
almost home
Mike Driver
seen from Indonesia
seen from Argentina
seen from Argentina
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from Brazil
seen from India
seen from Brazil
seen from United States

seen from United States
seen from United States
seen from United States
@takafilm
I have gotten used to looking at reality in an artistic way, especially through the viewpoint of painting. When I look at nature, I see a frame of painting. I see everything from an aesthetic angle. Even when I am in a taxi looking out of the window, I put everything in a frame. This is the way I see painting, photography and film – all interrelated and connected. The movie industry captures reality in frames. For me particularly, painting is a source of diversity, and refuge from daily life. When tired, everyone seeks refuge in something. For me painting is that form of refuge – a place to go and entertain myself and perhaps recreate reality in an aesthetic sense.
-Abbas Kiarostami
[via]
Richard Linklater, Ethan Hawke & Julie Delpy on the set of Before Sunrise, 1995.
Road trippin’.
“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”
R.I.P. Andrzej Zulawski, 1940 – 2016
This year sucks.
Frieze: What could you imagine doing if you didn’t do what you do?
Agnes Varda:Finding ways other than photography and cinema to capture fragile instants – as substitutes for memory.
Taxi (Jafar Panahi, 2015)
杨德昌 - 一一
Setsuko Hara: The Millennium Actress
WOMEN CINEMATOGRAPHERS APPRECIATION WEEK⁴
Eternal Sunshine of the Spotless Mind (2004) | DP - Ellen Kuras
Carol - Carter Burwell
Burden of Dreams (1982, dir. Les Blank)
“Life is a mixture of sad and happy things. Movies are so life-like, that’s why we love them […] My uncle says we live three times as long since man invented movies […] It means movies give us twice what we get from daily life.”
yi yi (dir. edward yang, 2000)
US one sheet for ANOMALISA (Charlie Kaufman, USA, 2015)
Designer: BLT Communications
Poster source: IMPAwards
This has been the shittiest fucking week in a very long time. I need something from Kaufman to keep my soul from dying completely. I know, tall order.
Anna Karina by Jeanloup Sieff
Rest in Peace, Setsuko Hara (1920-2015)