A queen stops a battle between two knights
One Nice Bug Per Day
occasionally subtle
hello vonnie

Product Placement

Kiana Khansmith
Jules of Nature
noise dept.

titsay
NASA

izzy's playlists!

Kaledo Art

roma★
art blog(derogatory)
No title available

#extradirty
TVSTRANGERTHINGS

if i look back, i am lost
ojovivo
Keni
we're not kids anymore.
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@tannoreth-blog
A queen stops a battle between two knights
Ceramics by Shiyana of Ox and Otter on Instagram
Follow So Super Awesome on Instagram
The glazing SKILL. I took ceramics for 3 years and let me tell you, those who can glaze well have a gift. It’s harder than it seems. It’s not a “what you see is what you get” process.
tall wizard and small prince
City of Light: An Unofficial Illustrated Concordance of Marielda is a charity zine of fanworks focusing on the Marielda arc of the Friends at the Table actual play podcast. Our expected production schedule is over summer 2017, with the preorder campaign and fulfillment happening in the late summer and fall. We will be donating all profits to Avenues for Homeless Youth, a Minnesota charity that provides emergency shelter, short-term housing and supportive services for homeless youth in a safe and nurturing environment. The zine will be approximately 40 pages, 8x10 inches, full-color, and perfect bound.
How do I contribute?
The types of art you may submit are full-page illustrations and written works of 2000 words or less.
Because this is a relatively short book, depending on the number of applications this will be a curated zine. Depending on the types of works accepted, the number of artists will vary. Each contributor will have a single work featured in the zine.
To apply, we’ll need your name, email, type of work you’d like to submit, links to your work, and at least two ideas for what you’d want to contribute. Because Marielda and Seasons of Hieron cross over in content, your ideas can refer to events in Seasons of Hieron arcs, but we would prefer that they focus on the Marielda arc. You must be 18 years old or older to apply. Please review the terms of submission before applying. You can apply here: goo.gl/Sps7uL
If you have additional questions after reviewing the form, please email [email protected].
What’s your timeline?
Application timeline – May 26-June 16
Applications due – June 16
List of artists announced – Final week in June
Final artwork due – Mid-August
Generosity campaign – August-September
Campaign closes, fulfillment begins – Fall 2017
Read more here: marieldazine.tumblr.com/about
Apply here: goo.gl/Sps7uL
Follow us here or on twitter @MarieldaZine.
I'm running a zine!! Submissions are open!!
it’s important to master blood magic and necromancy, so you can make use of the whole body
environmentally sustainable black magic
Remember, Necromancy is really just Advanced Recycling
reduce -> reuse -> reanimate
If you are anti-darkfic, you are anti-survivor
I’ve had a bee in my bonnet since this incident the other day, and I figure it’s probably time to get it out of my system.
Darkfic is not a new phenomenon. It’s as old as the hills. For as long as there have been fic writers, there have been fic writers using the medium to explore themes that are taboo in mainstream fiction. Torture and gore, death and destruction, rape and sexual abuse. Every author has their own motives and inspirations for the content they produce, and there’s no ‘average’ darkfic writer. But what I can tell you - anecdotally, from a full decade’s worth of experience drifting in and out of various darkfic communities - is that when you involve yourself with these authors, you start meeting survivors. Lots of survivors. In what I think it’s fair to call a statistically significant concentration.
For some, their survivor status is incidental to their controversial interests; for others of us, past trauma and mental illness are intrinsically tied to what we read and write. Darkfic can be a lifeline, a validation, a liberation, a profound and unbeatably intense catharsis for the shit we’ve got stored in our heads. Darkfic enclaves within fandom are places where we can air our darkest and most desperate fears and fantasies in a safe, supportive environment, in the company of others who remind us that we are not broken or defective just for wanting the things we want.
And here’s the thing: literally no one in these communities wants to force outsiders to join us. We recognise that our content is stuff that the majority of people don’t want to see, and we do our best to protect the rest of fandom from involuntary exposure by using appropriate trigger warnings. We don’t want to hurt anyone, we don’t want to ruin anyone’s innocence - we just want to be left alone to do our thing. But tumblr callout culture has taught people that “speaking out” against things they don’t like is cool and brave and socially progressive. It has created an environment where virtually the automatic response to distress, discomfort or personal offense is to look for a perpetrator, a culpable oppressive villain to whom the offended party can deliver a vicious “smackdown” while their friends look on and cheer.
I’m not going to argue just now about whether that’s ever an acceptable way to treat people. Regardless of anyone’s personal feelings on callout culture as a whole, there’s an intersection between darkfic and trauma survivors that you guys all need to understand before you go targeting darkfic authors as convenient representatives of everything you think is wrong with the world. So let me lay this out as simply and clearly as I can:
When you oppose darkfic because it “harms survivors”, you are talking directly over large crowds of survivors who will tell you they find darkfic to be a validating, healing experience.
When you claim that darkfic is self-destructive and unhealthy, you are privileging your personal beliefs over the lived experience of other people.
When you accuse darkfic authors of glorifying and supporting real-life abuse, you accuse survivors of glorifying and supporting their own abusers.
When you blame darkfic for supporting rape culture, you are making victims responsible for the actions of their oppressors.
When you set conditions around the creation and enjoyment of darkfic - aka “it’s only okay if you’re a survivor” - you create a culture of coercive disclosure, where survivors are expected to trade their right to privacy for the right to live free of harassment.
When you criticise darkfic authors for using survivor status as an “excuse”, you are locking us out of our own communities and denying our past traumas for the sake of a political argument.
If you are anti-darkfic, you are anti-survivor. I’m sick and tired of watching vulnerable members of my community get harassed and bullied by people who claim to be acting in the interests of survivors. I’m sick of being told that survivors like me aren’t survivors at all, that our very existence is toxic and harmful, that we have no right to speak and be heard on an issue that affects us so intimately.
Anti-darkfic fans, you need to pull back. You need to realise that your comfort and safety, while important, are not more important than the comfort and safety of other people. You need to understand that it is your responsibility to learn how to peacefully coexist alongside people who experience the world differently from you, even if their experiences make you unhappy or uncomfortable. You have no right to ask us to stop existing so that you can feel at ease. You have no right to demand that we prioritise the needs of some survivors over others. You don’t own fandom, and you have no right to dictate who does or doesn’t get to participate.
You are not brave heroes speaking out against the spread of moral degeneracy in fandom. You are bullies, deliberately and systematically targeting trauma survivors with your abusive tactics. It really is that simple. And it needs to stop.
Okay, I want to say this just once and make my position as crystal clear as I can:
There. Are. No. Exceptions.
Here’s the thing: I don’t think I’ve ever met a human being who didn’t believe, deep in their gut, that their moral perception was special and unique. Anger and disgust are extremely compelling emotions. When you’re in the throes of them, it’s easy and natural to convince yourself that your desire for retribution is justified. Someone made you feel this way, and they shouldn’t have been allowed to, and it’s only fair for you to be allowed to pay them back in whatever way feels right to you. It’s never okay to abuse or harass other people, of course you believe that, but this one fic writer is doing something really and truly disgusting and they need to be punished –
You’re allowed to feel whatever you feel. Hell, even if you weren’t allowed, it’s not like anyone could stop you. But the fact that you have emotions doesn’t give you license to mistreat other people. If something is wrong then it’s wrong, no matter how badly you want to do it to one person in particular.
If you accept that censorship is wrong, then censorship has to be wrong no matter who it’s happening to. If you accept that bullying is wrong, then bullying has to be wrong even when you really, really don’t like the victim. If you accept that people are allowed to write whatever goddamn fanfic they want, you can’t tack on a clause that says “unless they’re writing this one thing that I, personally, believe should not be written in which case the angry mobs have my blessing to go to town”. What kind of position is that? How are you going to ask the entire rest of fandom to accept your specific personal boundaries as an objective moral yardstick?
So to the people reblogging this all “I agree with this except for when it’s something genuinely bad being written”, please reconsider. If you agree with me that purity campaigners are hurting vulnerable people and creating a toxic fandom environment, but you still support their tactics under X or Y condition, then you are as much a part of the problem as they are.
OKAY. I REALLY, REALLY LOVE THIS POST for making it abundantly clear that it’s fucked up to give survivors a “pass” and “allow” them to write darkfic based on their status as survivors while holding that “well it’s fine for these people because of their past abuse BUT NO ONE ELSE IS ALLOWED.”
While I’ve talked about writing/reading darkfic in relation to my being an abuse survivor, I don’t at all believe that I’m part of some special club which by virtue of having experienced trauma has some kind of golden ticket that ~gives us permission to consume/create darkfic~
I talk about darkfic in relation to my past abuse because, unfortunately, I feel like there’s a better chance that people will listen to me and maybe even hear what I’m saying. I hate the implication that darkfic is “only okay for abuse survivors” and sometimes, while it may not be the OP’s intention, I feel like many posts talking about this issue overlook that implications or could be interpreted as having that message and I don’t get those vibes here and that’s really nice.
Honestly, I think we should all be more than a little suspicious of people who claim to be okay with darkfic ‘only if it’s written by and for survivors’.
Let’s entertain, just for a minute, the premise most antis base their arguments on – that portrayals of rape and abuse in fiction are inherently harmful and contribute to the normalisation of real abuse. I’ve spoken before about why I think that premise is bullshit, but let’s say it’s true. In what way is darkfic materially different when it’s written by survivors than when it’s written by non-survivors? All these abusers who are allegedly reading our rape fantasies and interpreting them as support for their crimes, are they going to feel any different knowing that a particular fantasy was produced by a survivor?
(And not to derail my own argument, but can I just interject at this point that writing about ‘abusers’ and ‘survivors’ as two distinct, dichotomous and easily identifiable groups is making me all kinds of uncomfortable. I’m throwing a lot of nuance out the window because there’s no other way to succinctly express my case, but human identities are so much more complicated than ‘that person is a survivor’ and ‘that person is an abuser’ and I’m trusting you guys to keep that in mind while you read.)
ANYWAY. If I believe darkfic is causing real-world harm, then I know damn well that waving around a Confirmed Sexual Assault Victim certificate is going to do fuck all to mitigate that harm. There are only a couple of reasons I can think of to make allowances for survivors:
I don’t actually believe that people writing darkfic causes actual demonstrable harm. I don’t like that people write it and I want them to stop, but I know there will be no negative consequences if I allow some people to keep writing it, so I’m happy to make exceptions for people I see as ‘worthy’ of my respect and compassion.
I believe what I’m saying about darkfic being harmful, but I also recognise that my methods of expressing that opinion are cruel and inappropriate. I don’t want to inflict my bullying behaviour on people I perceive as legitimately vulnerable, or whose further suffering might undermine my self-image as a compassionate activist.
If you know any other reasons for making the ‘okay to cope’ distinction, then come at me. I’m all ears. But I think the people making those exceptions are revealing something significant about their underlying beliefs and motives. Why would they need to make ‘compassionate’ exceptions if they weren’t aware on some level that the way they’re behaving is wrong?
my name is cow and wen she sits benethe the stall withe tiny kit
I hav no hands withe which to pat I use mye tung I lik the cat
my name is cat and with tha kit In front of stall we lyk to sit
I feel her tongue I say meow I have a fren Her name is cow
I’ve been looking through this blog lately, and getting inspired for Taako’s wardrobe
this shows going to be over b4 i catch up r. i. p. but heres the adventure boys
What was a god? A focus of belief. If people believed, a god began to grow. Feebly at first, but if the swamp taught anything, it taught patience. Anything could be the focus of a god. A handful of feathers with a red ribbon around them, a hat and coat on a couple of sticks…anything. Because when all people had was practically nothing, then anything could be almost everything.
Terry Pratchett, Witches Abroad (HarperTorch, 2002)
Haunting Driftwood Sculptures By Japanese Artist Nagato Iwasaki
Nagato Iwasaki is one of those artists you don’t know much about. But his art talks for itself.
The Japan-based artist creates incredible driftwood sculptures. Each of his human-shaped figures can both mesmerize and scare you. The artist manages to create an uneasy feeling using nothing but wood and you can be sure, that if you’d stumble upon one of these sculptures at night, you’d go sleepless for days.
More info: nagato-iwasaki.com | Facebook
@glumshoe
These are dryads, uniting to take the forests back.
wow WOW
MARY MAGDALENE, AT THE TOMB
I.
The young man in the tomb looks the way he must have, you think–slender and olive-limbed, too old around the eyes but with a mouth shaped for smiling. Yeshua’s brother, without divinity to come and suck the marrow from his bones, to break him against humanity’s ungratefulness.
He is risen, the young man says, though you can barely hear him over Salome’s cries of astonishment, Mary mother of James’ fingers digging into your arm. But the young man’s mouth is unbroken, and his eyes linger on your face. He is not here, he is risen, his is risen.
You stumble into the morninglight trembling, To what? on your tongue like a burning coal.
II.
In Matthew, they’ve recast the role, an angel whose countenance is lightning and says fear not as though it is enough stop other Miriam from screaming. But you are twenty–or fifteen, twenty-five, thirty, older, old enough to know what it is to keep demons in your skin, to watch your god’s wrists strung up by a windlass, and you did not come for angels. Where is he? you demand.
He goeth before you to galilee, the angel says, but you are already running, you are gone to seek the one they call God.
III.
Luke forgets how you did the bedikah alone that night, walking through the darkened house of Andrew’s cousin with a candle and a feather. In the upper room, Miriam the Mother has finally fallen into fitful sleep, her rent grief given over to exhaustion. Many of the disciples linger In the kitchens or the yard, shame in their cowardice keeping them from meeting your gaze when you pass.
(This is your gift, to the church that will someday malign you–you know who was not there, who fled from the sight of the Master bleeding, struggling for breath, crying out in pain and despair–eloi eloi lama sabachthani, and they were not there, the devoted twelve, the blessed chosen. They had not wanted a God who could break.
You watch them turn their faces from you and you are glad of it.)
The next morning, Petros kindles the fire for you with the lulav that once lined the streets, hailing Yeshua’s coming. He stands with you as the chometz burns, says the biyur chametz because he is the closest you have to a head of the household now.
He weeps, after.
(Why do you look for the living among the dead? the men clad in lightning will ask, when you are on your knees and afraid. You do not have an answer for them, except perhaps hope.)
IV.
It takes until John for them to remember that you, too, wept.
optimistic liberal reformist college freshman luke who believes the jedi order can be rebuilt once again if we all follow the light side this time
vs
radicalized anarcho-marxist retired professor luke who knows that reform won’t solve the problem that jedi ideology is fundamentally broken and will continue to repeat a cycle of boom and bust
You sell your soul to God. Instead of having bliss in life and then damnation, you life a life of utter misery and then go to Heaven when you die.
That’s just regular Catholicism.
in response to the crisis going on in chechnya right now, i wanted to underline how important it is to understand the complexity of russian homophobia, which has proven to be distinct from many western strains of homophobia due to historical circumstances. historically, same-sex attraction has been seen as non-russian due to its connection to bourgeois decadence of the west (which opposed proletarian values), as well as long-term invisibility of the LGBT+ community under stalin and its sudden reemergence in the 90s (when the soviet union collapsed) which shapes much of contemporary homophobia. there are also other factors, such as promotion of hypermasculinity within the soviet union after WWII and the generally sexphobic culture prevalent under the regime. while biological arguments (”it’s unnatural”) and religion have also played a role in modern russian homophobia, it is the association of LGBT+ existence with the west that has causes the most retaliation against LGBT+ activism. (we can see this most evidently with sochi olympics and now with the chechnya crisis; external activist efforts are rejected because ‘the west is trying to meddle with russian politics/values’ and internal efforts are rejected because ‘they’re brainwashed by the west’)
since i just finished my massive research paper on russian lgbt+ history, here are a few sources that i would highly recommend for learning more about how russia came to be so homophobic:
DAN HEALEY (aka the champion of russian LGBT+ history):
Book: Homosexual Desire in Revolutionary Russia: The Regulation of Sexual and Gender Dissent - excellent and meticulously detailed overview of the complexities of russian LGBT+ lives at the beginning of the 20th century; discusses both progressiveness of lenin’s regime and the violent repression and erasure of LGBT+ identity under stalin, as well as so much more
Journal: HOMOSEXUAL EXISTENCE AND EXISTING SOCIALISM: New Light on the Repression of Male Homosexuality in Stalin’s Russia; a more brief overview than the book; may be more easily accessible. strongly recommend if you’re interested in history and want a starting point for learning about early soviet politics and how they affected LGBT+ lives
BRIAN BAER:
Book: Other Russias: Homosexuality and the Crisis of Post-Soviet Identity; excellent examination in the role that invisibility of the LGBT+ community (due to stalin’s repression and sudden reappearance in the 80s and 90s after gorbachev’s reforms) has played in making russians believe that same-sex attraction is a product of western infiltration into russian society. offers excellent criticisms of discourse surrounding russian LGBT+ issues by western scholars.
DAVID TULLER:
Book: Cracks in the Iron Closet: Travels in Gay and Lesbian Russia; offers a more accessible insight into russian LGBT+ society through recounting the author’s travels. over all a good book, but is not as far reaching or deeply analytical as some of the other sources. there’s a preview on google books, so you can easily skim through it.
MULTIPLE AUTHORS:
Book: Out of the Blue: Russia’s Hidden Gay Literature; An Anthology (ed. Kevin Moss); a wonderful read revealing numerous hidden gay/LGBT+ figures throughout russian literary scene. you’ll be surprised to find how many of the famous russian authors and poets were not straight.
Book: Gender in Russian History and Culture (ed. Edmondson); features a chapter by my man Healey discussing lesbianism and the medical/endocrinological discoveries of the 1910s-1920s that shaped russian discourse on homosexuality later on, as well as many interesting discussions about womanhood in russian and early soviet society.
if you went to discuss anything with me or have any questions about russian LGBT+ history, homophobia, or things about my personal experience as a same-gender attracted russian & ukrainian woman, my inbox/IM is available (just keep in mind that this is a highly sensitive subject for me and there may be some things i’m not comfortable disclosing)
✨✨HEY EVERYONE!! The comic is live, starting with 4 pages! 📚 3 more will be going up tomorrow✨✨
🔮LINK HERE🔮: http://www.ingress-comic.com/comic/ingress-adventuring-company/