metricaly

i am a weird dark person who listens to anything from HIM~MIW~Bauhaus~metallica-MM-testament~ Inspector. I have Native Blood.

[thegothbutcher]

[sangreconcrema]

💾 unknowed

[lewisthestrange-deactivated2025]

[bewitchedv4mp-deactivated202512]

sorry can’t talk i’m too busy romanticizing vampirism

[astrovampz]

[densityofsilver]

Greenwood Cemetery, Brooklyn, New York

[cyberxbattalion]

[armandology]

fuuuuck i just realized that the future idealized version of myself cant exist without current me being the catalyst for change and doing hard things. has anybody heard about this

[theeroyalblu]

[six-demon-bag]

DAILYWORLDCINEMA'S 5TH ANNIVERSARY EVENT | DAY 6: COMPILATION - FAVORITE GENRE

GIALLO

In Italian cinema, giallo is a genre that often contains slasher, thriller, psychological horror, psychological thriller, sexploitation, and, less frequently, supernatural horror elements. This particular style of Italian-produced murder mystery horror-thriller film usually blends the atmosphere and suspense of thriller fiction with elements of horror fiction and eroticism, and often involves a mysterious killer whose identity is not revealed until the final act of the film. (x)

Blood and Black Lace | Sei donne per l'assassino (1964) dir. Mario Bava Torso | I corpi presentano tracce di violenza carnale (1973) dir. Sergio Martino Don't Torture a Duckling | Non si sevizia un paperino (1972) dir. Lucio Fulci Deep Red | Profondo rosso (1975) dir. Dario Argento Eyeball | Gatti rossi in un labirinto di vetro (1975) dir. Umberto Lenzi The House with Laughing Windows | La casa dalle finestre che ridono (1976) dir. Pupi Avati

*cover from Suspiria (1977) dir. Dario Argento

[lunamonchtuna]

— Nizar Qabbani, ‘What Love Can Do’, from Arabian Love Poems: Full Arabic and English Texts (via lunamonchtuna)

[unusual-suspects]

[tiredpassenger]

misty mornings

[1919free]

haunting

[spookshollow]

[bakwaaas]

[tainted-pale]