The Cure - 10:15 Saturday Night (1979)
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NASA
we're not kids anymore.

祝日 / Permanent Vacation
YOU ARE THE REASON

⁂

Kaledo Art
let's talk about Bridgerton tea, my ask is open

pixel skylines
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
Not today Justin
Three Goblin Art
Monterey Bay Aquarium
Today's Document
$LAYYYTER

Andulka

tannertan36
sheepfilms

Origami Around
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@tauromacos
The Cure - 10:15 Saturday Night (1979)
Starting with sargassum, a species of algae found on the ocean’s surface, and spiraling outwards Small Sargasso Mountains / Pequeñas montañas de sargazo assembles language, memory, and matter in a current where the borders between poetry and prose, reading and writing, Spanish and English, experience and memory are eroded like a shoreline. Bringing together childhood memories, folklore, and…
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These surrealists who made the early films were shooting in the dark, they were feeling their way. But they've left behind a sign on a door that said: once this door is opened, in the future, it will make a way for a brand new kind of film. I'm very happy to be a fellow traveler with any of these guys. David Lynch in Arena - Ruth, Roses and Revolver (Feb 20 1987)
Aboriginal art by George Tjungurrayi
The woman, aged about 50, was buried in a Siberian ice cave and discovered millennia later.
She was a 50 y.o. Siberian woman from 2500 years ago, living a nomadic lifestyle, and look at her tattoos...
Look...
I'm going to cry
Chuck Mangione, Feels So Good
“If I could say I was assigned something at birth, it would be to keep the soul fresh and clean, and to not let anything bring it down.”
Australian Aboriginal artwork by Anatjari Tjakamarra
Illustrations from Japanese fireworks catalogues (ca. 1880s) — https://publicdomainreview.org/collection/japanese-fireworks-catalogues
Fireworks appeared in Japan sometime around 1600 and were called hanabi — a combination of the kanji “fire” and “flower”.
A Conversation With Anarchist David Graeber
Spiral Staircase
M.C.Escher (1898-1972)
Netherlands
J’aimerais penser que l’art n’est pas une affaire d’objets mais de regards. Je ne vous montre pas un objet mais un regard. Mes objets sont simplement là pour vous permettre de comprendre un regard. Le regard auquel j’ai travaillé. Un style de vie, disait Michel Foucault, ou « faire de sa vie une œuvre d’art ». C’est aussi l’histoire de la fenêtre de Chandler, que je raconte dans un livre : « Je vis aujourd’hui en Italie, au sommet d’une tour, dans un appartement peint en blanc, très ensoleillé. J’ai Rome à mes pieds et le ciel devant moi. Suivant les conseils de Chandler, je passe le plus clair de mon temps à regarder par la fenêtre, dans l’espoir de parvenir à voir autrement que comme j’ai appris à voir. » Emmanuel Hocquard, Le Cours de Pise, P.O.L, 2018