There is great opportunity; but to seize it, he'll need protection from the wolves.
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There is great opportunity; but to seize it, he'll need protection from the wolves.
"I want to know, for example, why beauty exists," she said, "why nature continues to contrive it, and what is the link between the life of a lightning storm with the feelings these things inspire in us? [...] And I must confess that this, this maniacal curiosity or call it what you will, [...] leads me into the open countryside, away from human creation. And maybe it will lead me away from my son, who is under the spell of all things human."
Anne Rice - The Vampire Lestat
Gabrielle was such an interesting character in the books, so I wanted to do a full portrait of her book version in a similar style to my Armand portrait. I did use Jennifer Ehle as a reference for the initial sketch, but in tracing my own sketch onto the watercolour paper and then the whole colouring process, it changed quite a bit from the reference.
Gouache, watercolour and coloured pencils on hot pressed paper
Jennifer Ehle Appreciation as Gabriella on TVL - Favorite Scenes
(My Reddit comment got stuck in post purgatory so I’ll share it here instead)
I love Jennifer Ehle and was so thrilled about her being a vampire on TVL! There will be many favorite scenes mentioned here (up to ep 6); feel free to comment yours.
Amazing entrance
3.05 New York
Everything about Akasha was PERFECT!! She was absolutely TERRIFYING!!!
They were really committed to erasing the 2002 disaster from the collective consciousness and they 100% nailed it!
I can’t wait for her to start wreaking havoc in the current timeline. No wonder it’s gonna take Louis losing a leg and Armand losing an eye to stop her. She’s going to be an absolute fucking force to be reckoned with.
It’s been 24 years and the goddess has finally returned!
Jennifer Ehle as Gabriella de Lioncourt Interview with the Vampire/The Vampire Lestat | S03E04 "The Devil's Road"
“Mother!! The 500 year old child sex slave/reluctant cult leader is being unethical!! The two 300 year old french vampires who only had each other and never had ANY agency until a few months before their murders are being WEIRDDD!! The 100 year old Black American vampire who was closeted and performing hypermasculinity his ENTIRE life keeps doing dumb shit!! The 2 year old geriatric deadbeat addict dad vampire is throwing ANOTHER egocentric tantrum!!!”
Grow up! They are all murderers and they aren’t human anymore ANYWAYS.
(But maybe I’m just old and an OG fan of Anne Rice).
It continually baffles and frustrates me that so many people (people who ostensibly love and enjoy a piece of media and doing critical analysis!) only want to look at the shallowest, surface-level facts of a character's actions, rather than passing them through a thought process of reflection on the characters and their actions as ALLEGORY.
The basic cognitive ability to parse and process allegory is how people end up loving and feeling empathy for characters who have done terrible things. Nobody is looking at a serial killer and going "Wow, I wish I could do that specific atrocity. I really identify with this character who got to do that."
For example, IWTV & TVL fans: Gabriella de Lioncourt. She's abusing and grooming her son into an incestuous relationship. This has made a lot of people very upset and grossed-out, and that's fine -- your reactions are your own. But when someone likes Gabriella, all of these horrified people come out of the woodwork to say, "EW, that's disgusting, she's an abuser! So you're okay with incest?"
It's a very stupid thing to say, because it reveals the person's own intellectual laziness and self-absorption: They cannot comprehend liking a character without personally identifying with them and finding them aspirational and #goals. If you take them at face value, it appears as though it's literally never occurred to them that there is any other experience a person could have in interfacing with a character. Except it HAS occurred to them, and I can almost guarantee you that they have DONE IT SUCCESSFULLY in other contexts.
Have you ever had a friend tell you about a sad or frustrating thing that happened to them, and you responded with something like, "Oh man, that sucks! :( That reminds me of the time that [a completely different thing] happened to me. So I've felt similarly to what you're feeling, I have felt the degree of this suckitude :("? I'm almost 100% positive you have, because everyone does it even if they don't always say it out loud. That's what your brain is for: Making connections, identifying patterns, and being a member of a highly social species. Finding commonalities between your friend's experience and something totally-different-but-with-similar-results or something that made you FEEL the way that you imagine they must be feeling... That is part of how we relate to each other.
That is what is happening when people feel empathy and love for a character who has done terrible things. They probably haven't committed incest with their son like Gabriella, but they very well might have gotten trapped in a relationship (and I am using "relationship" in its broadest sense to mean any kind of connection between two people, whether that be romantic partners, friends, family members, coworkers, etc) where they were toxically entangled with someone and desperately wanted their own autonomy. They might have experienced generational trauma. They might have experienced one relationship or friendship where they were the victim of someone else's shitty behavior, and then another relationship or friendship where they were cold and shutdown and treated the other person with less care and warmth than they should have.
It's not the literal surface-level incest that Gabriella fans are resonating with, it's the deeper allegory beyond that. There isn't an objective answer about what that allegory is, because it's gonna be slightly different for everyone, but one example of an allegory in Gabriella someone might resonate with is, "Being in a situation that you know is wrong and unhealthy, but for some reason you can't or won't fully break free." For that person, maybe their literal surface-level circumstances are "grew up in a shitty small town with a family that sucked and their soul was slowly dying, and they were desperate and ravenous for their own autonomy and freedom; they escaped to the big city, but someone they loved very much is still back there, and every time they think about that person or go home to visit them, they're right back in that terrible place they needed so badly to escape from."
That's how people look at Gabriella and say, "Man, I get it." That's how people look at Armand and say, "Man, I get it." Or Louis. Or Claudia. Or Lestat. Or Marius. Or Daniel. The people who are able to say "Man, I get it" are the people who have done the hard work to face themselves and their own flaws and inner demons -- they are sadder-but-wiser, they have learned something about themselves, they have accepted the reality that they are a person who makes mistakes and takes up space and sometimes fucks up in a big way, whether against other people or against themselves.
And you know what? That's the person I want to hang out with, because it means that if (WHEN) *I* eventually make a mistake -- and I will, because I'm a human being -- it won't be the end of the world or the end of our friendship. The people I DON'T want to hang out with are the people who claim to be perfect, the people who are eager to immediately and reflexively assume the worst of others, the people who truly believe they've never made a mistake that hurt or upset someone else, the people who are chokingly suffocatingly DESPERATELY clinging onto the fantasy of 'being a good person' as a personal identity rather than a continual series of sad, unfun, tedious choices in difficult situations, and the people who haven't taken a hard look at themselves enough to realize how DEEPLY and FRIGHTENINGLY capable they are of potentially causing harm to others.
Being able to look at a character who has done fucked up things and whisper with soft sorrow, "There but for the grace of god go I" -- these are the words of a person who has begun to achieve wisdom. These are the only people I want to hang out with. There but for the grace of god go I.
while there would definitely be some overlap in how they'd accomplish their goals and the general end result of them ruling over the planet, i still don't think the idea that gabriella and akasha are working together makes any sense because their ideologies are diametrically opposed to each other (assuming, of course, that the show hasn't massively changed akasha's character and her motives and actions from the books.) like, gabriella wants to bring about a great evil and hell on earth and chaos and to turn humanity against itself and destroy it and for vampires to rule. akasha (as she presents her argument which is not the reality of the situation and is, at best, a completely deluded view of herself and her goals) wants to end humanity's suffering and bring about peace and heaven on earth (by killing 90% of men) and rule over humans as a benevolent goddess with a few vampires (there's only a few because she killed the rest of them) that she deems as her angels. gabriella wants hell; akasha wants heaven.
my beautiful princess with many disorders
Shall we do it? Shall we scorch the mortal world? Decimate it.
i need this scene injected in my VEINS RIGHT NOW
You can give her terrible writing/direction, put her in busted Party City ass wigs, but you can NEVER take away her face card 💅
s3 finale
THIS IS EVERYTHING
18th century Gabriella flagrantly mocking her husband and then looking at him with such hatred and disdain...I love her so much.