Found family? No I stole them fair and square
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@tegdirbk
Found family? No I stole them fair and square
As a general rule of fantasy and sci-fi naming, the closer to the back half of the alphabet the average letter in their name is, the eviller they are. A name that doesn't contain any consonants north of R is poison frog colouration. If it uses Y as a vowel in a non-terminal position you're basically fucked.
That single "e" is doing a lot for you, Mr. Prokopetz.
Well, yes; a lot of Western fantasy and sci-fi media's propensity to villain-code the back half of the alphabet boils down to Western authors being Weird™ about Slavic cultures, and I'll give you three guesses where my surname comes from.
One of your parents
*points a giant laser at your house*
Best one shot I've ever read lmao
(By the excellent @motleyfam )
Holy shit
[image 1: AO3 chapter note that reads, "So as we all know from math class, '5/5' is just a fancy way of saying '1', meaning this story is most definitely still a oneshot 😌". image 2: AO3 chapter note that reads, "The funny thing about fractions is that, mathematically speaking, there is no difference between 5/5 and 6/6 (except for my sanity)".]
i wish mosquitos didn't make you itchy and give you horribly infectious diseases. i wouldn't begrudge them a humble nibble were it not so
Anthony Bourdain
what the fuck is this thing.
Ohhhh don't mind me... Ol' Turnip will tend the dust farm like he always has...
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capbilities, and it is only because the orange are instucted by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
yknow its interesting how something can impact one demographic in a completely different way than everyone else. in the exorcist when the demon starts speaking in greek, to most people its creepy. but if youre greek and you suddenly start hearing the demon speak perfect fucking greek its genuinely the biggest scare of the movie. you just do not expect to ever hear your language in american movies so it catches you so badly off guard, it feels like the movie is talking directly to you
the first time my dad saw it, it was with his american friends. and when she started speaking greek he turned to one of them and was like "re malaka did you hear that in english?"
guys i have truly good news at long last
Is this something
And dat's what punk is really all about
Hi I imagined someone misreading your post and falling to their death in an empty grain silo as a result, can you change the post to be about grain silo safety?
going with the flow in a face down in a river kinda way
"I want molly" "I want percs" well you're getting leeches
I enjoy a joke about fucked up German fairy tales as much as the next nerd, but it's genuinely striking how often the source for the really fucked up stuff turns out to be "yeah, this is only in the Brothers Grimm version and doesn't appear in any extant oral tradition, and we're like 80% sure they added it themselves". To a large extent it's not German fairy tales that are fucked up, it's two specific German dudes.
in retrospect we probably should have given the fairy tale writing to the Brothers Happy instead