teamĀ āenemies to loversā or teamĀ āfriends to loversā?
enemies to friends to lovers you fool you absolute buffoon
No title available

blake kathryn
Claire Keane
official daine visual archive
"I'm Dorothy Gale from Kansas"
š
icyghini twinkie
cherry valley forever
he wasn't even looking at me and he found me
𩵠avery cochrane š©µ
we're not kids anymore.
Misplaced Lens Cap

ā
Noah Kahan
ojovivo
todays bird
No title available
Jules of Nature
untitled

izzy's playlists!
seen from Germany
seen from United Kingdom
seen from United States
seen from Russia
seen from United States

seen from Colombia
seen from Malaysia
seen from Colombia

seen from United Kingdom
seen from Iraq

seen from United States
seen from France
seen from United States
seen from Italy
seen from Belgium

seen from Malaysia
seen from Kenya
seen from Brazil
seen from Philippines
seen from France
@tempsdecerises
teamĀ āenemies to loversā or teamĀ āfriends to loversā?
enemies to friends to lovers you fool you absolute buffoon
Oil paintings by Seth Armstrong
Valeriy Gridnev (Russian, b. 1956. Active in the UK). Oil on canvas.Ā
Orangeland. Oranges ripen and blossoms perfume the airāboth at the same time in the vast groves of Southern California.
National Geographic - January, 1962
nights above chamonix, france šāØ
HORROR FILMS IN THE 2010ā²S: Every decade of horror has a different tone and feeling to it. Things come and go. Tastes change. It is very possible that in 20 years we will feel nostalgia for the 2010s the same way we feel nostalgia for the 1980s.Ā However, what is more likely is that, like the 80s, the era of horror weāre living in now will reverberate. It will continue on. It will remain ever-relevant to us as audiences because, quite frankly, we will keep coming back to the films weāre watching now. Because quality films stay alive.Ā Long live the 2010s ā a new age of Gods and Monsters. (source)
Get Out (2017) dir. Jordan Peele The Cabin in the Woods (2011) dir. Drew Goddard The Conjuring (2013) dir. James Wan Us (2019) dir. Jordan Peele Hereditary (2018) dir. Ari Aster It Follows (2014) dir. David Robert Mitchell The Witch (2015) dir. Robert Eggers It (2017) dir. Andy Muschietti
weird little treetop girl
WHERE THE FUCK AM I GONNA GO NOW?
Look, I know I donāt always do what you need me to do or say what you need me to say, but I⦠I see this⦠this spark in you, itās amazing, itās why I push you. But itās yours, and whatever you choose to do with it, youāll be great.
SPIDER-MAN: INTO THE SPIDER VERSE (2018) dir. Peter Ramsey, Robert Persichetti Jr., Rodney Rothman
āWe lose June. We lose July. In August we look in mirrors and want to die.ā
ā Kim Addonizio, from āThe Womenā, Wild Nights: New and Selected Poems
the female impressionistsā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ they Knewā¦ā¦ā¦ā¦ā¦..
she Knowsā¦ā¦ā¦ā¦. she Gets Itā¦ā¦ā¦ā¦.
she Knowsā¦ā¦ā¦ā¦ā¦ā¦ā¦..
these ladies? they Knowā¦ā¦ā¦.
1. Berthe Morisot, The Cradle, oil on canvas
2. Eva GonzalĆØs, In the Boat, oil on canvas
3. Marie Bracquemond, On the Terrace at SĆØvres, oil on canvas
I mean thats just what happens when you live in the 19th century when you couldnt vote and hated your husband
as a society we have to start bullying rich ivy league kids more. theyāre like āi go to harvardā and you gotta be like āwhat? never heard of itā
i got a lot of shit about this post a few days ago but ever since that scandal broke? crickets
āI have a degree from yaleā
āPsh did your MOM buy it for you?ā
This guy doesnāt pull any punches
Reblogging this version instead cause ppl think this is about trashing LOK.
And it aināt. LOK was good despite all the bullshit nickelodeon kept pulling on the creators.
the fact that phones dont have little charm loops in them anymore only goes to show that humanity as we know it is on the decline
what a fucking power move