Party Soft And Frolic Hard

Welcome to trash kingdom enjoy your stay!

[everythingfromdust]

Bring back the porn

[everythingfromdust]

[howstrangethemusicsoundstome]

I support this child

[ceekari]

joddler

[swaggy666llamas]

Jeff Bezos didn’t even explode :(

[asexual-spock]

[jovialgnomejpeg]

[actualmermaid]

Do you read :D as an open-mouthed smile or a smile with teeth?

[thepioden]

[vampireapologist-archive-deacti]

Being a good person is a choice. Don’t let people fool you into believing that truly good people never have bad thoughts, are never tempted by the easier path, by the low road, never mess up or act out selfishly. Never believe a person can be good without making a conscious effort.

Every single time you do something good, you’ve made a decision to make the world a little brighter.

Goodness is not an inherent trait, it is a choice. Keep making it! I see you, I’m proud of you, and I’m rooting for you!

[nerdygaymormon]

“Untitled” (Portrait of Ross in L.A.) is a 1991 piece by Felix Gonzalez-Torres in the collection of the Art Institute of Chicago. It’s a spilled pile of candy. 

The pile of candy consists of commercially available, shiny wrapped confections. The physical form of the work changes depending on the way it is installed. The work ideally weighs 175 pounds (79 kg) at installation, which is the average body weight of an adult male. “Untitled” (Portrait of Ross in L.A.) represents a specific body, that of Ross Laycock, Gonzalez-Torres’ partner who died of AIDS in 1991. This piece of art serves as an “allegorical portrait,” of Laycock’s life.

Visitors are invited to take a piece of candy from the work. Gonzalez-Torres grew up Roman Catholic and taking a candy is a symbolic act of communion, but instead of taking a piece of Christ, the participant partakes of the “sweetness” of Ross. As the patrons take candy, they are participants in the art. Each piece of candy consumed is like the illness that ate away at Ross’s body.  

Multiple art museums around the world have installed this piece.

Per Gonzalez-Torres’ parameters, it is up to the museum how often the pile is restocked, or whether it is restocked at all. Whether, instead, it is permitted to deplete to nothing. If the pile is replenished, it is metaphorically granting perpetual life to Ross.

In 1991, public funding of the arts and public funding for AIDS research were both hot issues. HIV-positive male artists were being targeted for censorship. Part of the logic of “Untitled” (Portrait of Ross in L.A.) is you can’t censor free candy without looking ridiculous, and the ease of replicability of the piece in other museums makes it virtually indestructible.

[weaver-z]

Yes this character is evil but have you considered that the song that plays while they commit atrocities is a fucking banger

[restauracionhumana]

Yui Itsuki from Yousei Teikoku

[girlsingreenfields]

[himneska]

We Have Learnt to See the World in Gasps. Roza Przybysz photographed by Chloé Le Drezen for 10 Magazine N°59, Fall/Winter 2017.

[the-original-supermodels]

Black Lady - Vogue Italia (1992) Susan Holmes by Walter Chin

[neo--queen--serenity]

I present to you: the main characters

[weiwux-nyan]

[fashionablyiconic]

Noir Kei Ninomiya - Autumn/Winter 2021

[memewhore]

[addictivities]

Do you ever go “ wow ok” and shut down entirely

[lastvalyrian]

I haven’t seen anyone mention the greatest cultural impact Yahoo Answers made yet

[everythingstarstuff]

[lost-carcosa]

Oh look, it’s campus-police officer Lt. John Pike who pepper-sprayed peaceful protesters at University of California Davis.

And UCD reportedly payed $175,000 for this image to not appear when you search it on google:

[ladychurch-deactivated20200811]

Darn shame if this circulated…

[deedesria543]

So you mean to tell me that just by reblogging this I’m ruining an organizations plan, wasting them money, and uncovering some shitbag humans awful behaviour?

T R I P L E K I L L