Alexandre Gabriel Decamps, The Caravan, c.1854
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Alexandre Gabriel Decamps, The Caravan, c.1854
Alexandre-Gabriel Decamps, Turkish Merchant Smoking in His Shop, 1844
Macbeth ’s Three Witches by Alexandre - Gabriel Decamps (1803-1860)
Alexandre-Gabriel Decamps (1803 – 1860) The Suicide (1836)
oil on canvas - 40 cm x 56 cm Location: Walters Art Museum “ Here we shall drag them, and through the mournful wood Our bodies will be hung: with every one Fixed on the thornbush of its wounding shade. “ – Inferno, Dante, Canto XIII
Gabriel Alexandre Decamps - Cat, Weasel, and Rabbit (1836)
Alexandre-Gabriel Decamps - Interior of a Turkish Cafe
Alexandre Gabriel DECAMPS - Balkonda (detail)
The Monkey Painter
by Alexandre-Gabriel Decamps
1833
oil on canvas
The Night Patrol at Smyrna by Alexandre-Gabriel Decamps, European Paintings
Medium: Oil on canvas
Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/436116
“Albanian duel” - Alexandre Gabriel Decamps, 1828
Self-Portrait (1830-1832). Alexandre Gabriel Decamps (French, 1803-1860). Oil on canvas. The Hermitage, St. Petersburg.
In Decamps work, the Oriental note - intended to stress the painter’s bohemian status - is not limited to exotic attributes. The decorative eastern gown sets the tone for the whole colour scheme of the painting, filling it - beyond the obvious link with the elementary subject - with a heady sensuousness.
Alexandre-Gabriel Decamps “The Defeat of the Cimbri” Oil on Canvas 1833
Musée du Louvre, Paris
>>
Historical context:
Cimbrian War: Battle of Vercellae (101 BCE)
The Battle of Vercellae, or Battle of the Raudine Plain, in 101 BCE was the Roman victory of Consul Gaius Marius over the invading Celto-Germanic tribe of the Cimbri near the settlement of Vercellae in the Roman province of Cisalpine Gaul.
Two Studies of a Seated Arab with a Pipe, Alexandre-Gabriel Decamps (1803-1860)
Alexandre-Gabriel Decamps – Italian Peasant
Eugene Leroux, after Alexandre Gabriel Decamps - The Suicide, c. 1846.
Versions >> 1 | 2
“La Mort et le Bûcheron” from Les Fables de La Fontaine
art by Eugène Leroux after Alexandre-Gabriel Decamps, c. 1850
“...Death comes, a cure for every cry; Yet we recoil and doubt his skill, And trembling hold our motto still, Rather to suffer than to die...”
source
Pavilion at the Edge of a River, Alexandre-Gabriel Decamps, Cleveland Museum of Art: Prints
Medium: lithograph
https://clevelandart.org/art/1941.213