Leigh Wells
h

oozey mess

#extradirty
Noah Kahan

roma★
EXPECTATIONS
art blog(derogatory)

pixel skylines

Love Begins

if i look back, i am lost
Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie
Monterey Bay Aquarium
Mike Driver
he wasn't even looking at me and he found me
Lint Roller? I Barely Know Her

shark vs the universe
d e v o n
Today's Document

ellievsbear
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Türkiye

seen from Malaysia
seen from T1
seen from Venezuela
seen from Venezuela

seen from Türkiye
seen from United States
seen from United States
seen from United States
@thatch-er-blog
Leigh Wells
Photograph from a book called Akademie X Lessons on art and life.
Aoto Oouchi
josh kolbo
berta fischer
National City (w, 1, 2, 3, 4, 5, 6, B), 1996-2009 Color photographs with acrylic paint
John Baldessari
Berenice Abbott, Wave Interference Pattern, ca. 1950s
(via 08485164)
ISSEY MIYAKE 1988
Match #169
Issey Miyake Spring 2014 | Pages of the poetry magazine Tuli & Savu designed by James Zambra
More matches here
LOVE THIS!
(via 132 5. by Issey Miyake - Dezeen)
The name, 132 5. was born from the above-mentioned process. Each of the numerals has a special significance. The numeral “1” refers to a single piece of cloth, while “3” refers to its three-dimensional shape. The following “2” comes from the fact that a 3D piece of material is folded into a two-dimensional shape, and the “5” separated by a single space refers to the time between when the folded forms are made and people actually put them on, giving birth to clothing. The numeral “5” also signifies our hope that this idea will have many other permutations.
Robert Irwin
Robert Irwin
Robert Irwin, 1967
Photo by Frank J. Thomas
Comme des Garcons SS 99