Hai :] I'm 14 (name, not age) and I like writing <33 (ao3 in bio). I write mostly akitoya but I'm not deterred from writing for my other fandoms, so if you want to see more of a certain fandom/ship I'm into, let me know!! And if you're unsure you can always ask :pp I love getting asks,, feel free to send them about my writing, fandoms, or literally anything else 👍
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#14 posts - a post I've made or a post I've reblogged that I left comments on
Never think short fics aren't worth making. Please.
I mainly read fics as a soft way to end my day before bed. It takes me an hour to get through 10k words. That's a commitment for me, I won't read anything above 7k unless I have nothing planned the next day. Even 6k I start skimming. Please write that 4k fic. 3k, 2k, 1k, hell even just 100 words. Please write it, I am reading it. I want to read it.
Maybe the average fic reader gets through 100k word fics in a day, but not me. I like it short and sweet and easily digestible before bed.
"But I can't write well-" It's 2am and I've just had the most miserable day. Trust me your typos and spacing is NOT an issue I genuinely could not care less. So many fics are very long and it's very hard for me to enjoy them before bed. But your 1k character introspection? That 200 words about them waking up and kissing in bed? A 3k word make out session? Do you know how much better you made the last few minutes of my day by posting that small oneshot? Now you do. Please write it. I beg of you, please
the best fanfiction you've ever read was written by a woman in her 40s before she made dinner for her kids. it was written by a teenager after school when they should've been studying for a history test. and a barista came up with the idea while they cleaned the espresso machine and busser fact-checked it on their break and the post-doc edited between writing grant proposals and the nurse apologized for typos in the notes after a long shift and behind every drabble and one-shot and multi-chapter fic there is a person with a wonderful and interesting and chaotic life and it is such a privilege that we get to be apart of it because they decided to do this thing we all share, for fun.
⊹ What do they want vs what do they need. these should not be the same thing. what they want is the surface goal ( the job, the person, the revenge, the answer.) What they need is the thing underneath that they can't name yet. The story is what happens in the gap between those two things. if they're identical your character has nowhere to go.
⊹ What are they wrong about. Not morally wrong necessarily. just. what belief do they hold that the story is going to test. What assumption do they make about themselves or the world that turns out to be incomplete? A character without a wrong belief is already finished. They have no arc, give them something to learn even if learning it hurts them.
⊹ How do they talk when they're nervous. Do they go quiet or do they talk too much? do they deflect with jokes? do they get weirdly formal? do they ask questions instead of answering them? the way a person behaves under pressure is who they actually are. And it should be different from how they behave when they're comfortable.
⊹ What do they find funny. this one sounds small and it is not small at all. Humour is worldview. What makes someone laugh tells you what they value, what they're afraid of, how they handle pain. A character with no sense of humour is just flat. even the gravest person finds something absurd. find the thing.
⊹ What are they ashamed of? not their tragic backstory. their actual shame. The small ugly thing they would never say out loud. The time they were a coward. The feeling they pretend not to have. The desire they think disqualifies them from being a good person. Shame is where the most interesting character work lives and most writers skip straight over it :(
⊹ What do they do when no one is watching? how do they move through a space alone. What do they reach for when they're sad. What do they do with their hands??? Public behaviour IS performance. Private behaviour is truth. you don't have to show all of it but you have to know it or the character will feel hollow in a way the reader notices without being able to name.
Website idea: Writers of all nationalities give each other advice on how to name OCs from their native culture/language.
For example, a native English speaker can tell you that "Henry Edward" is kinda weird and evokes Tudor kings, and a native Chinese speaker can tell you that, I don't know, "mīmī" sounds cute but means titties.
Re: Chinese names, there is something cool people should know about, (maybe you already know):
Using this database, you can access the names and biographical information of real people across Chinese historical periods and dynasties. You can go on here and find the names (not just given names but courtesy names and other sorts of honorary aliases, depending on the period) of thousands of real individuals, though it's almost entirely men in the older dynasties. Very few women.
Need a character name for your Tang Dynasty official? Check out the CBDB and find a *literal Tang Dynasty official* to grab a name from!
fun alternative: cruise ships. cruise ships exploit workers and can pollute as much as a million cars on a daily basis while dumping endless shit into the ocean and endangering all passengers on board because the on board air quality rivals some of the most polluted cities in the world while being a breeding ground for disease. cruise ships deserve to have negativity associated with them
also all crimes commited aboard a cruise ship is under the juristiction of whichever country they’re registered to once they’re a certain distance away from land so you have the added bonus of the crimes being very unlikely to be properly investigated (due to usually being physically so very far from the actual police whose juristiction they’re under)
As an ex cruise ship employee, let me give you some stuff to work with!
Water tight doors! You get a special training video on interacting with these correctly because they will literally cut you in half if you try and go through them while they’re closing!
Freezer vaults for food in the sub decks - you can only get into these with the correct code and they have very thick walls. Good luck if you get shut in one of these just after the last round of checks bucko
There are cameras everywhere…except in the crew cabin corridors. Also there are no windows down there because unless you’re an officer, you live below the waterline. Day and night have no meaning because everything is in the same slightly unsettling yellow light.
Don’t piss off the guys who deal with the rubbish. They have machines down there that can crush metal barrels
As well as morgues, cruise ships usually have one basic operating theatre with all the attendant horrifying equipment in it
One cigarette thrown carelessly in the wrong place WILL start a fire that will gut half the ship.
When we’re pitching side to side, the anchor swings out and then back in, striking the metal outer shell with a noise that shakes half the ship
People disappear overboard more often than you’d really want to be a thing
A lot of cruise ships now have theatres on board (usually towards the front) with all the potential for dark corners, creepy costumes and electrical calamities you could want.
And as op says, you can’t really escape a ship in the middle of the ocean. Particularly during a storm, as then you can’t even evacuate to lifeboats unless the whole ship is going down. On the upside being on board during a storm means most guests hide in their cabins and the staff walk around like drunks, which would likely throw off a skilled murderer’s plans.
You also have the bonus of a corporate overlord who doesn’t give a shit about anything but profits and can be reliably counted on to downplay any disaster in an attempt to avoid publicity.
the ADHD writer's guide to actually finishing a draft (no, seriously) 📝
okay, tumblr, writers... we need to TALK about how to actually finish a damn draft when your executive functioning decided to pack its bags and leave for a permanent vacation in the bahamas.
i'm not here to give you that basic "just set a timer!" advice that makes me want to throw my laptop into the sun. we all know those productivity hacks that work for neurotypicals make us want to scream into the void. (been there, screamed that.)
so here's the ACTUAL guide from someone who's written three novels while her brain was actively trying to sabotage her the entire time.
FIRST: accept that linear writing is a capitalist construct designed to torture us.
i'm serious. whoever decided writers should start at chapter 1 and proceed neatly to THE END clearly didn't have dopamine playing hide-and-seek in their prefrontal cortex.
write whatever scene has your brain chemicals SINGING today. that climactic fight scene that's six chapters away? the tender moment between your characters that happens in the middle? WRITE IT NOW while your brain is actually interested. i have finished entire novels by writing them in chunks and stitching them together like the beautiful frankenstein's monster they are.
SECOND: the 10-minute lie (that actually works???)
tell yourself you're only going to write for 10 minutes. that's it. no pressure. your adhd brain can handle anything for 10 minutes, right? the secret is that once you start, momentum becomes your best friend. sometimes you'll actually stop at 10 minutes (congrats, you still wrote something!) but often you'll look up and realize it's been two hours and you've written 2,000 words. and yes i've seen this a lot, like everywhere, where they tell you "set a timer for 5, and by the time you realize it's 2 hours" i've seen this many times before, and it actually works. at first i thought it didn't but boy, i was wrong.
THIRD: use your hyperfixation powers for good, not evil.
we all know that adhd comes with the superpower of becoming obsessed with random things for unpredictable amounts of time. WEAPONIZE THIS. create artificial urgency around your project. tell people about your deadline. make elaborate aesthetic pinterest boards. create a spotify playlist that you only listen to while writing this specific project. trick your brain into making your WIP the shiny new hyperfixation.
FOURTH: body-doubling saved my writing career and it can save yours too.
find another writer friend (or any friend who needs to do focused work) and sit together - virtually or physically - while you both work. something about having another human witnessing your work process bypasses the executive dysfunction. i swear it's actual magic. discord writing sprints, zoom sessions with cameras off but mics on - whatever works.
FIFTH: embrace the chaos of your natural writing cycle.
some days you'll write 5,000 words in a frenzy at 3am. other days you'll stare at the document for an hour and write "the." BOTH ARE VALID WRITING DAYS. the only consistency we need is returning to the document, not some arbitrary daily word count.
SIXTH: create external accountability that doesn't make you want to die.
deadlines from publishers? great. deadlines you set for yourself? your brain laughs and says "or what?" find the sweet spot - maybe it's a writing buddy you check in with, maybe it's a public progress tracker, maybe it's promising your sister you'll take her to dinner when you finish a chapter.
SEVENTH: the frankendraft approach.
your first draft DOES NOT need to be good, coherent, or even make sense. it just needs to exist. leave yourself notes like [FIGURE OUT HOW SHE GETS FROM THE CASTLE TO THE BEACH LATER] and keep moving. your adhd brain will thank you for not getting stuck in research rabbit holes for six hours.
EIGHTH: find your optimal writing environment through shameless trial and error.
maybe you need complete silence. maybe you need to be in a coffee shop with specific ambient noise. maybe you need to write standing up. maybe you need to dictate your novel while pacing around your apartment. there is no wrong way to get the words out.
i personally write best when i'm slightly uncomfortable (weird, i know) so i often end up writing while sitting on my kitchen floor with my laptop balanced on a chair. whatever works, bestie. a finished messy draft is infinitely more valuable than the perfect novel still trapped in your head. your adhd brain is simultaneously your greatest challenge and your greatest asset as a writer. the connections you make, the unique perspectives, the creativity - all of that comes from the same place as the struggles.
you've got this. now go write something, even if it's just for 10 minutes. i believe in you. ✨ -rin t.
✦ A free (and actually helpful) guide to leveling up your first 10 pages ✦If you're unsure whether your opening is ✨doing enough✨ to hook re
A gothic prompt pack for writers who love cursed universities, secret societies, and scholarly rot.✎ Write the Darkness ✎A 75-prompt horror
Hi Guys!! sooo i've been thinking about starting a youtube channel for writing tips for like. months now. and i finally just. did it
My little youtube channel, feel free to click Here!! 🤍
The video took me two weeks to make lol pleaseeeee be nice to me. i'm not a video editor, i'm just a writer doing my best. Also i won't be showing my face btw, personal life stuff, you know....
If you wanna check it out that would honestly make my whole day 🥺 I currently have one (1) subscriber and i think they clicked it by accident haha. anyway subscribe if you want!! i also post daily shorts. I'll keep making videos i promise, just. slowly. sorry.
anyway !! the video is about prologues... do we actually need them and what kinds are there? because a lot of writers (including me not that long ago lol) didn't really know and i think it's really fun to talk about .
Aaaaaand... if you're coming from tumblr please drop a comment!! i love knowing you're there and feel free to share your opinion too, i genuinely love hearing what you guys think
Omg, guys, I love every single one of you who took the time to watch the video, follow, and leave a comment. Seriously, I have the best community ever. Thank you all so much for the support 😭😭😭😭😭🫶🏻
too lazy to think abt this in japanese context bur i think toya would be some1 who hates when ppl go "love you" like. without the i in front. akito says "love you" instead of "i love you" and toya just neutrally stares at him until he realizes and corrects himself . . .The i is important to him okau he needa hear it
i love you all and i need you to stop writing trauma as a single breakdown scene in the rain after which the character is Healed and Ready to Love Again. that is NOT trauma :(
⊹ Trauma doesn't announce itself. it shows up as your character suddenly not being able to eat a specific food, or going very quiet in a loud room, or laughing at the wrong moment because their nervous system decided that was the appropriate response. it's mundane and weird and it makes no sense from the outside. the dramatic flashback sequence is the least realistic part. the most realistic part is your character suddenly needing to leave a grocery store for a reason they can't articulate.
⊹ The body keeps score and it keeps it in the strangest places. a particular smell. the quality of light at a certain time of day. a tone of voice that sounds like someone who hurt them. your traumatised character doesn't think "this reminds me of the bad thing." their heart rate spikes and they don't know why. they feel wrong and they can't locate the feeling. they're irritable for three days and only later, if ever, do they make the connection. write the disconnection. it's more honest.
⊹ trauma also does not make people universally sympathetic and wise. it makes some people controlling. some people funny at inappropriate times. some people very good in a crisis and completely unable to handle a normal day. some people are generously kind to strangers and absolutely terrible to people they love. trauma shapes behaviour in contradictory, inconvenient ways that don't resolve into a lesson. your traumatised character can be difficult to like. that's not a flaw in the writing. that's the WRITING.
⊹ Healing is not linear and it is not a destination. your character does not get better and stay better. they have a good month and then something small undoes two years of progress and they have to start again with slightly more tools than before. that's the actual shape of it. the spiral, not the arc. the scene where they finally open up and cry is not the end. it might not even be progress. sometimes it just means they were tired that night.
I genuinely cannot explain to a non-writer what it feels like when a chapter suddenly clicks. it's not satisfaction. it's not relief. it's this horrible specific feeling like you just remembered something you never knew. like the story was already there and you finally stopped being in the way of it. i don't know what to do with that feeling. i just close the laptop and stare at the wall for a bit.
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