OBSESSION 2026, dir. Curry Barker
macklin celebrini has autism
cherry valley forever

❣ Chile in a Photography ❣

ellievsbear

No title available
occasionally subtle
Jules of Nature
I'd rather be in outer space 🛸

Discoholic 🪩
Cosimo Galluzzi
d e v o n
taylor price
todays bird

blake kathryn

izzy's playlists!
TMBGareOK. The Official They Might Be Giants tumblr

Andulka
Mike Driver
No title available
Aqua Utopia|海の底で記憶を紡ぐ
seen from Israel

seen from Lebanon

seen from United States

seen from United States

seen from Mexico
seen from Syria

seen from T1
seen from Spain

seen from Brazil
seen from Canada

seen from Japan
seen from United States

seen from United States
seen from United States
seen from United States

seen from Germany
seen from Philippines

seen from Indonesia

seen from Lithuania
seen from Libya
@thatsdeepyo
OBSESSION 2026, dir. Curry Barker
thinking "everyone can tell im bad at this" as i stand completely motionless doing nothing in public
The Drama (2026)
Directed by Kristoffer Borgli
Cinematography by Arseni Khachaturan
This is me btw
please accept my sincerest oopsie daises
me, mentally flipping through the various daydream universes i’ve crafted up like records in a crate: hmm, which fantasy shall i indulge in tonight?
Indecision, Ed Ruscha, 1982
Etching on paper 36.8 x 38.7 cm (14 ½ x 15 ¼ in.)
"Everything Appears as it is: Infinite" by Alex Dodge
via The Spencer Museum of Art at the University of Kansas:
Material/technique: brail texture; six-color UV screen print Dimensions (Height x Width): 512 x 815 mm / 20 3/16 x 32 1/16 in Artist Alex Dodge made this print with a computer program that builds virtual spaces. The artist wanted to point out the contrast between the geometric human-made tiles and the wavy organic shapes made by the water. The geometric shapes (tiles) were formed by using angle measurements. The organic shapes (waves) were made by taking photographs of waves. Dodge used the computer program to blend the shapes together.
Solarpunk
Cōngmíng aka 聪明 (Chinese) - Still Cold, Digital Art
pisses me off so bad that once a horror film becomes critically acclaimed, horror haters will try to claim its not actually a horror film.
also this is so good.
John O'Brien for NEW YORKER magazine, 1991.
Something I loved about Evil Dead Burn is how the movie doesn't flatten abuse into deception. The idea that physical abuse and love coexist is one I am glad more movies are acknowledging. And I am so happy that it isn't used as a way of making abuse morally grey. Instead, writers are aware that love is why people stay inside abuse, that love is what maintains the abusive dynamic, and that love is not good enough.
Love is not pure or safe. It is not a virtue. It is not a personality. And love that does not move one to be considerate, kind, understanding, is not good enough. Love isn't an excuse when it is an entitlement.
i don’t understand how anything works i just walk through life terrified
prophecy girl
BACKROOMS 2026, dir. Kane Parsons