Small birthday present, even if I’m terribly late, for @biryukzlodei-artblog inspired by a meme he liked time ago.
Happy late birthday big cat, be more like Snow and less like Kat 🍰

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@the-bread-dictatorship
Small birthday present, even if I’m terribly late, for @biryukzlodei-artblog inspired by a meme he liked time ago.
Happy late birthday big cat, be more like Snow and less like Kat 🍰
"Oh, my dear Miss Everdeen. I thought we had agreed not to lie to each other,"
Post assignments destress sketch of The Bastard (affectionate) in his two eras (can you tell who’s my favourite)
first dance in the underworld
Fanart based (kinda) on @mostremote’s fic The Shivering Season! <3 thank you so much for creating such a wonderful piece of writing it changed me.
(Some doodles below the cut)
Here’s the thing for me: the prequel does not make Katniss “the chosen one” (and believe me, I had such undeserved hatred for this book when it came out for thinking it did make her this fated hero; I love it now, for all the reasons below). Snow himself may perceive her as “the chosen one” because he’s self-absorbed, and that is something the prequel shines light on: why Snow is so myopic about hurting Katniss specifically, instead of being effective in crushing the rebellion. He sees the narrative as revolving around him exclusively.
In reality, however, Katniss is still just a good and brave oppressed young woman who said “enough” — what is “fated” comes from the folkloric, interconnected nature of Appalachian culture, a culture rich with music, story, and supernatural goings on, a place that stands as the antithesis of elite society. Once Lucy Gray’s music and memory were in the wind and water, they weren’t going away, no matter who picked them up.
Also, I think we sometimes forget that these books have a lot of very subtly supernatural elements: off the top of my head, we have the birds stopping singing to listen to little Katniss, the fact that OF ALL PEOPLE the boy who loves her is reaped alongside her (I mean, that’s the plot, but still, and it kind of proves my point), all the eerily prescient connections to The Hanging Tree (“midnight”), Katniss inhabiting Finnick’s mind in his last moments, kissing Peeta to break the “spell” Snow has on him, Prim’s spirit seemingly trying to stop Katniss dying after the parachute bombs go off, not to mention the parade of “ghosts” Katniss sees in her rehab. That’s not all realism. No, the reaping wasn’t rigged. No, no one planned for Katniss to lead the rebellion because she maybe possibly was related to the Covey. It’s just one of those strange things that did happen here.
A ghost girl left some songs echoing in the coal-dusted streets, and one day a little girl sang one in a Kindergarten classroom, and a little boy heard her, and Snow’s days were numbered from that moment on. That, to me, is the most fated moment of the whole series: Katniss and Peeta, and the Valley Song: a real song, an American folk song, once sung by Lucy Gray. From that point on, the chips fall where they will.
After reading Sunrise on the Reaping, I want to come back to this. While I do think Suzanne is trying to weave a “single thread of gold” between the four victors, I still don’t think Katniss is the “chosen one.” Certainly she was “chosen” by the rebellion, but now we know … so were others (or at least one other, but I can imagine it was more).
The one aspect that gets in my craw a bit is this idea that Haymitch knew of Katniss, and not just knew of her, but had a close bond with her father. Now, it makes sense. It’s a small town. Everyone is probably related on some level. Yes, Katniss has Covey-kinship, but surely she isn’t the only one. And she doesn’t even know it: she just has an enchanting voice and knowledge of songs.
And then … I have to go back to why it doesn’t bother me that Peeta, too, has a fated sort of connection with Katniss before he is reaped with her. He falls for her … he symbolically marries her … (and with the more heavy handed symbolism of this prequel giving me license to do so I am going to lean even harder on that point now) … all before he even talks to her. When Haymitch says Katniss was luckier, and Peeta jokes that his name being drawn was a real piece of luck … that’s, strangely, true!
If there’s one thing we’re told about 12 (the “midnight” district, the dark before the sunrise on the reaping) it’s that strange things do happen here. And honestly, I’m still happy to say that’s part of the fabric of this story. Strange things, and choices, and a bit of un-crossing stars.
You know, another reason the love triangle doesn’t work is that Suzanne didn’t leave the whole “girl on fire” “boy with the bread” “toasting is our marriage ceremony” “Peeta fed my family with very toasted bread when we were kids” thing until the end of the series she dropped that mid-way and then had the audacity to be like “Gale still might have a chance tho” like no he doesn’t Katniss and Peeta have been symbolically married the whole time!!!!!
To add to the symbolic significance of food in the books, there’s a clear correlation between overt sweetness and deception.
Katniss’s first impression of the Capitol in the books compares the colors of it to hard candy
“Artificial candy Capitol” Katniss describing the Capitol again
The super sweet sleepy syrup Katniss has to lie to get into Peeta
Katniss has peppermint candy in her bag when Haymitch, Peeta, and her are putting on an act in front of the Peacekeepers
Finnick appearing with sugar cubes while he’s playing up his persona and figuring Katniss out
Maysilee is described as being killed by candy pink birds
Haymitch mentioning the stale marshmallow scam from the candy shop
Lenore Dove being killed by gumdrops
That’s not to say that means all sweet things are bad in the books, just the excessively artificial. There are some sweet things that are shown to be sources of joy but they’re more on the balanced side.
The bakery Peeta comes from is known to produce a goat cheese and apple tart along with a nut and raisin bread. Both very balanced dishes in how sweet they are.
Hot chocolate which is portrayed more along the lines of comforting and a balanced sweetness. Which makes sense with the bitter roots of how chocolate originally tastes.
Sejanus’s mother sending baked goods
Clearly it’s a critique of artificiality, which makes it all the more satisfying that the Mockingjay was a girl who saved her family with dandelion salad and hunted fresh meat to feed them. A girl who tried saving her sister who made goat cheese made from a goat gifted out of love, not necessity. A girl whose relationship that ultimately brings down the Capitol finds joy and hope in simple, nourishing foods like cheese buns and nut and raisin bread.
Coming back to this I completely forgot Coriolanus’s interaction with Maude Ivory which is one of the only descriptions of candy being used in an innocent light. Then later in life he uses poisoned candy. Maybe this symbolizes Snow himself, how there were pure sweet things for a moment of time in his life and then he made the decision later to poison it with his paranoia. And maybe it also represents him, he’s been poisoning himself for years, but he was like a candy at first. Artificial in some ways but also genuinely sweet.
Donald Sutherland on Snow's relationship with Katniss (audio on obvs)
Donald Sutherland discusses Snow's relationship with Katniss extensively in interviews but these aren't very well known, so I ripped the relevant audio and set it to clips from the films, as well as using some pieces from the DVD extras. I cleaned up the audio the best I could but these are from a diverse range of sources so forgive the unevenness.
I didn't intend this to come out so... erotic(???) but Sutherland just talks Like That
Thank you, OP.
Donald is a SAGE. He knew. I wouldn't be at all surprised if his interpretation of Snow, which elevated the character so far off the page, inspired Collins to write TBOSAS and its central romance.
"It has to do with power. It has to do with elegance. It has to do with denial. And it has to do with cruelty. No one else has been a threat to him.... and she was the very manifestation of threat. And he loved it. It's like this magic chess game... of trying to defeat this exquisitely instinctive creature, who's battling for freedom, for her freedom. What delight she gives him. He knows her so perfectly... Nothing - absolutely nothing - surprises him. With omniscient calm, he knows her perfectly. And she knows he does. And she knows that he will go to any necessary end to maintain his power. It is who he is... he tastes her. Her being is palpable in his... in his mouth. [Phew] You can't say that he fell in love, but his life gained some... semblance of coherence, knowledge, joy, revelation [??], sense. Things were put together; it wasn't just frittering out. When he thought that she was dead, his life was over. [Lucy Gray... would be long dead, and his heart dead with her.] Pathetically, sadly so. The joy of knowing at the very end that she had taken the truths that he had said and acted upon them... wonderful. It's still filled with joy and love and pleasure, this battle, even if he loses it. What he loves, regrettably, what he loves is... Lucy Gray Baird Katniss Everdeen. Oh, he just adores her. She's the perfect opponent. In any other circumstance, she would have been his replacement, but now she's his enemy. And, even though she hates me, he loves her. Everything she does is right, and it delights him. It charms him. And he adores her. She's perfect."
Snow knows Katniss "perfectly" because she is his younger self, as well as a sort of reincarnation of his Lucy Gray.
I don't think Snow wanted Peeta to kill Katniss.
He wanted Katniss to kill Peeta.
Peeta would attempt it, certainly, but a private reunion would be unlikely. Soldiers and doctors would be around and could help Katniss, which is what happened. Death is a possibility, but not guaranteed.
This reunion was meant to be a scarf with a snake underneath, an attempt to kill a lover.
And Snow expected that, stripped of the love that protected Katniss and with Peeta viewing her as a mutt, she would fire bullets back at him, lost in her hatred and her desperate need to survive. He would turn her into him.
I agree and this is even explored by Katniss in the text several times!
(Additional point, if he REALLY TRULY wanted Peeta to kill Katniss, he would have kept him fully physically healthy. A hijacked Peeta in PEAK condition would have absolutely killed her.)
"I don't know if it's the pods, or the fear, or watching Boggs die, but I feel the arena all around me. It's as if I've never left, really. Once again I'm battling not only for my own survival but for Peeta's as well. How satisfying, how entertaining it would be for Snow to have me kill him. To have Peeta's death on my conscience for whatever is left of my life."
"The trouble is, I do see. Why can't I just let him go? Slip him a pill, pull the trigger? Is it because I care too much about Peeta or too much about letting Snow win? Have I turned him into a piece in my private Games? That's despicable, but I'm not sure it's beneath me. If it's true, it would be kindest to kill Peeta here and now. But for better or worse, I am not motivated by kindness."
"And here, finally here in this place, in these circumstances, I will really have to kill him. And Snow will win. Hot, bitter hatred courses through me. Snow has won too much already today."
I am deeply fixated on the Hunger Games rn – more specifically Snow & the TBOSAS cast, but since there are countless essays and posts that say what I think about Coriolanus and Lucy Gray and Sejanus better than I will ever be able to, I turn my attention to Casca Highbottom because he is actually perhaps interestingly tragic – like Greek Myth sort of tragic, which is a very specific flavour of tragic. He’s perhaps the closest thing to something like prophecy – of the self-fulfilling sort – and inevitability we get in this book ,and that’s particularly interesting because this book is mostly that people are not predestined to be one way or another.
We all know the story, Casca Highbottom and Crassus Snow were friends once, close friends, close enough to be notable. Then they were paired together for an assignment to create a punishment for one's enemies so extreme that they would never be allowed to forget how they had wronged them, assigned by Dr Gaul. Casca created the Hunger Games drunk while Crassus got him drunker and writer all down and turned it in for a good grade. Casca got angry and broke it off with Crassus (which,,, okay, a bit of an over reaction for what was then just an assignment. He couldn’t have known that it would turn into what it would be then but I digress.)
Dark Days happen, Dr Gaul introduces the Hunger Games, introduces Casca as the architect of said Games. He becomes an addict. He takes out all his horror and agony and anger on Coriolanus Snow – Crassus’ son, casting the sins of the father onto the son. When Coriolanus eventually cheats for Lucy Gray, he sends him to the Peacekeepers. We know what happens then. Snow comes back, and Casca is poisoned by him.
So let’s get back to the point:
Casca Highbottom is a tragedy, but he is also a cautionary tale.
Casca – alongside Dr Gaul – plays very well against the themes of the novel, namely speaking, as Lucy Gray put it, that “there’s a natural goodness built into human beings.” But while Dr Gaul plays against it in a simultaneously more direct yet abstract manner with her thesis on humanity being inherently cruel and animalistic, Casca plays against it in a more personal manner by assuming that Coriolanus is a bad person, the same as his father, that there is rot in the bloodline. There isn’t, or there may be, but – if you isolate the various protagonists’ stories – Coriolanus is perhaps the least doomed character to exist in the franchise. Katniss was doomed to lose Prim, we see it with the very first sentence. Haymitch was doomed to lose his loved ones, he went through the Hunger Games and was a rebel and Snow has a grudge. Coriolanus is human with human wants and human needs, he could have chosen good, he didn’t in the end, but he could have.
Casca Highbottom is kind of the embodiment of a self-fulfilling prophecy here – to think that Coriolanus is a monster, and then to facilitate his transformation into that monster. He is the Hecuba to Coriolanus’ Paris, the Laius to Coriolanus’ Oedipus in that way, the Amulius to Coriolanus’ Romulus and Remus, to those familiar with Hindu literature he is the Kamsa to Coriolanus’ Krishna. He is cruel to Coriolanus and to try to get rid of him because all he sees is Crassus, the living embodiment of Casca’s mistakes and the cruelty that has been inflicted because of them. In this story, considering what we know of Snow in his future, that is perhaps a good thing at first. And in many ways, Coriolanus’ exile to the Peacekeepers – to Twelve, could have been a good thing, it was where he was most human after all, where there was less Capitol propaganda to influence him, the air is fresh with a freedom that could not be found in the Capitol. But no one could have known what happened next.
So Casca Highbottom sends Coriolanus Snow to the place the human will fully die and the monster will be reborn, and that monster will kill him and move on to the rest of the nation, the cycle of cruelty will continue to greater heights than just two petty people. Casca – someone who deeply hated the cruelty inflicted on the Districts, who is good in some parts and bad in other la – is now an accomplice to the oppression of the Districts . That’s a fate worse than death, I think, to have your name associated with something so horrible, and it's even worse to have been able to go the other way around if only you were kinder.