Tips for Writing Injuries
⧠Broken ribs suck. You donât just âwalk it off.â Breathing hurts. Laughing hurts. Existing hurts. Characters with rib injuries wonât be doing heroic sprints.
⧠Concussions arenât instant naps. Dazed vision, nausea, dizziness, maybe even personality changes, but theyâre not going to collapse neatly like in the movies.
⧠Blood loss is sneaky. Itâs not just about dramatic pools of blood. Itâs dizziness, confusion, and the body getting cold as circulation tanks.
⧠Adrenaline lies. Someone can take a serious injury and not feel it until the fightâs over. That âI didnât realize I was bleeding until laterâ trope? Very real.
⧠Twisted ankles are brutal. One bad step and suddenly running is off the table. Even walking hurts like hell. Perfect way to ground a chase scene.
⧠Burns linger. Even small burns hurt more than most people expect. Blisters, infection risk, constant pain, itâs not just a cool scar later.
⧠Dislocated shoulders = useless arm. Characters canât keep swinging a sword or firing a gun. Theyâre basically fighting one-armed until itâs fixed.
⧠Shock is a thing. Pale skin, trembling, rapid heartbeat, and eventually disorientation. A character might not even realize how bad their wound is.
⧠Stitches arenât magic. Getting sewn up is painful and recovery takes time. Theyâre not instantly battle-ready after a needle and thread.
⧠Scars tell stories. Some fade, some donât. Some stay sensitive forever. Donât forget the aftermath when the wound becomes part of the character.
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