I really think my mistake was ever believing I could achieve some magical accomplishment or “grow up” in some way that would allow me to escape feeling the way I have felt my whole life

bliss lane
PUT YOUR BEARD IN MY MOUTH
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@theartofmadeline
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Lint Roller? I Barely Know Her
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EXPECTATIONS
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@the-unconsoled
I really think my mistake was ever believing I could achieve some magical accomplishment or “grow up” in some way that would allow me to escape feeling the way I have felt my whole life
I feel awkward telling my parents my flight dates when I'm planning a visit because half of the visit will always be spent with the other parent. My dad does a pretty good job of pretending my mother doesn't exist and my mom is sensitive about how I split my time
Keeping Watch on The Basin
There's a job I'm going to apply to. girl who is going to be ok meme
feminist killjoy hours again, what the actual fuck is “weird girl literature” and how often do we acquiesce to the latest degrading gendered advertising campaigns
Women did not fucking pioneer horror, thriller, and science fiction as we know it for publishing to infantilize it into a high school phase
is Stephen king “weird boy literature”? Or does he get to be an adult horror novelist?
Rabia S. Akhtar (Pakistani, 1992) - Counting the Hours (2024)
Crashing out x1000. My life is so chill right now but I'm so bored and lonely. Spent hours today doing a puzzle. I try to read a lot. German class starts up again next week...somehow I doubt that's going to be enough stimulation
Edward Steichen Delphiniums, 1940. Dye imbibition print. Digital image courtesy of the George Eastman Museum. © 2019 The Estate of Edward Steichen/Artists Rights Society (ARS), New York. Thanks to Anke Roder
Watching some old reality TV (Top Design season 2 if you’re curious) and it’s from 2008… a full 18 years ago. Just feel kinda insane thinking about watching it at first when I was in junior high. And what a time capsule it must be for the people who appeared as contestants too!
“The truth is that sexuality is everywhere: the way a bureaucrat fondles his records, a judge administers justice, a businessman causes money to circulate; the way the bourgeoisie fucks the proletariat; and so on. And there is no need to resort to metaphors, any more than for the libido to go by way of metamorphoses. Hitler got the fascists sexually aroused. Flags, nations, armies, banks get a lot of people aroused”
— Deleuze & Guattari, Anti-Oedipus
one thing europe has that the US lacks is when you go in the kebab shop and they got shiny sweaty young hairy guys that are jacked and chubby working in there and you and you start 3d visualizing sucking dick in your head but you just gotta order normally and get out of there
salut! je veux juste partager: aujourd’hui, c’est world donkey day! j’espère que notre roi des ânes pirlouit est content avec sa fête :) et bien sûr j’espère que vous allez bien et que vous profitez du printemps!
(et désolé pour mon français, c’est ma deuxième langue et je suis rusty mdr)
Merci du message 😊 Grâce à toi Pirlouit s’est vu offrir des morceaux de banane !
In honour of World Donkey Day, here are some translated excerpts from the French book "The Donkey and the Bee" by Gilles Lapouge, which is, as its name suggests, a comparative study of these two noble animals:
« We must acknowledge that the donkey and the bee occupy two very distant, if not incompatible, philosophical positions. They do not share the same Weltanschauung at all. The donkey is tempted by anarchy—a gentle, mischievous anarchy. He is no revolutionary, oh no! He accepts servitude, beatings, fatigue, and nonsense, and pretends to obey his masters when in truth he does as he pleases. He can get indignant, and rebel, but his rebellion is solitary. The donkey hates all ideologies. […] He even scorns reform. Things are what they are—that is his creed. No one is more alien to Marxist preaching than he. He has always refrained from participating in class warfare because he knows he has already lost. […] Moreover, he does not like theory. He is too subtle to adhere to a system, a doctrine […].
What I like about the donkey is that he possesses two opposing virtues: infinite docility and an iron will. This is the mark of a mysterious nature. He is at once badly behaved, intelligent—very intelligent—cunning, loyal, tender, and devoted; suspicious, proud, heroic, capricious, disdainful, and modest. Uncompromising and resigned at the same time. He is grey and nonchalant. […]
As a musician, the donkey is no good. He cannot compete with the bee. He does try, though. As soon as he has a free moment, he plays a few notes, but these notes are off-key. To all ears around him, the donkey’s braying is torture, but the donkey does not let his critics get him down. Everyone scolds him. Five minutes later, he once again blows his horrible trumpet. […]
Human time [is] of no concern to the donkey. He lives within it, like everyone else, but [he disdains] our calendars. The cat, too, pretends to share our hours, but if you look into its eyes—that distant gaze—you’ll understand that the cat dwells elsewhere, far away. It has left its body on the sofa, out of courtesy and to keep up appearances, as evidence and as an alibi, but it has silently slipped out of its skin and is purring in other dwellings, in other compartments of time.
[…] I like these comparisons between the cat and the donkey. Sometimes I wonder if, instead of limiting this essay of comparative zoology to the donkey and the bee, I shouldn’t have broadened its scope and enlisted the cat in my troupe. But on the other hand, the similarities between the cat and the donkey are contradicted by a few massive differences: the cat is a sublime silence while the donkey is a thunderous silence; the cat is, moreover, supple as a cat while the donkey is stiff as a donkey. I might add that the donkey and the bee are already giving me a hard time; adding the cat to this endeavour would be epistemologically justified but philosophically exhausting. »
“Tact, like empathy, is based on a certain form of mutual understanding. But while empathy implies the idea of entering someone else’s mind inasmuch as it is linked to the presumption that ‘I know how you feel’, tact exists to create a form of bonding between individuals that is not based on the idea of intrusion but, conversely, on the respect for existing boundaries, and on a willingness not always to assume that one knows. While empathy requires resonance and proximity, tact is there to restore distance, and to accept the difference between the individuals involved in order to protect and preserve their dignity. Tact is based on an attention towards otherness.”
— Katja Haustein, “How to Be Alone with Others: Plessner, Adorno, and Barthes on Tact” (via mehreenkasana)
Inside Willi Smith’s apartment (1986)
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