by Burçin Esin
NASA
No title available
ojovivo

blake kathryn
dirt enthusiast
Stranger Things

pixel skylines
Sweet Seals For You, Always

Love Begins
styofa doing anything
No title available
Claire Keane
sheepfilms
Lint Roller? I Barely Know Her

JBB: An Artblog!

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TVSTRANGERTHINGS
Misplaced Lens Cap
will byers stan first human second

if i look back, i am lost

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@thebcc
by Burçin Esin
Sergei Danchev, Saint Petersburg Жаркий день - Hot Day (2013) oil on canvas 60 х 55 cm
By yama-bato
©yama-bato
Vikky Dougan
by Ralph Crane
ca. 1956
by Burçin Esin
Roy Kahmann
Nora Akino
Deep Spring
Painting of a Mouse, by Shibata Zeshin
The British Museum Images
2. Leaf from Album of Seasonal Themes: Crescent Moon, 1847.
Shibata Zeshin
EXHIBITION – KEIICHI TAHARA @ MEP – asian contemporary art
•Kunitsu-Gami: Path of the Goddess
•Kunitsu-Gami: Path of the Goddess
by Silvana Amicone
miliquita:
Mucha
One of the greats!
firsttimeuser:
A l’aurore quand tout est cousu d’Or…. © CelineM
Some things are so fleeting. You have it, clearly, right there in your gaze, just for a millisecond, and then… it’s vanished. What follows is the worst part, when you start doubting that you even saw anything in the first place.
welovepaintings:
Eyvind Earle
A Swirl of Fog
1976
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“Being a painter, I will tell you just what I try to do when I paint. Beauty is the thing we are all searching for. As far as I know, truth is beauty, but often the truth is not beautiful. In nature when I look I see trees, some of them are such that they thrill me with their perfection and their sweeping lines and certain mood they seem to have. Windswept plains give me something that can’t be seen. In every tree I feel as though I could see the soul of that tree. It is alive. It is a person. And if beauty be related to the truth, harmony and balance must be there, and there must be movement because in nature all things move. And there are certain laws such as the law of duality. Everything has its opposite. Nothing is without its opposite. If I want a bright light in a painting, I must have a dark shadow. If I want a color to look very warm, I must have also a very cold color, and so on and on forever. But when I paint, I forget the things I know. I just sit there painting away, trying to get the feeling into my painting that I feel inside. Whatever beauty is, I feel it, and as long as I can I shall try to find more and more beauty, and to put it down so that others can see what I have seen.”
Eyvindearle.com