The Greater Trenchcoat

jocey//they/them. I AM A HOTGIRLCASTIEL STAN

[thegreatertrenchcoat]

Kelly Kline , my beloved

[youhavethesun]

have been on the character x textpost grind today for some reason, here’s some jess <3

[echofades]

MAE MARTIN in WAYWARD (2025)

[thegreatertrenchcoat]

Hot

[daniellarusso]

It took all of a week. They broke up at recess. She did not take it well.

FLIPPED ( 2010 )

[wadinginthevelvet]

you’ve met me at a very langdonmel time in my life

[snoozingsnoopy]

meme + emoji reactions

THE PITT 2.02 - 8:00 A.M.

[kingdonsgifs]

[scarletjohansson]

LOOK AT MY DOCTORS MAN THEY´RE FALLING IN LOVE

[japril]

Mel and Langdon + callbacks from their first shift together

[bigger-rat]

Vladimir Serov, The Worker (1960) and The Builder (1964)

[reddus-sideblog]

She’s winding up to slap his ass

[popularculturesource]

Julia Roberts in RUNAWAY BRIDE (1999) dir. Garry Marshall

[comeoveragain]

This movie is CRIMINALLY underrated, and I will die on this hill.

[nikidanger]

Julia Roberts made the best romcoms in the history of humans.

Fight me bout it.

[gusvanscant]

'Party Girl' (dir. by Daisy von Scherler Mayer) [1995]

[soundsofmyuniverse]

Liv Tyler as Corey Mason in Empire Records (1995) dir. Allan Moyle

[femalegifsource]

Goldie Hawn and Meryl Streep in Death Becomes Her (1992)

[perlahs]

this never-sent letter from eve to joan is CRAZY (published in didion & babitz by lili anolik)

[thegreatertrenchcoat]

Eve babitz and Joan didion, you make me insane

[literary-melancholy]

“I’m always amazed at how books find us at the time we need them, as if there’s some omniscient, benevolent librarian in the sky.”

Eve Babitz, Black Swans

[nodeathking]

Mi vida loca (1993) Dir. Allison Anders Young Latino women view their lives as gang members in Echo Park, Los Angeles.

[xxxophelia]

While the (white) Sad Girl debuted around 2012, Sad Girls have long existed in Latina/x and immigrant communities on the West Coast.

The 1993 film Mi Vida Loca depicts young Latina/x’s living in a Los Angeles neighborhood controlled by gang violence. One of the main characters (Angel Aviles) is named Sad Girl, with the name tattooed across her knuckles. Explicitly from the film, Sad Girl was picked up by Tijuana- based feminist art collective Sad Girls Y Qué (Calderón-Douglass 2014). Offering an “alternative” to white feminism, they “retaliate against the culture of machismo prevalent in Mexico and the world at large while reappropriating a girly ‘feminine’ aesthetic. Since their [2013] inception, they have garnered fangirls … who identify with their chola chic propaganda and messages of feminine solidarity.” Sad Girls Y Qué reclaim “feminized things and anything pink … [things] usually devalued, made less important” (Calderón-Douglass 2014). The collective/symbolic sentiment hails Muñoz’s “brown feeling,” or a raced, gendered, affective “receptor” that transcends time space, a tool of resistance against violence specific to lived experience (Mooney).