SRRY NT SRRY

alex. 30. nansemond. queer. nonbinary. they/them. unceded duwamish & coast salish territory.

[spyder-on-the-wall]

[twentythreeskeet]

[doodlebymeg]

Is that too much to ask for? ✨

©️ Doodle By Meg LLC

[semtituloh-deactivated20260304]

Vía In-sight

[petitworld]

by Cortney

[sophsun1]

The Addams Family (1991) dir. Barry Sonnenfeld

[keenanmarchandart]

Dreamers, They Never Learn (2021, three part series)

[mixedindy]

kiracyan.design on instagram

[theirghost]

A few of my fav recent photos from my Lapse journal 📷

[hayyytommy]

Native land in native hands

[leslieseuffert]

Armin Blasbichler, T III, 2009 [Inception Door] - 585 mounted diapositives of Pantone swatches, laminated glass, wood frame | H 211cm, W 97cm

[beautiful-contrast]

Scotland

[softpyramid]

William Monk Hands 2014 Oil on canvas 94 7/16 × 94 7/16 in

[kummatty]

The gelatin in film stock was made from the hide, bones, cartilage, ligaments, and connective tissue of calves (considered the very best), sheep (less desirable), and other animals who passed through the slaughterhouse. Six kilograms of bone went into a single kilogram of gelatin. Eventually, the demands of photographic industries generated so much need for animal byproducts that slaughterhouses became integrated into the photographic production chain. Controlling the supply chain became key to Kodak's success. In 1882, as Kodak began to grow as a company, widespread complaints of fogged and darkened plates stopped production. The crisis almost ruined Kodak financially and resulted in the company tightly monitoring the animal by-products used in gelatin. Decades later, a Kodak emulsion scientist discovered that cattle who consumed mustard seed metabolized a sulfuric substance, enhancing the light sensitivity of silver halides and enabling better film speeds. The poor-quality gelatin in 1882 was due to the lack of mustard seeds in the cows' diet. The head of research at Kodak, Dr. C. E. Kenneth Mees, concluded, "If cows didn't like mustard there wouldn't be any movies at all." By controlling the diet of cows who were used to make gelatin, Kodak ensured the quality of its film stock. As literary scholar Nicole Shukin reflects, there is a "transfer of life from animal body to technological media." The image comes alive through animal death, carried along by the work of ranchers, meatpackers, and Kodak production workers.

—Siobhan Angus, Camera Geologica: An Elemental History of Photography

[k-i-l-l-e-r-b-e-e-6-9]

[this-old-stomping-ground]

(via c21a70048ba298054651cf591bc4f5c8.jpg (736×1104))

[sugarmint-dreams]

ethereal pond ‧˚❀༉‧˚

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my shop | kofi wallpaper