mel tomlinson photographed by daniel s. sorine
Three Goblin Art
AnasAbdin
Not today Justin
ojovivo
KIROKAZE
hello vonnie

pixel skylines
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izzy's playlists!
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@theartofmadeline
Sweet Seals For You, Always

Kaledo Art

Discoholic šŖ©
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

Origami Around
cherry valley forever
Keni

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@thejasperaesthetic
mel tomlinson photographed by daniel s. sorine
Gotta say my mental has been EXTREMELY hocus as of late
Sade Adu
PANSY: A BLACK AMERICAN MEMOIR coming Fall 2024
I'VE WRITTEN A MEMOIR, Y'ALL!
It's called PANSY and I can't wait to share it with everybody in 2024.
Click thru to learn more >>>
I spent ten years building up a following on Tumblr. I had 30k+ followers, great engagement, it helped my career thrive like nothing else. I could quit my day job and live off the fan base Iād accrued.
Then, their policies changed. Half my work was no longer allowed. People left the site in droves. I left too, for awhile. I came back to a ghost town. I still have 25k followers, but I donāt think more than 10% are active anymore. Iām followed by ghosts. Same with DeviantArt, although I was never quite as big there, and Iāve been gone so much longer.
This disallowed half of my work was never allowed on Facebook in the first place, or Instagram, but their algorithms are such that my stuff rarely makes it to anyoneās feeds, and if I post a link to where people could actually pay me for my content, itās hidden unless I pay for it. Patreon swept my work away to a dark corner where no one could see it unless I personally guided them there. Twitch is so strict you canāt even show bare feet. The death of Google Reader means nobody follows RSS feeds anymore, so I canāt direct people to my own site.
So thereās Twitter I guess, where I can post whatever I want, but again, algorithms. But more than that, I donāt have the energy to build up a following once again on a site I donāt own that can delete my career on a whim. The thought of spending time jumping around through hoops for attention just to have it taken away again has stripped any motivation I had to try.
The internet has been gentrified. All the small cute houses and mom & pop shops have been shut down and replaced by big corporations that control everything. Iāve been making webcomics for twenty years, and at the start, the internet was a beautiful wild place. Everyone had a home page. It was like having a house and people came to visit you and you would visit other people in their houses. Now, we donāt visit each other in personal spaces anymore. Itās like we have to visit each other in the aisles of a megamart. Everything is clean and sanitized and the weirdos who made the internet what it was are no longer welcome. No space for freaks anymore.
People still ask me for advice on how to break into comics, and I donāt have any wisdom because I donāt recognize the internet anymore. I donāt feel comfortable working within its boundaries which seems to be getting smaller and smaller and smaller. None of the tools I used when I started exist anymore. Theyāve been replaced by things I donāt know how to use. I donāt think I could break into comics today. 2002 had so few barriers compared to now. You might have started on Keenspace, but you could reach a point where you could break away to your own site and people would go to it. Now, you start on Webtoon or Patreon and I guess you just stay there? It feels so much like owning a hardware store for years and then having to go work as a cashier at the Home Depot that put you out of business. Iām looking at my career trajectory and it all points to being a Wal-Mart greeter with uncontrolled arthritis.
I donāt want to makeĀ ācontent,ā I want to make comics, I want to make art, and I want to do it in a space that is mine. Iām not sure thereās a place for that anymore.
As Twitter empties out, I am once again a digital nomad, trying to rebuild a following on yet another site I donāt own (Bluesky, which is nice and you should follow me but also I am just so tired.) Every single time I move to a new site, maybe only 10% of old followers keep following me to the new place. Having done this several times, I barely have anything anymore.
YU+ME, at its peak in 2007, had 250,000 regular readers that came to my own personal website. Today, I have 450 followers on Bluesky. To say that I feel absolute existential despair is an understatement. I am making the best work of my life and nobody is seeing it.
This week I highlighted some dope R&B, powerful refugee stories, a fantasy novel starring magical trans femmes, and the epic Shuggie Otis.
Check it out, and subscribe now for more free and fun posts like this >>>
Dom Sebastian
LeliesĀ 22Ā Ā - Ā Margot Olde Loohuis
Dutch, b. 1973 Ā -
Oil on canvas , 80 x 120 cm
Philip Taaffe, Big Iris, 1985
Black and PoC folks, here's your FAQ on how to submit to here to complain (non-writers welcome)
Your submission FAQ (non-writers welcome!)
Thatās right, if youāre a Black or brown person with a work-related microaggression story to tell, we wanna hear itā because who among us doesnāt need to vent.
As a reminder,Ā here to complainĀ (H2C) is a Black-trans founded monthly digital zine all about airing out Black and brown folksā work-related grievances, as oftentimes weāre not afforded the space to do so.
AtĀ H2CĀ weāre building community around folksĀ who get it, who can lend an ear, help you read your employee for filth in the comments, or possibly console you with kind words and affirmations for all the nonsense you must endure.
But of course, we cannot do that without you.
So to get us started, hereās a short Q&A on the who, what, and when ofĀ here to complain.
>>>> Read the FAQ
any Black or PoC folks want a bluesky invite code?
hmu
submission request for Black and PoC folks who want to vent about work-related microaggressions (non-writers welcome)
the newsletter for venting about microaggressions