White people do reblog without going "I'm white butâ" "As a white personâ". If you have a story about another Black or brown person's experience, then share it without drawing attention to your whiteness, or share what made you laugh in the tags and move on.
Casual antisemitism from people who don't even really realize they're being antisemitic because antisemitism is so baked into their culture and speech patterns hurts in a very specific kind of way.......
Just a few snippets from one work day in the very Catholic workplace I work at:
In the weeks leading up to Easter, someone had left a bunch of tiny rubber/plastic Jesus figurines around the office. After Easter, at work, I was sitting at the desk and inspected one of the figurines, because I was wondering if it was made out of eraser-type rubber or if it was more of a plastic (it looked like it could go either way). Coworker goes "oooh you're gonna burn up!" when I touched it. I laughed it off, and she asked why I wasn't afraid to touch it. I said it was just a figurine, and that I was wondering if it was an eraser or not. I said an eraser would be apropos, with the whole 'erasing sins' thing and all. She suggested I test it out to see if it would erase. When I did that, another coworker jokingly said that I would go to hell for it. Then later, in a seperate conversation, my boss remarked that he was surprised that many Jews weren't factional about where they went to synagogue, and that many Jews were members of and attended more than one. He remarked that he "thought it would be more like gangs".
And like. I wouldn't consider any of these people to be maliciously antisemitic. In general, I enjoy working there and I think they're all decent people. When they do say something antisemitic, I'm less angry or hurt by them, and more by the society itself. That situation is far more disheartening, because it's a lot easier to change the minds of individual people than it is to change an entire society. Sigh.
How can I tactfully make fun of a Woman of Color in my story?
Anonymous asks:
The main character of my story is an eleven-year-old black-and-asian girl whoâs just moved to a little hamlet in northern Scotland. The first two people she meets, a pair of siblings about her age who have never seen anyone with dark skin or hair that isnât straight and blonde or red, are gobsmacked to see her. Everyone knows everyone in that hamlet and they all see each other as family, so the siblings have never had to learn how to greet a stranger.
They immediately start poking and prodding her, and asking what in the world she did to her hair, her skin, her eyes, and she grumpily asks what they did to theirs. Thereâs no malice behind their poking and prodding, only curiosity, and after this scene, no one bothers her about what she looks like again. This sequence is played for laughs, but is this the kind of thing thatâs okay to play for laughs?
I also want to make sure I handle it as tactfully as possible. This scene is used to establish that my main character is very out-of-place in the hamlet, and to show that the siblings are extremely sheltered and ignorant about the wider world.
As is, the âjokeâ is not funny; itâs just ignorantÂ
I do not see the humor in mocking a Black and Asian girl for their very natural traits, that have a heavy weight of discrimination and systematic racism working against them already, both historically and very much currently.Â
You also describe her as being âpoked and prodded" by these white girls. That alone is obtrusive and dehumanizing, to have them touch her to assuage their own curiosity like she is an object. Is this meant to be part of the humor too? If so, it also does not land.
Your story would not feel like a safe space, at least not for me, and likely other readers, if you make humor out of othering a BIPOCâs common physical looks and traits. This comes across as racism from the author, no matter your light-hearted intent.
ââŠand she grumpily asks what they did to theirs.â
Your Blasian characterâs mumbled comeback doesnât hold equal weight when these girls do not have historical racialized prejudice against them for their hair, skin, and eyes, particularly in the setting of your story where these white people's hair, skin and eyes are the norm and deemed acceptable.Â
Your Woman of Color is outnumbered here; besides possibly mild discomfort, this comment wonât leave these white girls feeling out of place when they have a nation of blond-haired, redheaded people to back up that they are the majority and the ânormalâ and she is the odd-one out.Â
Unless the character takes it to their level with the comments and returns the evasion of personal space, this simply feels like sheâs saying âI know you are, but what am I?â and that's enough correction to address their racism and dehumanization, intentional or not.
Race-based humor requires a delicate, expert touch
All that being said; a scene of surprise and humor related to her presence could take place, and it could even be âfunnyâ without singling out the Character of Color as being the victim of a jokeâ for being Black and Asian.Â
The success of your joke will depend on if itâs relatable to BIPOC, vs. it appearing as if youâre just making fun of our features, cultures and existence.
It should make us feel vindicated and satisfied with the outcome, vs. simply reminding us of the harm and othering people do/have done to us in similar situations.
There is a distinct difference between laughing with a joke and being laughed out: being the punchline of said joke. When the latter happens, Iâd know I am in enemy territory and the book will be put down for good.
I wouldnât trust what is next to come if this is the first impression weâre getting of how youâll treat this character.
And itâs not about not being able to take a joke â we sure can!Â
Humor is actually a key component in many Black communities (particularly American which is where my perspective comes from), a way to honor the good moments and to process trauma and ongoing harm.Â
Thereâs also a distinct difference between laughing at ourselves and among common company vs. someone intruding in our spaces to make a joke at our expense.Â
Comedic writing
Important note to any comedic writers: there are cases where some topics and moments will simply not be funny to most, especially coming from an outsider of the group.
(Notes on my experience: I am a HUGE comedy fan with a natural love for humor, consume comedic-material daily, and attend live comedic performances. My laughter can be heard across the nation.)
Comedians as research
Humor that pertains to race (and towards all marginalized communities, really) must punch up, not down, or itâs not really a joke. It is just thinly veiled racism/sexism/phobia, etc. This concept applies to all comedy and some comedians handle it well, while others (too many) fail. Time and place makes a major difference as well.Â
For research, you could do the following:
Search examples of humor based on race, gender, religion etc. where audiences either loved it or condemned the comedian for it. This could give you a baseline on how itâs done well and when it lands poorly. You can learn a lot from both cases.
Read and watch peopleâs reactions and discourse of said jokes, particularly from the very people from those communities. (e.g., If the bad joke harmed or targeted Black women, give weight to their discourse over any other group. Period.)
Where to find these jokes and discourse
Search engine search
YouTube
Comedian social media pages
Instagram
TikTok
Facebook
Blogs
Streaming channels like Netflix
Jokes found within TV shows, particularly shows with more risque or blunt jokes that make identity-humor (The Office (US), Always Sunny in Philadelphia, Curb Your Enthusiasm, etc.)
And donât forget to look at the comment sections.
Questions to ask yourself while researching:
Failed jokes/comedy towards marginalized groups
What did people [of the identity] find offensive about the joke(s)?Â
Beyond obvious fails such as using slurs from outside the group or black/brown/yellowface, what aspects in their delivery made a joke fail, whether overt or more subtle aspects of it?
Did present or historical context affect the failure of the joke?
What was the aftermath or consequences from the joke and overall community reactions?Â
Does the comedianâs background seem to contribute to the failure of the joke? (For example, having a history of picking on a certain group, their history of interactions with said group, documented history of racism, anti-xxx, sexism, assault, etc.)
Successful jokes/comedy towards marginalized groups
What did people [of the identity] find funny about the joke?Â
What aspects in their delivery made a joke land, whether in overt or subtle ways?
Does present or historical context affect the success of the joke?
What was the aftermath from the joke and overall community reactions?Â
Does the comedianâs background seem to contribute to the success of the joke? (For example, being an ally or having strong activism in the group, being connected to the group via partner, family or friendships, being of the same background, etc.)
Addressing the racism in story
As weâve said before: if there are microaggressions/racism in your story, it should be corrected and addressed in the story.Â
It should not be brushed off or used as humor with no commentary.Â
From how you describe these girls, I'm curious if they're just crass children, or truly do not know itâs wrong to treat strangers like this. Iâve got a lot of nieces and nephews, and even the ones a little younger/around that age you mention would know better than to start touching people and making such comments.Â
Of course, people are raised in different ways and cultures vary, so maybe this is realistic for them.Â
Reactions (from my experiences) of someone talking/interacting with BIPOC for the first time
Staring unyieldingly with open curiosity (sometimes expressionless, sometimes with a smile, rarely have I seen over the top fear or panicked reactions, but they could happen?)
Blunt compliments, observations and questions (e.g., She was dark and she was beautiful! The lady with beautiful dark skin! He had big hair!)
An excessive amount of comments and questions to the point of feeling invasive or like a dissectionÂ
Asking why their skin/hair/eyes are how they are (e.g., why is your skin dark? Why is my skin light and your skin is dark?)
Comparing darker skin to things theyâre familiar with like chocolate and night skies (obviously not greatttt, but is just a common comparison children might make, again from what I've observed)
Referring to brown skin as being painted
Asking if they are dark because they spent too much time in the sun
Giving them a nickname based on their appearance (e.g., The brown lady)
Reaching out or trying to touch hair, skin etc. or pointing at them
The above, including the examples, are exact scenarios Iâve witnessed and experienced first-hand from white and light-skinned children of younger ages, generally 4-7years, having reactions or making comments of curiosity about skin and traits that are different than theirs.Â
Handling these reactions
Obviously children of this age are generally innocent and these questions/observations arenât generally said with malice. But when they are wrong, offensive or are rooted in racism, they absolutely need correction, whether bluntly if theyâre older, or in a kid-appropriate way.
I believe that these children do:
1.Deserve an answer, explained in a way they would understand. We shouldnât shy around the topics and it is not shameful to talk about race! Colorblindness is not real and is a racist concept itself that attempts to erase and culturally-diminish BIPOC, so itâs okay to discuss. Children of Color are born with the burdens of racism from day one and can/do face it at all ages, so yes, letâs answer their curious questions, but correct where needed.
2. Can handle gentle corrections.
Examples:
âYou shouldnât call the woman chocolate. Sheâs a person, like you. She is not made of candy. You can refer to her skin as brown.â
âThatâs enough questions. Let them answer your first question, if they want to.â
âYou can look at him, but staring is not very polite. Would you like to say hello?â
âWe do not touch people without permission. Would you like it if a stranger touched your hair and clothes?â
Adding humor to these moments
I suppose there are ways to make some of these reactions humorous. Your mileage will vary, though. Iâd like to note that Alice, who grew up in a predominantly white European country, says your current scenario brings up bad memories for her. Youâll hear from Mod Abhaya as well.
So, what you may see as funny may be more discomforting to another.
Iâd advise getting opinions on these scenes to gauge reactions from Black, Asian and other BIPOC and readers overall (of any race).
Here are some ways that a curious/ignorant reaction could, possibly, be funny in story:
Your Blasian character corrects them with a long, silent scalding look that makes them wither and instantly regret and realize theyâve said something ignorant. They have to do the thinking themselves to realize their wrongdoing.
She rewards their ignorance with a spray of a water bottle or a swat of a handkerchief, fan, or whatever is era-appropriate. A few words explaining why sheâs doing it would reiterate the fault in their words. Note: this works best if physical humor is part of your story, otherwise it can unfairly paint her as violent. If other characters get involved in the corrections, that would help too.
She returns their treatment equally. (e.g., they pet her skin? She pets theirs. They compare her hair to something odd and unflattering? She compares theirs to greasy noodles and dead grass)
If excessive questions are asked, she returns the favor and asks her own and makes them feel uncomfortable right back (see above)
The character intentionally provides tall tale explanations. It could be simple or a myth of epic proportions. Whether they believe it or not, at least at first, could determine how funny it is).
The girls, having realized their innocent/ignorant wrongdoing, apologize in an over-the-top way that entertains your character.
Again! Please correct or chastise this behavior in the narrative
Whether from characters or author, this behavior should be deemed unacceptable.
In Summary:
Framing the ignorant comments as being the source of humor is something I'd advise against. Source the humor from the resulting consequences that come from their ignorant actions. Let your Character of Color get the true last laugh.
And if the children grow sullen or have their feelings hurt in this story, well, lesson learned to treat the young woman like a human.
Additionally, I'd avoid making truly egregious comments about the character's appearance. It may be fiction, but such words hurt when us real people have these features.
Take your creator responsibility role seriously. You are writing the words of these fictional characters, and some things cannot be unheard or taken back.
~Mod Colette
Intent does not excuse harm
Short answer: an individual lack of malice does not mean that someoneâs actions are not harmful or indicative of broader attitudes. Playing something like this for laughs, when many people have had bad experiences like this, leaves a sour taste in the mouth.
Longer answer:Â
There are a couple of aspects of this that I would ask you to consider.Â
You mention them poking and prodding at her. Are you intending to imply that these children do not understand the concept of personal space? I would assume most parents teach their children about not going up to strangers and touching them at random.
What time period is this placed in? Have they never seen a person of color on television or via the internet? Even if they have never interacted personally with a person of color, most children will have seen people of different ethnicities passively through the media. Many childrenâs books will show people of varying ethnicities. If they are tweens, how are they at a point where they have never seen people of color before? I would consider their actions to be indicative of deliberate aspects of their upbringing i.e. representative of attitudes shown by their parents or guardians.
Establishing your main character as a firm outsider to the setting by emphasizing her physical characteristics does not seem like it will reflect well to the audience. I understand that the incident is not repeated, but it sets an awkward precedent for the character coming into an entirely new environment.
As someone who has had their braid swung around like a jump rope by a random classmate, I would personally consider an incident like this harassment. Consider why you are choosing to frame something like this as comedic.
The video is slightly altered to make the message come from the manager but here is the actual submission:
âI decided to wear my natural hair out in a curly afro. Coworkers on my team were staring at me from a meeting room when I clocked in. Later they approached me and said they didnât recognize me and didn't know who I was. I found it hard to believe bc I was the only black person on the software dev team.â
I just shaved my head and I'm dreading going to work tomorrow bc I know I'm about to get at least two of these đ
Just had one of those âwow, disability in publicâ moments thatâs still sitting with me. While looking for a sewing kit at Dollar Tree, a kid (maybe 12?) rushed up, super excited to talk about the Ren fest tail they got today. (Cute! Love sharing joyful little nerd moments with people) Their mom came over, asked what was up, and when she heard us both say âRen fest,â she just⊠yanked her child away and hurried off. The child still waved bye, though.
A few minutes later, Iâm at checkout and the mom/child are in line behind me. The mom holds up a âThankfulâ house decor bulb thing and straight-up says, âWhen I seen you and then seen this, I thought of you rolling by and thought about how thankful Iâm not like you.â Her kid giggled, embarrassed.
I just told her, as calmly as I could:
âThat wasnât funny, maâam. That was ableist for being thankful youâre not disabled like me. But donât worry, you probably will be, one day. Everyone finds out eventually. Iâm not trying to hurt you, just⊠this is how to be an ally. Please try to do better.â
She gets huffy and says, âWell, I have autism, so I canât be ableist.â
I respond, âI have autism too, maâam. Iâm just telling you how it was received so you can do better.â Her child nodded silently, and the mom stormed into a different checkout lane.
People need to hear this: Having a marginalized identity does NOT make anyone immune from perpetuating harm toward other marginalized groups. The urge some folks have to make others' existence a punchline? To teach their kids that pity or âthankfulnessâ for being able-bodied is kindness? Enough.
If this makes anyone squirm or feel defensive then good, Sit with it & Learn from it. Disabled people get used as teaching moments, sources of âinspirationâ or âgratitude,â or just objects of awkwardness or hostility in public all the time. Itâs exhausting.
To that kid: you were just excited about your tail. Keep that energy. I hope you find kinder grown-ups soon.
If this is your reaction to being told that you committed a microagression then youâre part of the problem btw.
The individual in this picture said âNormal holidays like Christmas, and other ones like Hanukkahâ. This implies that Hanukkah is abnormal and others Jews. It also reveals the way theyâre inundated with cultural Christianity. The way they lash out is textbook white fragility.
Shen Jiu | Original Shen Qingqiu experiencing microaggressions regarding his past as a slave. Loosely inspired by things I've actually read in fics and were seemingly presented uncritically.
"It's impressive you're so articulate." (You think slaves can't be smart? This is an issue of access to education, not inherent ability.)
"But you don't look/act like one!" (What exactly do you think slaves are supposed to look and act like?)
"You're not like other slaves." (Please don't tell me you think slaves can't be ambitious/smart/strong/willing to fight for their freedom if given the opportunity.)
"You've proven yourself different." (Why do people have to prove anything? Different from what assumption? Actually, tell me less about your stereotypes for an entire class of people.)
"I treat everyone the same, regardless of their background." (This shuts down conversations about privilege, discrimination, and trauma. It's a white person saying I don't see color!)
"I was nice to a slave in the past." (Ok. You want praise for that? An award? You're supposed to be nice to everyone.)
"My family had slaves when I was growing up and I never abused them." (Holy shit! GO DIRECTLY TO JAIL. DO NOT PASS GO, DO NOT COLLECT $200!)