I love this SO MUCH
Monterey Bay Aquarium

@theartofmadeline
Noah Kahan
Sade Olutola
ojovivo

roma★
trying on a metaphor

PR's Tumblrdome
Aqua Utopia|海の底で記憶を紡ぐ
KIROKAZE
$LAYYYTER
NASA
sheepfilms

gracie abrams
RMH
Stranger Things
One Nice Bug Per Day
Lint Roller? I Barely Know Her
art blog(derogatory)
Fai_Ryy
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@thelilpumpkin
I love this SO MUCH
🗝 ༝
When I was a kid watching tv was idiot coded and nerds read books, but now scrolling shortform videos is considered braindead behavior and watching tv means you're some kinda intellectual. You might think this shifting assessment of media's consumers might make readers into absolute super geniuses, but no. Only perverts read now.
On the Seashore, George Elgar Hicks (1879)
Valais Blacknose sheep (📍Devon, England)
It actually kinda pisses me off that every time there’s an adaptation of some classic work coming out, there are takes like “maybe we should not judge the adaptation compared to the original”… I think if the creator doesn’t want their work to be compared and judged on comparison, they can make literally any other type of piece. I’m not arguing for a word for word adaptation - I think those are impossible, first of all, and just not fun to strive for. But slapping a recognisable title, names and plots into your work, and then turning around and asking people not to compare your work to the original is simply absurd lol
““Give Me Back My Beast!” Greta Garbo reportedly called out those words at the ending of Jean Cocteau’s Beauty and the Beast (1946), when she first saw the film. When the trapped Prince appears, after shedding his monstrous exterior, there is a strange sense of disappointment and loss, something that the film, beautifully, does not shy away from. The Beast, as played by Jean Marais, is such a visceral presence, so fearsome in aspect and yet so deeply emotional, that to see him as just a regular human (also played by Jean Marais) is upsetting. Something has been born, something has died. Belle (Josette Day) stares up at the glimmering prince before her, and you can see the loss flickering in her eyes. She does not fall upon him with lusty gratitude that he is now “beautiful” and therefore worthy of her love. She stares at him, in awe at the magic that has unfolded, but it is clear that her feelings are mixed. Finally, she says, “I’ll have to get used to it.” This is profound.”
— Sheila O’Malley
remember to bury the dead with a phone, everyone. these days the ferry terminal at the river styx wants you to download a fucking app
me throwing the canterbury tales across the room: flying chaucer
me throwing ‘sailing to byzantium’ and ‘the celtic twilight’ across the room: YEATS
*whispered* I’m afraid I’m going to have to ask you both to leave this library.
@lady-larklight
the art of making it matter
light a candle when you work. put on lipstick for the grocery store. play that song that makes you feel like you're in a coming-of-age montage. take the long way home. write love letters to no one. read poetry out loud to your plants. the secret isn't that life is inherently romantic—it's that you can MAKE it romantic by paying attention, by adding ceremony to the mundane, by refusing to let a single ordinary day pass unloved.
Could it possibly be coming home this time?
they say without haaland by his side bellingham died of a broken heart
𝖘𝖚𝖒𝖒𝖊𝖗-𝖜𝖍𝖆𝖙? 𝖘𝖚𝖒𝖒𝖊𝖗𝖜𝖊𝖊𝖓!
༄˖°.❦.ೃ࿔*:❧・.