A Night at WNTI with Dad Brother
Last night I had the opportunity to be a guest on Joe Vellekamp's radio show Bridging the Gap, a show that features local music. A favorite local band of mine, Dad Brother, also got to spend time in the WNTI studios. For those of you who did not get to listen, I am giving a recap of the night which proved to be interesting. I want to say thank you to Joe for facilitating the interview with me and Dad Brother, because he made my first official radio interview more relaxing than I thought it would be.
On Friday, October 26 Dad Brother will release its first CD, Mavericks, at a release party being held at The Clash Bar in Clifton, NJ. They were on Bridging the Gap to promote their new CD and to spend some quality time with Joe and I. Dad Brother is a two-piece band which consists of Andrew Lange and Evan Luberger. Both of them play multiple instruments on the album and do the vocals. Their rock sound is exciting, refreshing and interesting.
I am not going to transcribe and post the entire interview, but I would like to write about some of the interesting parts. It was a night filled with discussions of using blenders as instruments and the mustaches Andrew and Evan have both managed to grow.
During the night I had the chance to hear three of the songs included on the new CD, but luckily I had also gotten to hear them live a few weeks prior at The Stanhope House. Joe asked about the recording process of the album which primarily took place at Evan's parents' house in Dingman's Ferry, PA and a wedding studio. They finished the drum pieces in Pennsylvania and the rest of the mixing was finished in the wedding studio in Montclair, NJ.
The first song we had the chance to preview was, "Scooter and Chippy," a catchy song with lines that instantly grab the listener's attention. In this song there were doubled vocals, an organ and the hitting of a blender to create some great sounds:
Joe Vellekamp: How did the idea for the blender come around for the blender in the background?
Andrew Lange: Saw it in the basement [laughter]. You know we were just clapping pieces of wood together for the claps. Ev's got a sauna in his basement so that was like our little vocal booth. We'd just go in there and bang on things and then we saw the blender and we were like "Yeah let's put some blender on this." Like most things that happen with this band it was a joke at first, and then we were like "Okay, this is pretty cool."
"Domino Gasoline" was the second song previewed during the interview. It's an upbeat song that is comparable to a Black Keys song, but almost better since it is its own sound:
JV: "Domino Gasoline," where does that come from?
AL: I dunno, it's kind of one of those songs that wrote itself. I read that book On the Road, and afterwards I wanted to write a song. I have no idea it just kind of came out that way.
Even if their song names do not have huge stories behind them, the music is enough to get the listener hooked. Andrew and Evan put most of their thought into quality lyrics and musical composition. They are also known for making their shows a lot of fun, and getting the crowd excited:
JV: What kind of reaction do you guys get from your crowd?
Evan Luberger: If we're having fun up there it seems like people see that and can get into it as opposed to a band that's kind of like all business.
The final Dad Brother song of the night was "Wet The Dry." The title came from a line in the song, and it is one of their slower and layered songs. Mavericks proves to be an album worth listening to over and over again, and if you have the chance make it out to Dad Brother's release show at The Clash Bar.
To find out more about Dad Brother's music and upcoming shows make sure to check out their Facebook page: http://www.facebook.com/dadbrother?fref=ts and to listen to their music that is available online check out: http://www.reverbnation.com/dadbrother and http://dadbrother.bandcamp.com/. They are a band that is easy to love, and their shows are some of the most fun ones I've attended.
Dad Brother performing at The Stanhope House
Photo credit: Loren Kessell