Persephone active role in the Hymn to Demeter
I want to express my criticism of some scholarsâ analysis regarding the Hymn to Demeter. Iâve read different thesis that state that âBy giving his daughter Persephone to Hades, Zeus intends to create a bridge and alliance between the upper and the hitherto inaccessible lower worldâ (Strauss Clay, The Politics of Olympus, 213).
I think there is a mistake in giving so much credit to Zeus, and futhermore, I think the Hymn we have -as other scholars also state- is combining separate stories in attempt to make an âolympizationâ of the Persephone-Demeter story by trying to introduce Zeus as the King of gods, the god at the top of the hierarchy. When we read the Hymn, despite it says things happen âfor the will/plan of Zeusâ we can clearly see that Zeus is not an authoritarian figure, his plans get frustrated, Demeter shows to be more powerful than he is, and so on. But the most important, if we claim that it is Zeusâ plan to make a connection between the upper world and the underworld, this plain ONLY succeeds because of Persephone and Hades actions, never his.
Letâs take again, the statement of âZeus is trying to effect a more permanent connection between the various spatial regions that make up the universeâ (Douglas Al-Maini, The Political Cosmology of the Homeric Hymn to Demeter, 98). This bridge and communication between worlds continues to be unexistent after Hades abducts Persephone until the very end of the Hymn (line 445) Demeter wanders through the world unable to reach her daughter, this means: Hades remains an inaccessible realm. This reality of isolation is such, that at line 335, âZeus sends Hermes, the only god with the ability to traverse the barrier between the upper and lower worlds, to the Lord of the Deadâ (Strauss Clay, 249).Â
Can you follow my idea until this moment? What Iâm trying to say, is that weâve been giving too much credit to Zeus and making Persephone a pasive character, when actually she and Hades are the ones who create the bridge between the worlds! Why? Because when Hades gives his speech (emphasis on lines 363-366) he is stating that Persephoneâs honors entail her role as mediator between the worlds, and Persephone accepts such role by eating the pomegranate seeds.
Lines 363 to 366: I shall be no unfitting husband for you among immortals, since I am brother to father Zeus. And while you are there*, you shall rule all that lives and moves and shall have the highest honor among the deathless godsâ.
*Some translations make the lines as âwhile you are hereâ, but according to Richardson (1974) the word is âthitherâ (áŒÎœÎžÎ± - entha) meaning that âPersephone will remain Hadesâ wife amongst the gods, and she will rule in the upper world over all that lives and moves and will hold her honours âamongst the godsâ.
Itâs Hades action of giving the pomegranate to Persephone -and her acceptance of it- the one that guarantees that Persephone will be able to move between the spheres of the world and fulfill her mediator role. Zeus has no part on this.Â
Lines 372-374: (Hades) gave her a pomegranate seed to eat, honey-sweet, by stealth, taking care himself that she might not remain always again with revered dark-robed Demeter. Â
Persephone accepts the pomegranate, letâs remember that twice she is called âwiseâ by epithets that refer to her intelligence:
Line 359:Â And he (Hades) straightway urged wise* Persephone, saying:Â
âwiseâ = ΎαÎÏÏÎżÎœÎč, daĂŻphroni an epithet used in Homeric narrative to refer to male figures (in the Hymn in line 96 and 233 to refer to Celeus).
Line 370:Â When he said this, strong-minded* Persephone was filled with joyÂ
Strong-minded = ÏΔÏ᜷ÏÏÏΜ, periphrĂŽn also wise.
Hades and Persephone are aware of the consequence of the pomegranate (the division of the time Persephone will have to spend on each world) and Demeter and Zeus have to agree to this (line 445 and line 463). As Strauss Clay says âIt is evident that Demeter immediately knows the consequences of her daughterâs eating in Hades. As soon as she recognizes them, the goddess offers no further resistanceâ. After this Strauss Clay asks could it be that Demeter acquiesces to the arrandement because she comprehends and accepts its full significance? and the answer is yes. Demeter and Zeus accept this new configuration of the world where Hades and Olympus are communicated and no longer isolated. (Demeter) clearly does accept the consequences of the swallowing of the pomegranate seed and the irreversibility both of Persephoneâs bond with Hades and of a cyclic life/death, fertility/infertility pattern with results from that bond (Rubin and Deal, 1980, Some functions of the Demophon Episode in the Homeric Hymn to Demeter,18).
Although it is not the purpose here to discuss the idea of Persephoneâs unwillingless, I will repeat that Persephone eating unwillingly is not a possibility since it would mean that the epithets to refer to Persephoneâs intelligence are a mere ornament in the Hymn and that idea is really absurd. Most of scholars agree that Persephone lies with her verbose answer since according to the narrator Hades never used force. Also, the idea of forced eating = âsexual rapeâ is not a possibility either. The few people who try to defend this idea mostly do it because to them the Hymn is a reflection of womenâs initation by rape (like Bruce Lincoln) making connection as âPersephone the flower girlâ gets âdefloratedâ, and others arguments that are not accurate. As Iâve stated before, the Hymn does not use a rape-narrative. In line 413 when Persephone says Hades unwillingly forced her to eat she uses the word âÎČÎŻáżâ that is not the word used for rape-narrative in the rest of the literature, and in the Hymn that is the word Demeter uses to tell how (she) Doso was abducted by pirates in line 124. The Hymn clearly show us that both mother and daughter are good at making up stories.Â
So, in conclusion, I strongly believe that Persephone and Hades together are the ones who, by their union and marriage, take the decision to create a bridge and alliance between Olympus and the Underworld. This, obviously meaning, that Persephone has an active role in her story. And, to finish this writing, Iâd like to quote Susan Deacyâs words when she says: (âŠ) placing my study under the âaegisâ of the feminist third wave. I shall pursue one of the goals of this âwaveâ, that of finding opportunities for female agency in unexpected contexts (From âlowery talesâ to âheroic rapesâ: virginal subjectivity in the mythological meadow, 2013, 397).Â