Valentine's day princess soo pink princessy n cutee ! ໒꒰ྀི ◞ ତ ◟ ꒱ྀིა
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Alisa U Zemlji Chuda

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Keni
Mike Driver
will byers stan first human second

blake kathryn
Three Goblin Art
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hello vonnie

tannertan36
taylor price

@theartofmadeline
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Stranger Things
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Show & Tell

titsay
2025 on Tumblr: Trends That Defined the Year

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@thequeenofbitchcraft
Valentine's day princess soo pink princessy n cutee ! ໒꒰ྀི ◞ ତ ◟ ꒱ྀིა
this scene is so funny omg. daniel wanted to hear armand talk abt getting railed on the floor so badddd
maybe i’m a joyless bitch but i actually do NOT think it’s funny to see women being like “the house is just in my husbands name” or “my husband makes all the money” or “i don’t even know who our mortgage is with” or “the only bank account/credit card is his and i get an allowance” like i do NOT find that cute or romantic and i am begging these women to Stand Up. you should at least be named on the deed to your house and the title to your car and the bank accounts even if you don’t pay for them/earn all the money. you can’t stop existing in the eyes of the law and the credit unions simply because you have a husband. if you’re raising his children and washing his socks half of everything he’s got is yours and it needs to be yours LEGALLY BY NAME. "he takes such good care of me :)" girl you are a PRISONER!! that’s all
Doing everything on this list has truly changed my life for the better
megan thee stallion , bigger in texas .
MEGAN THEE STALLION — 'Bigger In Texas' M/V (2024)
Lowkey really don’t like the people in the witchcraft community who see their practice as an aesthetic and nothing more. Like, witchcraft, paganism, and occultism in general definitely do have very aesthetic qualities to them, and there is absolutely nothing wrong with enjoying those aspects. However, you should be focusing on the craft and the beliefs more than you focus on the looks.
You don’t need to have an organized or pretty looking book of shadows or grimoire
You don’t need to have all your herbs in labels glass jars
You don’t need to have cool looking crystals
You don’t need to have a “nice” looking alter
You don’t need to have a Pinterest board dedicated to the aesthetic of witchcraft
You don’t need to have photos of trees with quotes from books that you may or may not have actually read next to them
There’s nothing wrong with enjoying these things, I cannot stress this enough. You can do all these things, and there’s nothing wrong with it. But you don’t NEED to in order to practice your craft. So don’t worry about having things look nice if it stresses you out. If you are only, or mostly, practicing paganism for the aesthetic, then you do not have your priorities straight.
Myesha Worthington: “The target of the work cannot teach the work”
Me:
Y’all need to read this if you haven’t: http://www.cognacxconjure.com/myeshxa/2019/7/30/roots-hoodoo-and-conjuration-the-first-african-american-religion
The Calabash by Romare Bearden 1970
About Root Culture (read: Hoodoo)
The power, the mystery and the glory that is “hoodoo” is passed down through the bloodline of Afrikan people and is manifested and maintained by every generation of Black people of this land as it has been by their Afrikan Ancestors in the Motherland, from the beginning of the beginning. It was more than a collection of tricks; it was and still is the foundation of our survival in a place where we are disempowered, oppressed and murdered because we are Black. It is the well in which we dip to create, to make, to dream, to envision. We have used our juju to liberate, to preservere and survive. Black literature and music played a large part at giving testimony to Root Culture. The Black Church played a significant role in maintaining (AND suppressing) certain aspects of it. A common misconception about hoodoo is that it’s Christian-based. Actually… It’s Big Mama-based. And Mama luh gwine down erra night ta Ol’ Ebbaneezuh Baptiss choich fo’ta git huh prez on fo’ da Lawd. Additionally, our enslaved Afrikan Ancestors Africanized the Christian religion, by fusing traditions from West Afrika.
Not every Black child or young person is witnessed by an Elder to possess the eyes and/or the hands of a rootworker or conjurer. But every Black child who became a rootworker or conjurer was marked by the Ancestors and witnessed by the Elders. Those who have been marked and witnessed begin presentation, training and initiation, which is cultivated throughout their years. Learning roots is a process that takes YEARS to master, so this is why the strongest juju hands belong to the ELDERS of this tradition. The art image below depicts one manner most of us get our gifts or disposition (mark of the Ancestors) confirmed by our Elders. It is also one way (among many) the secrets and mysteries are passed down. This experience is ubiquitous within Root Culture.
The misconception that “hoodoo is just magic that anyone can pick up” is not only an insult to the legacy of the tradition, it’s a direct insult to us, our Elders and our Ancestors… It is a lie, started by non-Blacks to commodify the materials known in some parts of the rootwork practice (oils, incense, powders, roots, etc.). The power that fuels hoodoo goes beyond just tricks using powders, oils, candles, etc. Understand this: No rootworker worth his or her salt is going to order a root cultivated in Mexico from a shop in California whilst stepping over roots growing in the soil beneath his own feet in Ohio. The same roots his Big Mama used which had to replace the ones her Papa used while he was living down in Georgia. Our people historically worked with what was accessible to them. Nothing has changed within Root Culture. We still work this way.
Hoodooists utilize materials gifted to us from The Creator, the Ancestors and the Spirits of land, the waters, the bush, field, forest and swamp— even those who no longer live in the South still do— more than we do these commodified items but will at times use these things in a pinch and if we didn’t craft them ourselves, we will barter or swap with other workers.
Outsiders also think the practice is relegated to spiritual rituals, ceremonies and such, as some endeavor separated out from the mundanity of everyday life. Nope. Not true in many cases. It’s interwoven in our day-to-day. What must be understood: Black folk put de juju in jussboud errthang we do. It’s the foundation of our style, our swag… The one thing this white society loves to capitalize off of when they want to seem “hip” or “cool”… Forever copying off us but they never truly seem to quite get it. “Dey be all up in da kool-aid but don be knowin da flavor”… So while these outsiders are busy bedazzeling chicken feet and debating online about hot foot powder, they don’t even resonate with the juju of a plate of greens, the funk of an Elder, the braid styles of little Black girls, the notes from Bird’s horn, the solo from Hendrix, the bars from Kendrick, the little old lady sitting in the back pew of the Baptist Church scribbling in her Bible… But how could they? They aren’t Black nor a part of Root Culture. Most of them aren’t even interested enough in Black people to learn about our history for only 28 out of 365 days a year. And the gag is… juju is all up in our Black History, HA!
To repeat: Black folk put dat juju in jussboud errthang we do… #KnowThat
Rootworkin is passed down and maintained through the bloodline, and the style and approach to it depends on one’s Family. Your lineage dictates the manner of Spirits honored, which plant life are a part of your Root Family, which spaces in your environs are Places of Spirit, and so on. This information is never written about because it has never been written down. Deal with it. It is never talked about in depth because it is privileged information that if shared with those outside lineage, can have dire consequences. Death being among them. There is a reason there are so many tricks to protect one from bad juju and death. Likewise there is a reason many of our Elders will cease transmitting the secrets and the mysteries to their descendants and take all that info with them to the grave. Think about that….
The “recipes”, “spells” (we never call our workings “spells” by the way) and other things out in the wild labeled as “hoodoo” are for the most part sterile and useless. A lot of the bullshit out in public falls under de Konker rule and as such has been given status as red herrings, decoys or bits and pieces but not the whole. However, the anointed, initiated and skilled will see that fragmented or incomplete hoodoo recipe and they’ll know at a glance what items are missing. Another important thing to consider is that people who grew up around hoodoo or had rootwork done but were not themselves anointed initiated rootworkers, were the main ones disclosing information to outsiders of Root Culture who collected this info and had it published. Their mileage definitely varied.
Another thing that has gotten out of hand… Both culturally and historically, practitioners are NOT witches. Those who self-identify as witches but claim to practice hoodoo are basically saying they 1) have no blood ties or lineage, 2) have no Elders and 3) are outside the Root Culture Community. Without those three things, you do not have Hoodoo.
We are Mama. Sister. Nana. Auntie. Big Ma. Mother. Queen. Prophetess. Madame. We are NOT witches. Witch is a European word used to describe harbingers of evil. It is not a word used to describe physicians, healers, intuitives, prophets, empaths, seers, diviners, conjurers, herbalists, botanists, alchemists, psychics, mediums, magicians or sorcerers.. and rootworkers, rootdoctors, spiritualists… and hoodooists/voodooists. Witch is witch. Period. It has one meaning. Period. Afrikans historically understood and dealt with such things and our priests and priestesses were sought out to identify “witchcraft” (trust they had their own words in their own tongue that translated to witchcraft) and have it and who brought it destroyed. Then the white man came. Colonialists and Missionaries labled ALL Afrikan spiritual practices as witchcraft and its practitioners witches due to their racism, ignorance and arrogance.
Hoodooists, once identified and presented by their Elders, begin learning by living the tradition, within the culture. We are anointed. We are initiated. We learn by sitting at the feet of our Elders. We learn by apprenticing. We learn by being involved within our communities. We can write books and web pages and make videos about this until the cows come home. But we cannot teach it in this way. This work involves the eyes of the Elders and the hands of the Ancestors. It involves getting mud, shit and blood under our fingernails. It involves seeing in the dark. It involves dying and coming back. That’s something that cannot be received without being present, touching, tasting, seeing, smelling and feeling. And it cannot be given to you until your Ancestors mark you ready and your Elders are witnesses to it. And if you don’t have it, you most certainly aren’t fit to be teaching it. Like they say… ya caint give watchu neva had.
how to read draconic chart? :)
A Draconic chart is who you really are, while natal chart is who you think you are after growing up, trying to fit into your environment, being exposed to society and life in general. (Also Personal charts are just like mini Natal charts. But they also add explanations to them: like the reasoning why you became like your Natal chart. There can also be more of a “wanting others to see you this way” type of ordeals with them too.)
Ok back to Draconic charts, literally everything is the same but the signs of your planets because all the signs turn counter clockwise until the north node is on 0.0’ Aries. Your planet’s houses and all the aspects will be the same. So what you really want to look at are the signs. Which makes sense since the signs, by themselves, are energy (and houses are where you put that energy.) Draconic charts are very personal, people don’t see or recognize them when you are exerting energy outside, aka the houses. It’s more of an internal energy.
Draconic charts also can tell you about your past lives. But I think that you really need to look into that yourself because this chart and past life info in very personal and you can only make sense of it. I also think the same thing about Natal and Draconic comparisons because only you totally understand your soul and know the persona that you’ve built around it.
Nodes: How and what you need/want/will do to move grow. Since the North node will be in Aries in every chart and all the aspects will be the same as the natal chart, so the sign of the planets that aspect the nodes are important to look at. (Most aspects will be easier to understand, e.x. everything that will opposite the node will be in early Libra/late Virgo, this signifies what you have let go, often relating to serving and sharing, to move forwards as an individual. Squares nodes will be in Cancer or Capricorn, etc.)
Ascendant: What you truly project out to others. It’s kinda like the actions and expressions that you have to do/do without thinking. Some people say you actually look more like your Draconian Ascendant, but you also look like the dominate signs and rulers too because appearance don’t always rely on the asc.
IC: The family that you wanted (while the natal chart is what you actually got). Emotional connections that you need.
Descendant: Relationships that you need (while the natal chart is what you’re actually look for and attract.)
MC: What your soul wants to accomplish, the ideal version of your soul. If it’s somehow important or dominate, you can have a spiritual mission in this lifetime.
Sun: An extension and reflection of your natal chart sun, aka your identity and purpose.
Moon: Literally who you are and how you express yourself. No matter how suppressed, the Draconic moon will still crawl out of you. Since Draconic is based on the lunar nodes, the moon is the most important planet.
Mercury: How you look within. How you learn about your inner self, and how you connect yourselves and they communicate together. How you rationalize your soul.
Venus: Your soul’s perception of beauty, love, value and enjoyment. How you truly accept value and feel love in other but especially towards yourself.
Mars: The passion that burns in your soul. Your inner drive and temper. What gets you excited, in a sexual way and not.
Jupiter: How you soul expands; learn and explore. Good luck, pleasure and natural abilities. How your soul connects philosophy and spirituality, usually as a means of rationalizing.
Saturn: How and what structures your soul. What hurts your soul and how you need to grow stronger. Karma from past lives. How your soul restricts and builds/treats it’s foundation.
Uranus: What truly causes change (often by braking away from karmic patterns.) The oddities and discoveries of your inner self that are nerve-shattering. It’s fascinating in a “new” way; aspirations, originality, excitement, etc.
Neptune: The parts of your soul that dissolves and end up in the void of unconditional love and creativity or delusional pain and emptiness. How you can let go of the real world and blindly cherish your real self and everything else.
Pluto: How your soul transforms during longer periods of time (lifetimes, after deaths, before births, etc.) often caused by karma. The darkest and most taboo parts of you. Your soul’s power and healing abilities. It’s fascinating in a unnerving way; depths, scary thoughts, dramatic and dark motives and actions, etc.
Any others asteroids or bodies could be interpreted as what your soul wants/needs or how it affects your soul.
Symbols Chart.
Tarot Card Info for Beginners
This has more emotion than all of the live action lion king put together
Agreed.
These fucking wiccans will really come into someone else’s space and try to rewrite someone else’s practices and history. It’s disgusting and it’s constant on social media, especially on here. Y’all are going to learn very quickly that we are tired of being told that our stories don’t matter and that we’re wrong when we lived it, our mothers lived it, our grandmothers and grandfathers lived it and so on and so forth.
Hoodoo is not a practice born from European magic.
Mojo bags ain’t filled with crystals.
My great great grandmother did not weave her sorrow and her dreams into reality through me for y’all to try and tell me that my practice isn’t real. Back up and back off because I’m tired of saying it, others are tired of saying it, and at this point, if you want the smoke, I’m ready.
Yesterday I put three iron nails, some hot sauce, my boss's name, and an item he'd touched in a jar and buried it behind the dumpster and this morning his wife left him and took the kids.
I'm just saying. You've got options.
Does this work with parents/shitty family members?
Don't see why it wouldn't
Toni Morrison always talks about how she started writing books during this period when black men were writing screw-the-white-man books and how they were, in a way, obsessed with the white gaze. They were actually craving for this gaze. I remember during the discussion with Junot Diaz where she said about Ralph Ellison’s Invisible Man - “invisible to whom? not to me.” And there is something about that…like I admire her because she seems to believe deeply, in a way that is so natural, that her gaze is more important than any other gaze (esp. white, patriarchal). Not to me, like I see you and it’s enough and it shouldn’t matter that other can see you. Others whose gaze has been deemed more significant, more concrete than mine and yours. And I’ve been thinking about it in terms of my writings lately. I write a lot about black women, about me (both being dense and immense subjects to write about.) Most of my writing about black women can be reduced to “no one cares about black women” “here are the many ways black women are invisible and erased.” I write a lot the global lack of curiosity people have about black women. By people I talk about non black women and maybe I shouldn’t care about it. Maybe I shouldn’t care about other people not caring about me, maybe I should feel like my own curiosity for myself is enough even if it feels lonely. And it’s true that black women interest, curiosity and concern for themselves and other black women is enough. It’s enough and it’s a lot. It links us to the rest of the world. I shouldn’t denigrate it, and I mostly don’t. I’ve always felt and thought that validation and affirmation from other black women were the most important things. But anyway I and we shouldn’t denigrate it, it’s enough. The gaze and the curiosity of a black woman for you is important and it makes you exist fully in the world. The gaze of a black woman is a restructuring force, gathers all the fragmented parts of your self and put them in order. It’s enough.
The gaze of a black woman is a restructuring force…
Exactly. That’s why Tonni was so successful. People writing with the male and white gaze in mind or writing about how invisible we are to them is so over done. The obsession with being visible to these OTHERS has to stop.
The interest and curiosity people have about black women is not lonely. Many of us are black women- hundreds of millions of us! And more than that, we are human. Every human being on this planet can relate to relate black women.
That we think we are alone or insignificant is just part of white and male supremacist psychological conditioning. We are very significant. Always write based on the assumption that many are watching and waiting with bated breath to consume our stories. That’s how white men write. You’ll read and consume a story about a middle aged white man and think nothing of his race or gender (unless it’s central to the story). People being totally consumed by the emotional lives of black woman characters is what Tonni accomplished, because she believed in our significance and humanity. Her legacy is complete. The work is done. There is nothing to prove. Tell your stories from a place of knowing that your characters are visible and significant to many and they will be.