[theradicantattitude]

Formafantasma, Ore streams, 2017-19. Client NGV - Triennale di Milano

Ore Streams is an investigation into the recycling of electronic waste [...] The project makes use of a diversity of media (objects, video and animation) to address the topic from multiple perspectives. The goal is to offer a platform for reflection and analysis on the meaning of production and how design could be an important agent in developing a more responsible use of resources.

[theradicantattitude]

Fournier Vincent, PostNatural History, Cloudy Travelling Dog [Canis nimbus transsubstantiatio], 2012. 

[theradicantattitude]

Fournier Vincent, PostNatural history. Cycle II: The bestiary (TREEHOPPER. Pollutant sensitive insect), 2012.

[theradicantattitude]

Fournier Vincent, PostNatural history. Cycle II: The bestiary (WEEVIL. Highly-adaptable jumping insect), 2012.

[theradicantattitude]

Fournier Vincent, PostNatural history. Cycle II: The bestiary (PANGOLIN.Climate change-tolerant mammal), 2012.

[theradicantattitude]

Dam Steffen, Cabinet of Curiosities, (since 2011-) 2018.

«The idea behind the cabinets is to create a collection of objects that seem plausible, even though they’re not» says the Danish artist of the imaginary creatures he conjures from glass. «They’re at a cross point between fiction and reality. There’s science to it — but also a touch of magic».

[theradicantattitude]

Baudelaire Charles, (1857) Spleen II in The flowers of evil, Oxford University Press, 1998, p.147 

[theradicantattitude]

Caldirola Piero, Ruolo della complessità nella descrizione fisica dei sistemi biologici | The Role of Complexity in the Physical Description of Biological Systems, in «Scientia», Vol. 116, 1981, Scientia Editrice, Milano, pp. 5-14 |15-21.

[theradicantattitude]

The Beautiful Living Research Lab, a joint project established by Dentsu and Japanese publishing company Heibonsha in November 2010, developed the mobile device app 72 Seasons – A year seen through the ancient Japanese calendar, released on December 8, 2015.

[download here: IOS https://apps.apple.com/app/72-seasons/id1059622777?ls=1 / ANDROID https://play.google.com/store/apps/details?id=jp.co.heibonsha.app.koyomi_en ]

[theradicantattitude]

Dal Pra Mario · Minazzi Fabio, Ragione e storia, «Problemi attuali», Rusconi, Milano, 1992, p. 7.

[theradicantattitude]

Banfi Antonio, Spinoza e il suo tempo, Vallecchi Editore, Firenze, 1969.

[theradicantattitude]

[theradicantattitude]

[theradicantattitude]

[theradicantattitude]

Formafantasma in collaboration with Kew Gardens, The archive of lost forests, in Cambio, 2020 (ongoing investigation). Clients: Serpentine Sackler Galleries.

Cambio is an ongoing investigation conducted by Studio Formafantasma into the extraction, production and distribution of wood products, commissioned by Serpentine Galleries. The multidisciplinary exhibition (Serpentine Sackler Galleries, London, March 4th – May 17th, 2020) highlights the crucial role that design can play in our environment, and its responsibility to look beyond the edges of its borders. The future of design can and must attempt to translate emerging environmental awareness into a renewed understanding of the philosophy and politics of trees that will encourage informed collaborative responses.

[theradicantattitude]

Prigogine Ilya, Le leggi del caos, Laterza, Roma-Bari, 1993, pp. 11-26.

[theradicantattitude]

Lynch Kevin, Overlay drawn for Composite Photo Identification Map: JJ, 1959. 

Documentation created as part of the Perceptual Form of the City, a research project investigating the individual’s perception of the urban landscape.