#tellingtherelations

[theradicantattitude]

Thompson D'Arcy Wentworth, (1917) On Growth and Form, Cambridge University Press, Cambridge, and Macmillan Company, New York, 1945, p. 823

[theradicantattitude]

Calvino Italo, (1972) Le città invisibili, «Supercoralli», Einaudi, Torino, 1973, pp. 169-170.

[theradicantattitude]

John Cage, A Dip in the Lake: Ten Quicksteps, Sixty-two Waltzes, and Fifty-six Marches for Chicago and Vicinity, 1978. [MCA, Chicago, IL]

[theradicantattitude]

Baudelaire Charles, (1857) Spleen II in The flowers of evil, Oxford University Press, 1998, p.147 

[theradicantattitude]

Bohr Niels, Structure of the radium atom, drawing for lectures between 1921 and 1923.

Bohr won the Nobel Prize in 1922 for his work on the structure of atoms; he described the atom as a small positively charged nucleus surrounded by waves of electrons.

[theradicantattitude]

Bizakis Eftichios, Fisica contemporanea e materialismo dialettico, Lavoro Liberato, Milano, 1974. Cover Design: Enzo Mari.

[theradicantattitude]

Denes Agnes, Absolutes and Intermediates, 1970. [Courtesy of the artist and Leslie Tonkonow Artworks + Projects] ‘Philosophical Drawing’ illustrates the aesthetic properties of scientific structures of information. 

[theradicantattitude]

The Gorgeous Nothings: Emily Dickinson’s Envelope-Poems / Woodberry Poetry Room, Edison-Newman Room, Houghton Library, Harvard University, Cambridge, MA, October 4, 2012.