Source

[thesissource-blog]

Pillbox, Lough Foyle

[thesissource-blog]

Sigurd Lewerentz - Flower Kiosk, Malmo Cemetery

[thesissource-blog]

Magilligan Point Pillbox

[thesissource-blog]

Ballykelly Forest, Lough Foyle

[blueberrymodern]

 Isamu Noguchi 

[archimaps]

Inside the ruins of the Temple of Khefren, Gizeh

[thesissource-blog]

Poll na bPeist (Wormhole) - Dorothy Cross 

[n-architecture]

Stadt des Orion

Hannsjörg Voth, 1998 - 2003

[gacougnol]

János Szász

[gacougnol]

János Szász

[thesissource-blog]

I consider my landscape sculptures inhabit the rich territory between two ideological positions, namely that of making 'monuments' or conversely, of 'leaving only footprints.'

Richard Long

[thesissource-blog]

Double Negative is a set of two unfinished matched trenches in Mormon Mesa that Heizer literally blasted out of the earth in 1969-70. The two trenches together measure 1,500 feet long, 50 feet deep, and 30 feet wide and their creation displaced 240,000 tons of rock, mostly rhyolite and sandstone.

[archi-fox-blog]

Michael Heizer’s City: Complex One

[unavidamoderna]

Edificio del restaurante (planta baja) y la biblioteca (alta planta), Clínicas de la Facultad de Odontología, Universidad de Guadalajara, Centro Universitario de Ciencias de Salud, calle Sierra Mojada en Juan Díaz Covarrubias, Independenica, Guadalajara, Jalisco, México 1967

Arqs. Horst Hartung y Job Hernández Dávila 

Building containing the restaurant (ground floor) and library (upper floor), Clinics of the Faculty of Dentistry, Unversity of Guadalajara, Sierra Mojada at Juan Diaz Covarrubias streets, Guadalajara, Jalisco, Mexico 1967

[thesissource-blog]

Rock Salt

[simplypi]

[wigmund]

From National Geographic Photo Of The Day; September 11, 2014:

Savoring Chance Cedric Favero, National Geographic Your Shot

Terraced salt pans dip into the Sacred Valley north of Cusco, Peru. Your Shot member Cedric Favero wanted to give an idea of the dimension of the site, called the Salinas de Maras. “The few workers on-site were too far away or kneeling,” he writes. “I moved around looking for someone and found this worker walking on the edges of the ponds. I waited until he reached this larger pond, where his silhouette would be detached from the background.”

Favero’s picture recently appeared in Your Shot’s Daily Dozen.

This photo was submitted to Your Shot. Check out the new and improved website, where you can share photos, take part in assignments, lend your voice to stories, and connect with fellow photographers from around the globe.