Jul 15
Pati Hill | Untitled (broken glass and dragonflies), c. 1990 xérocopie. 42 x 29,7 cm. unique
seen from Türkiye
seen from Netherlands
seen from United States
seen from China
seen from Türkiye
seen from Malaysia
seen from Italy
seen from Germany
seen from Latvia
seen from Malaysia
seen from Uzbekistan
seen from United States
seen from Russia
seen from Türkiye
seen from United States
seen from Yemen
seen from Russia
seen from United States
seen from Saudi Arabia
seen from Germany
Pati Hill | Untitled (broken glass and dragonflies), c. 1990 xérocopie. 42 x 29,7 cm. unique
Tim Rollins + K.O.S., Temptation of St. Antony XXXVI – The Sun, (spit bite aquatint, etching and xerograph with animal blood and alcohol on chine collé), 1990 [MoMA, New York, NY. © Tim Rollins and K.O.S.]
The Rescuers (1977)/ Walt Disney
One Hundred and One Dalmatians (1961, Wolfgang Reitherman, Hamilton Luske and Clyde Geronimi)
10/04/2025
WHAT'S LEFT NOW?
this isn't hitting on instagram. I didn't expect it to but it still hurts, so why not see if the void over here likes it instead.
xerography will always be my baby. something about photocopying direct to paper hits different than scanning. even if I scan it back into the digital world to share and shenanigan, that clean xero on paper (last image) is like nothing else.
I captured this before watching the new Frankenstein, but every time I do xerography I call it being in the lab, so honestly looking at this now all I can see Mary Shelley & making monsters.
acetone 002
mixed media/collage
10/11.2024 (2) - this is the second more or less successful print I made during our xerography course today