EXCUSE ME WHAT THE FUCK?!
I love that she is exposing the ugly stuff that goes on in washington. This is why the politicians hate her so much but the people love her.
What was that bit about “draining the swamp” again?
AnasAbdin
Aqua Utopia|海の底で記憶を紡ぐ

Product Placement
d e v o n

@theartofmadeline

Andulka
Show & Tell
Cosimo Galluzzi

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TVSTRANGERTHINGS
trying on a metaphor

❣ Chile in a Photography ❣
One Nice Bug Per Day

JBB: An Artblog!
Sweet Seals For You, Always

★
wallacepolsom
🪼

Origami Around
Cosmic Funnies
seen from Germany
seen from Argentina
seen from United States
seen from Slovakia
seen from Germany

seen from Belgium
seen from South Africa
seen from Romania
seen from Germany
seen from Türkiye
seen from United States

seen from Türkiye
seen from Germany

seen from United States
seen from United States
seen from Türkiye
seen from United States
seen from Türkiye
seen from United States
seen from Peru
@tiredntrying
EXCUSE ME WHAT THE FUCK?!
I love that she is exposing the ugly stuff that goes on in washington. This is why the politicians hate her so much but the people love her.
What was that bit about “draining the swamp” again?
Pillsbury Cake Mix, 1954 ad detail.
Nancy and Dwayne, Danville, Virginia, Emmet Gowin, 1970, printed 1977, Saint Louis Art Museum: Prints, Drawings and Photographs
https://www.slam.org/collection/objects/8791/
2021 LETS GOOO
Who is this reporter, they are my hero!!!
CALL TO ARTISTS
Artist Lab: Art Meets History in New Mexico
Deadline: 28 February 2021. Visual artists with an established practice are invited to apply for Artist Lab: Art Meets History in New Mexico, a four-week program designed to foster the integration of history into contemporary art practices. The Lab is presented as a collaboration between 516 ARTS, Kolaj Institute, and Albuquerque Museum’s photo archives. The Lab looks at how our divergent histories of race, conflict, and colonialism inform how we imagine our futures. Participating artists are asked to work from their own people’s history, to confront that history, and to imagine a future that offers justice, fairness, and support for all people. A goal of the lab is a proposal for a body of artwork to be considered for a group exhibition at 516 ARTS in 2022. MORE
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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one’s thinking of art history and redefine the canon of visual culture that informs the present.
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The cat. 1887. Cover detail.
Internet Archive
cats be like you want to pet me so bad it makes you look stupid
miracles in february. wealth in february. love in february. comfort in february. laughter in february. bliss in february. success in february. friendship in february. beauty in february. joy in february. harmony in february. blessings in february. balance in february. soul in february.
“In school, we never talked about who works in the museums, who paints the walls after an exhibition, who sells the art, or who owns the gallery and why. We saw culture through the keyhole of individualism, which made it almost impossible to connect the conditions for working people in general with our bleak economic prospects as painters. No wonder the solutions we came up with were always unsatisfying and self-helpy: Wake up early! Apply for those grants! Sell yourself! For me, these tactics dissolved after probably the tenth time installing a show by a living artist, and the artist didn’t even show up to hang. It became impossible to think of an art show, or even an artist’s career for that matter, as solely attributable to the artist. But rather than being some kind of saddening encounter with dismal Oz behind the curtain, it clarified the art world: a tenuous group project I was a part of, embedded in the political problems of the day, swaying with the larger forces of history.”
— Robin Kaiser-Schatzlein, The Artist Isn’t Dead
Réponse de femmes: Notre corps, notre sexe, 1975 (dir. Agnès Varda)
Yohji Yamamoto: AW98 Lookbook, photographed by Inez Van Lamsweerde.
[ FULL SCAN : ‘Yohji Yamamoto - AW98 Lookbook’ ]
Columbo: Ransom for Murder (1971).
Juno Birch for Selfridges
It should be illegal or something to sing “This Land Is Your Land” without the secret verses
You took one of the greatest hobo anthems ever written and turned it patriotic. That’s basically a war crime.
Secret verses??!??
At the beginning:
As I went walking that endless bread line My landlord gave me a 2-week deadline And Labor Action ran a better headline: “This land was made for you and me!”
This land is their land, it isn’t our land From the plush apartments to the Cadillac car land From the Wall Street office to the Hollywood star land This land is not for you or me
So take your slogan and kindly stow it If this was our land, you’d never know it So let’s get together and overthrow it ‘Cause this land was made for you and me
And then in the middle:
As I went walking, I saw a signpost And the sign said “No Trespassing!” But on the backside, it didn’t say nuthin ‘Cause that side was made for you and me
Holy shit.
American folk singer Woody Guthrie, who wrote other songs such as Tear The Fascists Down, All You Fascists Bound To Lose, Miss Pavlichenko, and like 6 tributes to Sacco and Vanzetti, was what you might call a “communist”
Ava Gardner photographed by Man Ray, 1950.