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if i look back, i am lost

@theartofmadeline

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he wasn't even looking at me and he found me

#extradirty
official daine visual archive
Claire Keane
🩵 avery cochrane 🩵
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
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@tokiowitch
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Jannis in Art Povera book
every time i see this image it makes me happy
or this one
For those who think that punk it’s about hate
Kids LOVE my jacket, and I’ve made several for different kids of friends, and family. With their Interests on it of course.
Should I post the next one I make?
An article on Suicide by Sandy Robertson in Sounds 5th, July 1980.
photographer: Hervé Guibert
Vincent Nu Couché Villa Medicis, 1988
Gena Rowlands, Gloria, John Cassavetes, 1980
One to One: John and Yoko (2024) Dir: Kevin Macdonald
shirts featured in ripped: t-shirts from the underground by cesar padilla
'Is This Desire?' Henleaze Lake Bristol 1998 This is a pinhole camera image - so no lens - just a metal sheet with a hole to let the light in.
from Maria Mochnacz's PJ Harvey collection
PJ Harvey 'Angelene' Video London 1999 & 'Is This Desire?' Demos 2021 To make these medium format polaroids look stained & flecked I sprinkled them with bleach as well as peeled the polaroid back off before developed. I wanted them to look like the processing chemicals of a passport booth were old & not working properly.
from Maria Mochnacz Experimental collection
adverts for stereolab’s 1994 album ‘mars audiac quintet’ and singles from the album
my scans, feel free to save <3
This is the question: what is a body capable of? what affects are you capable of? Experiment, but you need a lot of prudence to experiment. We live in a world which is generally disagreeable, where not only people but the established powers have a stake in transmitting sad affects to us. Sadness, sad affects, are all those which reduce our power to act. The established powers need our sadness to make us slaves. […] It is not easy to be a free man, to flee the plague, organize encounters, increase the power to act, to be moved by joy, to multiply the affects which express or encompass a maximum of affirmation. To make a body a power which is not reducible to the organism, to make thought a power which is not reducible to consciousness. Spinoza’s famous first principle (a single substance for all attributes) depends on this assemblage and not vice versa. There is a Spinoza-assemblage: soul and body, relationships and encounters, powers to be affected, affects which realize this power, sadness and joy which qualify these affects. Here philosophy becomes the art of a functioning, of an assemblage.
Gilles Deleuze, "On the Superiority of Anglo-American Literature" in Dialogues
"What does it mean to love somebody? It is always to seize that person in a mass, extract him or her from a group, however small, in which he or she participates, whether it be through the family only or through something else; then to find that person's own packs, the multiplicities he or she encloses within himself or herself which may be of an entirely different nature. To join them to mine, to make them penetrate mine, and for me to penetrate the other person's."
- Gilles Deleuze & Felix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia
To have done with the judgment of God , Artaud, 1947
Antonin Artaud, The Projection of the True Body (La Projection du veritable corps), 1946 - 1948.