New album – Escalation Point! – available now
Apple Music: https://music.apple.com/ca/album/escalation-point/1536234416
Spotify: https://open.spotify.com/album/5CEF7w3QILQMLNBXPaJxLo?si=09IwQC9aSwCpt9nbVHINoQ
Youtube: https://music.youtube.com/playlist?list=OLAK5uy_lhheQk3PQmvLwh4AENbdqoSNUL01X_R9I
It's real. It's shipping (virtually, anyway). And on Friday, it will be out for the whole world to see: Escalation Point! My first full-length solo album. Woop woop!
Why make a full album? I've recorded two EPs in recent years, and I wanted to challenge myself to do something more ambitious, more artistically complete. Plus, I'm old school, and I just love albums. Always have, always will. So the time came, at least in my mind and heart, to make an entire album of my own songs.
This album is a collection of escalation points in my life, captured as pop songs drenched in '80s synths and stomping beats. I did my best to craft singalong hooks that sometimes highlight and sometimes conceal frank commentary or sly winks inside the lyrics: A Canadian’s take on Trump America. Witnessing the collapse of a company workplace. The death of an old friend. Turning the tables on some awkwardly backhanded musical compliments. And with the closing track, Corona Station, I'm even trying to find a light inside the tunnel of a still-ongoing COVID pandemic lockdown.
This one shows its synthpop genes in full view for the most part, with the majority of songs mixing real vintage synthesizers from the '80s with modern software, electronically-precise sequences with live performance, the fictional story with the deeply personal. The exception to the electro dance party is "Sanctuary", which is a piano ballad written for my kids.
The songs were written and recorded in my home studio over the last couple of years, brick by brick, session after session, at my home studio named after our beautiful Edmonton neighbourhood, King Edward Park.
How you can help
Download the album on Apple Music, Spotify, Youtube or wherever you stream music. Add it to your libraries and playlists. If so inclined, buy the album as a digital download instead of streaming, but either is awesome, honestly.
Share it out. Tell friends, share on social media, forward the email, add songs to playlists if that's your thing... it all helps spread my music to new people who hopefully will like it too.
Reply! Let me know what you think! Which song is your favourite on the album? What surprised you? Do you have any questions about how I wrote or recorded any of it? I'd absolutely love to hear what you think, so please reply to this email and let me know!
All songs written by Christopher Nash. ©2020 SOCAN.
Recorded, produced and mixed at King Edward Park, Edmonton, Alberta, Canada 2018-2020.
Backing vocals on Corona Staton by: Gillian and Jason Nash, Jen Horvath, Kyra and Lauren Schaefer, Ryan Ezinga, Jorg Bauer, Mike Berg, DC Motion, Icy Queue, Vienna Whyte, Margaret Bujold, Kayt Wilson and Jay Summach
Additional thanks to Ryan Ezinga and Jeff McLellan for their assistance.
Instruments used on this album:
Reason 10 (DAW and virtual instruments) on a Macbook Pro
Native Instruments Maschine 2 (controller and software)
Arturia V Collection software (mostly for virtual Prophet 5, Moog bass, Oberheim Matrix synths and Fairlight CMI sampler)
Sterling Music Man AX40 electric guitar
Ibanez Artcore semi hollowbody electric guitar
Yamama APX500II acoustc gutar