Dries Van Noten S/S 2015 prints done in collaboration with Richard Haines
d e v o n

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almost home

Product Placement
ojovivo
taylor price
KIROKAZE
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dirt enthusiast

roma★
"I'm Dorothy Gale from Kansas"

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sheepfilms
Monterey Bay Aquarium
hello vonnie

JVL
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ
Three Goblin Art
trying on a metaphor
seen from France
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seen from Romania
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@torleu
Dries Van Noten S/S 2015 prints done in collaboration with Richard Haines
Kim Peers & Querelle Jansen | Interview Magazine May 2014 by Craig McDean
Natalie Westling | AnOther FW 2014 by Willy Vanderperre
Robbie Sneiders | V Magazine 1999 by Willy Vanderperre
Snejana Onopka | Vogue Italia, August 2005 by Steven Meisel
My studio is a rectangular room with a high ceiling, old wooden parquet flooring, and a large window facing north. It is like a tiny theatre with an empty stage, a space to be filled, a time yet to be invented, a proscenium where everything is possible, no trick disallowed, where neither seasons, nor days, not hours exist. Here all temporal boundaries dividing live and imitation, reality and fiction, dissolve. Like any art worthy of the name, the most brazen lie can evolve into surprising and seductive truth. The furnishings are modest: two stools, a carport, some chairs, two or three lights, and an old blanket, which is my favorite backdrop. It can be a wall, a road, a field, sky, night, fear, wind… a screen for dreams. The studio is not only in this room; it is anywhere I put my camera on my tripod and my tripod on the ground, liberating my heart and mind. The studio is far more than a workplace or a tool of my trade. It is above all a state of being and feeling. The studio is everywhere. It is the corner of my mind. I have a very mystic and spiritual approach to photography, which I can’t explain, and I don’t need to. I like to keep things unrevealed, I like sometimes to lose myself into the indefinite. That often happens to me along the path of beauty, without every truly understanding where to proceed, and the further I manage to see, the deeper the mystery becomes. Photography goes beyond the limits of reality and illusion. It brushes up against another life, another dimension, revealing not only what is there but was is no there. Every photograph is an encounter, an intimate, reciprocal confession. I like long exposures to allow the should all the time it needs to rise to the surface, and to let chance have its way. Always, photographs surprise me; they never turn out quite the way I imagine they might. Every photograph enters the world as a sign of hope. It is late, very late. Everyone has left, and a strange silence has descended. I wander aimlessly around the deserted studio trying to bring some order to ideas and objects, but the natural and permanent chaos exerts its power. I put on my jacket, turn out the light, and close the door. But where does the light go? Silence… Darkness is the light’s silence.
Paolo Roversi
Jean Campbell | i-D Summer 2015 by Alasdair McLellan
Beautiful Floral Installation Suspended in London’s Garden Museum
Rebecca Louise Law is known for her large scale installation of suspended dried flowers on site specific installations. Her work has been commissioned for iconic fashion brands such as Hermes and Gucci. The images seen above are taken from her installation at London’s Garden Museum for their Flowers & Fashion exhibition composed of 4,600 flowers. Ultimately the London-based artist hopes to combine her degree in fine art from Newcastle University along with her work as a florist into her art.
via Rebecca Louise Law
Edie Campbell & Stella Tennant | i-D Summer 2015 by Alasdair McLellan
Molly Bair | Let’s Panic #2 by Jeff Bark
Raquel Zimmermann | Vogue September 2015 by Mikael Jansson
Antonina Petkovic | Elle September 2014 by Yelena Yemchuk
Yardhouse | London, UK
Zara F/W 2015 by Colin Dodgson
Calvin Klein F/W 1998-1999
J.W. Anderson S/S 2014