totalminimal

[streetwearamsterdam]

Prins Hendrikkade. Sharp dressed man on transport bicycle.

[rustybreak]

[albertpark]

[now--please]

[yourfaceirritatesme]

[eet-me]

oh thats wicked

[bromo-aj]

[freakyfauna]

Meditation on the possible and necessary balance of things. 17th century Tantra diagram.

From the book Tantra Song 

Found here

[whitehotel]

[totalminimal]

whitehotel:

Ann Edholm, Tongue on the tip exhibition, Sweden (2008)

[dilke]

[snow-cone]

[totalminimal]

Peter Luining, Meg 143 2011

realtime software with sound

[antoniogonzalezart]

Perle Fine

Cool Series,(Blue over Red), ca. 1961-1963  Oil on canvas, 40 x 36 inches

[rawforms]

[antoniogonzalezart]

rawforms:

Christian Jaccard

Burning

[stitchandline-blog]

Part of Zander Olsen’s “Tree, Line” project. The artist carefully wrapped trees to seamlessly create a relationship between “…tree, not-tree, and the line of horizon according to the camera’s viewpoint.”

[theautologicalmetaphor]

[duydhoang]

Us, 2011

Unprimed canvas on stretcher; 53” x 53”

[roomthily]

Field (Rainer Kohlberger)

In this app, the iPads camera reacts to light and colors in the environment and translates them in an aesthetic way in tones, sounds, and geometrical patterns. Formally speaking, Kohlberger draws on concrete art. The term concrete art was first coined in 1924 by Dutch painter, Theo van Doesburg, before being programmat- ically defined a few years later, in 1930, in the founding manifesto of the group Art Concrete for a direction in art the ideal foundation of which was anchored in mathematics and geometry. It is not “abstract” in the proper sense since it does not extract from what already exists in material reality; on the contrary, it rather materializes intellectual content, possessing no symbolic significance, and is more or less generated from geometrical con- struction.