Hello! My name is Teddy
New blog for my new obsession: Paul McCartney
I am a transmasculine butch lesbian, he/she pronouns, and I am Canadian
I enjoy bottom Paul McCartney, and many different Paul ships!
Happy Scrolling!!!
<3 <3 <3 <3 <3
will byers stan first human second
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@toyboymccartney
Hello! My name is Teddy
New blog for my new obsession: Paul McCartney
I am a transmasculine butch lesbian, he/she pronouns, and I am Canadian
I enjoy bottom Paul McCartney, and many different Paul ships!
Happy Scrolling!!!
<3 <3 <3 <3 <3
man when theyâre all listening to get back in the recording room paul and denis oâdell sure are cuddled up arent they
when you just need a central daddy figure
john and paul launch into an improvisation //Â i will [take 19 / can you take me back] // 16 september 1968
paul: oh my brother, can you take me / can you take me by the hand? / can you take me / can you take me / can you take me back? / anybody, can you take me / can you take me back? / take me back to where i came from / oh, take me backÂ
john:Â are you happy here, honey?
paul: i ainât happy here, my honey / can you take me back? i ainât happy here, my honey / can you take me back? / can you take me / can you take me / can you take me back? / i ainât happy here, honey / can you take me back? / can you take me back where i came from? / can you take me back? / can you take me back where I came from? / can you take me back? / are you happy living here, honey? / honey, are you happy living here? / i ainât happy living here, baby / honey, can you take me back? / can you take me back where i came from? / can you take me back? / can you take me back where i came from? / brother, can you take me back? / can you take me back? / can you take me where i came from? / can you take me back?ï»ż
The listening to Paul talk about John Face strikes again!!!!!
you just canât help it
HARTMAN: Paul, thereâs a new interview out that John â you mentioned John a while ago â and he talks very openly. Without going into details, he seems to have a lot of resentment, competition, with you. And he says you kind of died creatively in a way, and he didnât keep track of you, he said âThe Long And Winding Roadâ was your last gasp⊠How â he seems resentful of you. Do you know why, orâ?
PAUL: [uncomfortable] Um⊠I donât know, I can guess and stuff, you know, but Iâll tell you, after all of that stuff has sort of gone down over the years, I actually keep a bit quiet now, âcause anything I say, he gets resentful of. So I donât know really, I mean, uh⊠itâs just a weird one. I donât quite know why he thinks like that. I mean, what do you do about that? I â I really just shut up these days. I think itâs the best policy, David.
transcription from this post
real life omegas
jensen ackles (duh)
paul mccartney
idk anything about f1 but gotta be at least one of those guys
one of the gallagher brothers
...?
Roger Waters on his brainstorming strategy [Gerald Scarfe - The Making of Pink Floyd The Wall]
which beatles breastmilk would you most want to try
john's
paul's
george's
ringo's
penpen ACTUALLY kys this time...
Paul McCartney occupies the same space in my head as Willy Wonka bc he's beloved, charismatic, overflowing with unpredictable joy and whimsy, and I'm scared of him
Ok, imagine this. You're Paul McCartney, and it's January 19th, 1967. You've just finished laying down the basic track for your next album's grand finale, called "A Day In The Life". Unbeknownst (?) to you, this song was borne out of your childhood boy-best-friend/writing partner's starkly gleeful reaction to the news of your new friend's violent death just a month prior. There's reason to believe your partner was quite jealous/resentful of this newfound friendship. Not only have you dropped acid with your friend when you've been refusing to share that same experience with your partner, but the previous year you had your friend over for Christmas with the family up in Liverpool, after which you proceeded to break your face in a moped crash during a joint moonlit ride. Your friend's subsequent death in a car crash might have come to inform your partner's concept of Instant Karma.
You're Paul McCartney, and it's January 24th, 1967. You're having dinner with this playwright you like. You claim his is the only play you've managed to sit through without getting a 'sore arse'. You like the play so much you've invested ÂŁ1,000 in it. It's about this bisexual catholic boy whose mother just died (Hal), his childhood boy-best-friend/partner in crime, and the robbery they're in the process of committing. There's reason to believe you might have identified with this Hal character. Incidentally, this character seems to be named after the playwright's partner of 16 years, Halliwell.
You're Paul McCartney, and it's August 9th, 1967. The news breaks out that the previous night, the playwright has been bludgeoned to death by his partner, in a fit of rage and jealously, with 9 hammer blows to the head. The partner has then immediately committed suicide by overdosing on pills. The song that plays at the playwrights funeral, 9 days later, is his favorite record, "A Day In The Life". Unbeknownst to you, your friend and manager will die from a pill overdose in 9 days.
You're Paul McCartney, and it's the summer of 1968. Life as you knew it is falling apart. Your partner is now, out of the blue, seemingly in love with this new woman. Not only did you have to deal with them briefly living at your house, where just the year before you blissfully cohabitated with your partner, but he has also broken the sanctity of your creative space by bringing her into the studio and all writing sessions. At some point, you bring to the recording sessions a song about this guy named HalliMaxwell, who goes around bludgeoning people to death with his silver hammer. Incidentally, his first victim seems to be named after your partner of 11 years. You don't end up actually recording the track until a year later, during which you infamously psychologically torture your other two bandmates with it for three whole days. The way you speak about it, this song appears to echo your own concept of Instant Karma:
Maxwellâs Silver Hammer was my analogy for when something goes wrong out of the blue, as it so often does, as I was beginning to find out at that time in my life. [...] We still use that expression even now when something unexpected happens.
â Paul McCartney in Barry Miles' Many Years From Now (1997).
Some of my songs are based on personal experience, but my style is to veil it. A lot of them are made up, like âMaxwellâs Silver Hammerâ which is the kind of song I like to write. Itâs just a silly story about all these people, Iâd never met. Itâs just like writing a play: you donât have to know the people, you just make them up. I remember George once saying to me, âI couldnât write songs like that.â He writes more from personal experience. Johnâs style was to show the naked truth. If I was a painter, Iâd probably mask things a little bit more than some people. The song epitomizes the downfalls of life. Just when everything is going smoothly â Bang! Bang! â Down comes Maxwellâs silver hammer and ruins everything.
â Paul McCartney in The Beatles Anthology (2000).
-
Maxwell's Silver Hammer (1969): Bang! Bang! Maxwell's silver hammer / Came down upon her head. / Bang! Bang! Maxwell's silver hammer / Made sure that she was dead.
-
Instant Karma! (1970): Instant karma's gonna get you / Going to knock you on the head / You gonna break your body, darling / Pretty soon you're going to be dead
Paul McCartney is really the person that has had everything that could ever happen to a person, happen.
It's sort of why it's pretty damn hard to even crack the surface of modern Paul I feel because there is so much that would be life-altering, objectively insane things to have happen to any other person, but for him it's casual wednesday. You can't know what's going on in the head of a man that watched a girl die in his arms and most people don't even know about it because it doesen't even break the top 100 of crazy shit that has happened to him. There is no normal after all that. Whatever has become of James Paul McCartney is beyond comprehension.
ok situationship came over to have lesbian sex and get back is still on and she goes âsooo are they trying to make it sound bad on purpose or?â
explaining mclennon to her because iâm too locked in to have sex or do anything else until i finish the first episode of get back and she genuinely hates the fucking beatles and knows nothing about any of them
i keep showing her photos and asking her to pick her favorite and she likes none of them except this picture of paul mccartney which she views as particularly dykeish
what ecological purpose does Paul McCartney serve? What niche does he fill?
he's the one getting his niche filled I think
simon and garfunkel beef squashed, the blowjob brothers from oasis reunited i think, taylor invited karlie to her wedding. paul mccartney itâs time to learn necromancy.
the beatles if they were beetles in my opinion
john: stag beetle
paul: ladybug
george: scarab
ringo: weevil
John: What are you doing, Ringo, hailing a cab?
Ringo: *dancing(?)* Iâm practicing up for when we get to Hawaii. This is the way they do the huuuuula
Paul: If thats the way they do it iâm sorry weâre going
George: LOOK OUT *blasts off*