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he wasn't even looking at me and he found me
Monterey Bay Aquarium

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sheepfilms

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i don't do bad sauce passes

oozey mess

@theartofmadeline

Origami Around
Claire Keane

Discoholic 🪩
Mike Driver

祝日 / Permanent Vacation
Sweet Seals For You, Always

Love Begins
One Nice Bug Per Day

seen from Malaysia

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Happy New Year!
With Google and Amazon unveiling their new drones, NASA has called for private partners to join its ambitious plan to create a low-altitude air traffic network over the US – that will be run without human traffic controllers – within 10 years.
In a tender published on Wednesday, the agency’s Silicon Valley-based Ames Research Center encouraged “public, private, and academic organizations to collaborate with NASA to conduct Unmanned Aerial System (UAS) and UAS Traffic Management (UTM) research and development with the collective goal of safely enabling these operations at lower altitudes by UTM system.”
The studies will focus on mapping out corridors and no-fly areas (like airfields) creating a collision detection system, and programming an algorithm that will allow drones to safely fly in hazardous conditions such as rain, and strong wind, which is a particular danger for such light objects.
The move comes after two high-profile American companies decided to test their cutting-edge drones abroad, prompting criticism that domestic regulators were hampering the development of the technology. The initiative will seek to bring drones back over US soil.
The Federal Aviation Authority predicts that there will be 7,500 commercial drones in US skies in just four years. But currently, all commercial UAVs, pending regulations set to be published next year.
NASA says there has been good reason for this caution.
“One drone at a time you can make them work and keep them safe. But when you have a number of them in operation in the same airspace, there is no infrastructure to support it,” Parimal H. Kopardekar, the NASA engineer in charge of the program, told the New York Times.
Kopardekar is trying to build a bespoke, scalable system that will be able to cope with what is likely to be the most drone-filled airspace in the world.
To be viable and easy to manage, NASA believes that the system has to be largely automated, relying on software and sensors to create safe flight paths.
But this is not the only issue that surrounds the equipment, which continues to fascinate and terrify people in equal measure.
“There is the technology part and then there is the public acceptance part, and both have to evolve,” said Kopardekar. “If they are taken over by some rogue elements, how do you manage them? How do you have them safely land and take off in the presence of a grandma doing landscaping and kids playing soccer?”
Kopadekar believes that technologically the much-touted delivery drones could be in operation already, but the limiter is cost, and potential risks in highly-populated areas.
But a more realistic use could arrive as soon as the FAA releases its guidelines, in areas such as “asset monitoring,” where a drone is tasked with doing a narrowly-specified task, such as checking the state of a railway line, or supervising crops.
“In agriculture, I’m hoping we will see some action inside of the next year,” said Kopadekar, who said that the full network could be operational “in a few years but less than a decade.”
https://soundcloud.com/generalelectric/drop-science
Musician Matthew Dear and GE Acoustic Engineer Andrew Gorton teamed up to collect and compose thousands of audio emissions from the world’s most powerful machines. The result is an original track of music titled “Drop Science.”
BMW has released a new commercial showing the new 2015 M4 blazing around the deck of an aircraft carrier.
According to Jalopnik, the aircraft carrier in the video is the USS John C. Stennis, which probably means they didn’t really use Stennis as it’s still a working US aircraft carrier.
The opening credits of Ghost in the Shell are a stunning visual masterpiece — so when a team of artists decided to create 39 live-action still frames recreating shots from the opening, this was a major undertaking.
Graphic designer Ash Thorp has worked on Amazing Spiderman 2, X-Men: First Class andPerson of Interest, but this was a pure labor of love. He assembled a team of 30 artists to recreate the beautiful shots from the GitS opening, but he's not involved with Dreamworks' in-development live-action remake.
"I originally wanted this to be just a fun side project to create with some friends on my free time over a time span of a month, if that," Thorp tells The Verge. "But as we opened up the opportunities it got bigger and more complicated as the team grew."
Below, see a few of the most arresting stills, along with a short video on the making of Project 2501 — but there's tons more at Thorp's site. (Warning: video below and some of the stills at Thorp's site are NSFW.)
What a story to kick the weekend off with.
Coder and PhD student Alex Allmont has made a Lego creation that plays its own version of acid house.
Yup, you read that right. Allmont put together the model for AudioGraft, a far-out music festival based in Oxford. It plays sounds based on the drums and notes particular to the Roland TB303, the synth responsible for that signature acid sound.
He told Wired that his Lego acid is not about "the white-gloves-and-whistles sort of acid house, but the more spatial stuff, inspired by artists like Plastikman and Basic Channel.” Yes mate!
He's also revealed that the original version of the machine featured Lego bots playing the drums (see picture above, taken by Allmont), though these don't feature on the finished product.
See (and hear) the Lego acid machine at work below and watch a walkthrough of the, quite frankly, fucking cool creation here.
Check out this great futuristic short set in Bangkok where human cyber modification is the norm, Kaye finds himself on the run for stealing a particular augmentation in this visually stunning science fiction thriller! Written & Directed by: Stephan Zlotescu Director of Photography: H1 Original Music: J-Punch - itunes.apple.com/us/album/true-skin-soundtrack-ep/id591191251 Producer: Christopher Sewall Manager: Scott Glassgold / IAM Entertainment
Rob Spence TV splits its services between the corporate world and broadcast documentaries. As a docmaker he knows what reads as genuine and what smells like cheese. This is more valuable than ever with social engagement and the need for more and more video content.
A one eyed filmmaker, he transformed his prosthetic eye into a wireless video camera to become a bionic documentary maker. Time Magazine named the Eyeborg cam as one of the 50 best inventions of 2009.
Do you need more proof Rob is totally into video?!
In 2011, he made a 12 minute film that has picked up over a million hits with its different versions online. Its a doc about cyborgs shot with his camera eye. It picked up an honourable mention from the 2012 Webby Awards for best branded content.
In 2007, he made a documentary for CBC called Let’s All Hate Toronto about the very Canadian past time of Toronto Bashing. It scored the highest ever ratings at the time for the doc strand called “The Lens” on CBC Newsworld. He is now working on a sequel called Let’s All Hate Toronto 2: The Road Back to Dignity.
Rob brings a client friendly creative discipline to corporate communications and works with a lot with ad agencies. Some of his clients – Havas Advertising, The Tite Group, Lowe Roche Advertising, TBWA Advertising, Draft Advertising, Grey Worldwide Advertising, Draft Advertising, Sharpe Blackmore, Telus Mobility, Salesforce, Volvo, Tim Hortons, and Frito Lay.
What if materials could defy gravity, so that we could leave them suspended in mid-air? ZeroN is a physical and digital interaction element that floats and moves in space by computer-controlled magnetic levitation.
Humanity just made a small, bloody step towards a time when everyone can upgrade themselves towards being a cyborg. Of all places, it happened in the back room of a studio in the post-industrial German town of Essen. It's there that I met up with biohacker Tim Cannon, and followed along as he got what is likely the first-ever computer chip implant that can record and transmit his biometrical data. Combined in a sealed box with a battery that can be wirelessly charged, it's not a small package. And as we saw, Cannon had it implanted directly under his skin by a fellow biohacking enthusiast, not a doctor, and without anesthesia. Called the Circadia 1.0, the implant can record data from Cannon's body and transfer it to any Android-powered mobile device. Unlike wearable computers and biometric-recording devices like Fitbit, the subcutaneous device is open-source, and allows for the user the full control over the data.
Inspired by the mecha anime and toys from his childhood, Kogoro Kurata set out to create this 4-ton, 13-foot tall robot. [Kogoro Kurata, Kuratas Robot Designer]: "The robots we saw in our generation were always big, always had people riding them. So I don't think those have much meaning in the real world. But it was really my dream to ride in one of those giant robots, and I think that it's a kind of Japanese culture. I kept thinking that it's something that Japanese had to do." The creator showed off the Kuratas Robot at the National Museum of Emerging Science and Innovation in Tokyo. It is human controlled; from the cockpit, a driver can move the robot's arms and drive it up to 6.2 miles per hour. The battle mech is just a prototype, but Kurata's website is already taking orders. People have options for weapons, shields, and even an iPhone holder. This prototype was armed with Gatling cannons that can shoot BBs. But don't break out your wallet just yet. The Kurata Robot starts at around $1.3 million, and options can send it much higher. [Wataru Yoshizaki, Kuratas Programmer]: "If indeed giant robots and cars are being sold at the same price, then I would, of course, choose the giant robot. At this point however, with the current price buying one Kuratas is still too much for me." While Kurata didn't say how many have put money down, the robot has piqued many people's interest. Real Life Mech Warrior Battle Robots Selling for 1.3 Million Dollars
Tan Le, co-founder and president of Emotiv Systems, gives a live demo of a mind control device that uses a person's thoughts to input computer commands. EG is the celebration of the American entertainment industry. Since 1984, Richard Saul Wurman has created extraordinary gatherings about learning and understanding. EG is a rich extension of these ideas - a conference that explores the attitude of understanding in music, film, television, radio, technology, advertising, gaming, interactivity and the web - The Entertainment Gathering Tan Le is an Australian telecommunications entrepreneur, businesswoman and the 1998 Young Australian of the Year. She is president and co-founder of Emotiv Systems.
When Richard Van As, a woodworker in South Africa, decided to make a set of mechanical fingers, it wasn't just for fun. He'd lost four of the fingers on his right hand in an unfortunate work accident. For a carpenter, a disabled hand is a big professional risk, so Richard decided on the day of the incident that he would use the tools available to him to remedy his situation. Watch the inspiring video above to hear how Richard's project, Robohand, is changing lives with patience, spirit, and a MakerBot Replicator 2.
GoPro: Danny MacAskill's Imaginate
A Journey into the mind of Danny MacAskill as he plays on giant toys from his childhood imagination.
Danny MacAskill is a professional street trials rider for Inspired Bicycles Ltd, born and raised in Dunvegan on the Isle of Skye, Scotland.
On April 19th, 2009 the then 23 year old released a 5:30 minute street trials video on YouTube set to ‘The Funeral’ by the Band of Horses that was about to change his life. Filmed and produced by his flat mate Dave Sowerby, “Inspired Bicycles” got a few hundred thousand views over night and as of today has been watched well over 28 million times – the world went crazy for Danny. The video featured bike stunts on a never before performed level, but as visitor of his website you probably know what we’re talking about.
Since the video was streamed, things progressed really fast for Danny. He found himself featured in the New York Times and several other big publications, joined a Hollywood production as a stunt man, appeared in a TV-commercial for the new Volkswagen Golf Estate and was nominated for the Category “Action Sportsperson of the Year” at the Laureus World Sports Awards as well as for the National Geographic Adventurer of the Year Award. Naturally he gave up his job as a Bicycle mechanic and moved to Edinburgh to ride his bike full time.
Once again shot by Dave Sowerby, Danny then released a new video called “Way Back Home” under the production of the Red Bull Media House. It shows him revisiting his roots on a 27.000 miles trip through Scotland back to his hometown Dunvegan – the trails he knows best – with the sickest riding you’d probably seen so far, earning him more than 15 million clicks at the time. Meanwhile Danny had also become a star within the mountain bike scene working on several projects with freeride mountain bike colleague Martin Söderström or bicycle legend Hans “No Way” Rey – to name just 2.
In August 2011 he released his latest clip on YouTube, a Channel 4 production arranged by Stu Thomson called: “Industrial Revolutions”. Over 3 million people watched it within the first three months and we are very certain we’ll see much more from Danny in 2012 – not only on YouTube…
THE BEGINNING
At Roberts Space Industries, we are dissatisfied. In the words of our illustrious original Chairman Roberts at the first Board of Directors meeting in 2068, “Complacency rarely leads to innovation. As scientists, engineers, and artists, it’s our job to be dissatisfied. We question, we analyze, we have that itch constantly gnawing at us that says ‘we can do better.’ I want that dissatisfaction etched into the foundation of the company so we perpetually push Humanity toward bigger and better things.”
That step towards Humanity’s future was cemented with the unveiling of the Quantum Core Engine technology in 2075. The Quantum Core allowed Humanity to explore the solar system with unprecedented speed. An achievement of this magnitude would be enough for most companies to settle, to become complacent, but RSI ignored that temptation.
Today, RSI diverts more funds toward its Research & Development division than any of its competitors, still trying to scratch that itch that says we can do better.
They stayed dissatisfied. They strove to do more.
A Boy And His Atom
the world's smallest movie, in order to make the movie, the atoms were positioned with an ibm-invented scanning tunneling microscope. 'this nobel prize winning tool
was the first device that enabled scientists to visualize the world all the way down to single atoms,' adds christopher lutz, research scientist at IBM. 'it weighs two tons, operates at a temperature of negative 268 degrees celsius and magnifies the atomic surface over 100 million times. the ability to control the temperature, pressure and vibrations at exact levels makes our ibm research lab one of the few places in the world where atoms can be moved with such precision.'