[iheartliquor]

[moominin]

[technicolordeer]

Two Peary caribou flee through the snow on Ellesmere Island. JIM BRANDENBURG/National Geographic Creative

[space-pics]

The Pleiades [5000 x 3649]

[phantomladyoverparis]

La brûlure de mille soleils (1965), dir. Pierre Kast

[2001hz]

JellyFish Visual Artwork By: pwdro (2022)

[daisydarling]

takeshi kaneshiro and charlie yeung on the set of fallen angels, 1995

[headless-horse]

Untitled (Mary Frank and children with sparklers) - Robert Frank, 1958

[apoemaday]

Mysteries, Yes

by Mary Oliver

Truly, we live with mysteries too marvelous  to be understood.

How grass can be nourishing in the mouths of the lambs. How rivers and stones are forever in allegiance with gravity while we ourselves dream of rising. How two hands touch and the bonds will never be broken. How people come, from delight or the scars of damage, to the comfort of a poem.

Let me keep my distance, always, from those who think they have the answers.

Let me keep company always with those who say “Look!” and laugh in astonishment, and bow their heads.

[artessenziale]

Karl Friedrich Schinkel, detail of the arrival of the Queen of the Night, stage set for Mozart’s Magic Flute (1815)

[gacougnol]

Teiko Shiotani Akasaka Snow View 1932

[tranetin]

fernando pessoa - bureau de tabac

[solophenttwo]

From ‘I Spy: Fantasy’ - Walter Wick, 1994

[domusinluna]

Bulgaria postage stamps for Children's Book and Arts Week by Lyuben Zidarov, 1969

[tranetin]

Är du med mig hela vägen?

Se så långt vi har att falla

[megairea]

Li Shangyin, from When Will I be Home? (tr. by Kenneth Rexroth)

[auxcored-deactivated20230124]

“Moscou la Bleue” (c. 1920′s), by Leonid Brailowsky (1867-1937)