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@treasonagainstatyrantking
i'm digging the hole deeper tomorrow
YOUš«µ'RE 𫵠NE->XT.!! moTHERFUCKER!!!!
GET LOVED!!!!!!!!!!
I feel like the third person on here way way too often
Sooty (2011) - āThe Swimming Lessonā
I am so, so sure that my cousin meant to type something else, but I'm going to cry. Welcome to my bathroom themed bathroom... Pictures of other people's bathrooms on the walls... Little bathtub figurines on the sink... Soap dispenser shaped like a toilet... Life could be a dream... in my bathroom themed bathroom...
WHAT IS THIS FUCKING SKIIIIIIIIIIIIIIIRT
imgonna throw up laughing theres a cat outside my apartment complex and i was trying to get a picture of my hand on him for size comparison and my phone decided im the whitest person ever like literally #FFFFF 0% saturation 100% lightness i put it in my art program and color dropped itthis is so funny why . Why did this happen
dude
not the first time this has happened to me
āword hashtag my word #mywordā has done irreversible damage to my vocabulary
itās always wanted to express disdain for and feel a sense of a superiority over a mercenary girl working for the angelās beloved air force
don't you have shoes to lick?
if the angel tossed a few dollars off the side of the ship would you chase the money overboard
i don't recall signing a contract for a few dollars to jump off the side of a ship. would you jump over the side of the ship if i tossed the dirty laundry hamper overboard?
those uniforms are important supplies.
Emily Wilson has inadvertently created a fascinating new way to categorize basically any visual media ever made
YAAAAASSSSS QUEEN TELL IT LIKE IT IS THE RACE BLIND CASTING IS BAD AND CALYPSO IS A PATHETIC HYPOCRITE YASSSSS
(putting on my mariner hat again) i think charybdis is a really good example of the worldbuilding problem in nolan's odyssey because according to nolan he wanted to have the gods express themselves through the natural world but in the movie the natural world is not very compelling. the only thing i thought was cool was when they show "a river of fire meeting a river of ice" as a river of lava meeting a glacier. Which is in the fucking background for like 30 seconds maximum. Can we get some drone shots in here for the love of god. we should be FEELING the wrath of poseidon from the sea even if odysseus denies it, not watching the crew get splashed by offscreen buckets. we should get dreadful shots of storms coming on or get jumpscared by white squalls. we should see rogue waves. Christopher Nolan has never made a sea movie before and so for all his gritty action chops he doesn't seem to know how to for example make a wave look real big, and that's honestly just not acceptable if you're going to take on the odyssey, and maybe that's why i was so unimpressed by the cinematography. The fucking Wolf Of Wall Street does the wrath of poseidon better in a 5 minute sequence. and for a writer/director who allegedly wants to make the magical feel natural, this total disinterest in actually portraying the majesty and gravity of the natural world made charybdis one of the biggest disappointments of the movie for me. To be clear i don't think there's anything wrong with doing a pirates of the caribbean style charybdis. i think that's awesome and charybdis in pirates of the caribbean was super exciting and scary when i saw it as a kid. but if you are going CGI whirlpool for your 3 hour summer action blockbuster you need to actually outdo or at least MEET fucking disney's pirates of the caribbean at the bar they set. instead we got a 5 second shot of a moderately(?) large and very fake-looking vortex in the middle of a calm sea just sitting there with no teeth or anything.
the thing is if you're actually trying to do realism over spectacle, charybdis is a huge opportunity. charybdis is my favorite maritime element of the odyssey because she IS EXPLICITLY a natural phenomenon. when she's described in the poem (living under a small rock on one side of a narrow channel, swallowing water and belching it back up periodically) i UNDERSTAND that this is a near-literal description of a strong tidal vortex in a dangerous narrows. that shit 100% happens in real life and it is scary and even today mariners treat these places with a mythological fascination. look up seymour narrows and the devil's hole in british columbia (there used to be a rock in the seymour narrows that according to local lore would create an even bigger vortex than the devil's hole before the canadian government blew up the rock so people would stop dying in the narrows). I also have seen some crazy breaker behavior on remote surveys that had me drawing a charybdis in my notes as a reminder of what to report for the coast pilot. so like. umm. if christopher nolan had any interest in depicting a natural world of mythological scale why on earth was charybdis so fake???? he had odysseus try to approach charybdis for some fucking reason-- why not justify it w odysseus thinking he's such a clever and excellent mariner he can make the passage at slack tide? why not set up and present charybdis as the scariest passage in the known world, the way she is in the text? mostly it comes down to nolan being a completely incurious filmmaker who thinks he's above the source material and above literally the entire physical world, and of course leaning in to the hollywood trend of including no one with any maritime knowledge in the development of maritime plot elements, which again is just not acceptable for THE ODYSSEY. and don't even get me started on the allision with scylla's rock. this guy isn't very good at boating
i canāt get over emily wilsonās review of the odyssey. anyways here are my favourite parts:
āUnlike some of Nolanās other films, The Odyssey is not boring, thanks to the source material, which is impossible to mess up entirely.ā
āNolanās spectacle threatens to drown out his story just as the towering waves of the wine-dark sea ā more grey than purple ā threaten to overwhelm his heroās ship.ā
āBut writing dialogue is not one of Nolanās talents. The language is relentlessly expository, humourless and flat.ā
āI was humbled to learn that Nolan has read at least the first line of my translation of The Odyssey into iambic pentameter. In at least one interview, he cited my version of the first line of the poem: āTell me about a complicated man.ā But I would be ashamed to have written any part of this script.ā
āIt lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible.ā
Tyme for daunce, wenches!
People, especially games, get eldritch madness wrong a lot and itās really such a shame.
An ant doesnāt start babbling when they see a circuit board. They find it strange, to them it is a landscape of strange angles and humming monoliths. They may be scared, but that is not madness.
Madness comes when the ant, for a moment, can see as a human does.
It understands those markings are words, symbols with meaning, like a pheromone but infinitely more complex. It can travel unimaginable distances, to lands unlike anything it has seen before. It knows of mirth, embarrassment, love, concepts unimaginable before this moment, and thenā¦
Itās an ant again.
Echoes of things it cannot comprehend swirl around its mind. It cannot make use of this knowledge, but it still remembers. How is it supposed to return to its life? The more the ant saw the harder it is for it to forget. It needs to see it again, understand again. It will do anything to show others, to show itself, nothing else in this tiny world matters.
This is madness.
Thank you for this good PSA because Iām still seeing sincere, published, professional writers doing āahhhhh oh no this monster was SO UGLY iām mentally ill now!ā
forms of eldritch horror include but are not limited to - nobody will ever believe you, you must live alone with this knowledge - you will never feel safe again, and you realize you were never safe before - everything that was familiar is now strange and abhorrent to the point anything that now seems normal should be held in utmost suspicion - having this new knowledge has opened doors that will continually reveal new equally cursed knowledge without end - death and madness are no longer escapes
Iāve always felt that the idea of madness or sanity in an eldritch horror sense were misnomers. If anything, I feel a better term is a change of perspective. There is nothing inherent in seeing a greater being that ādrives you insaneā, itās that this being doesnāt fit into your previous worldview at all and you have to wrestle that. Every character can and should react differently, changing in ways that āmake senseā for them. Itās either a change in worldview or attempting to fit the greater being into your preexisting one. Both will have negative results, but will be interesting as hell to explore.
You know what? Unironically, I think this is the best comment Iāve seen on this post.
all yall make jokes about couples and their nonromantic third wheel having fun together, but im the one getting treated to food tonight by the couple im nonromantically third wheeling. you wish you were me
I'm sorry I read this as "necromantic third wheel" and went on a very rapid powerful imagination adventure. hello lovebirds I'm the skeleton here for breadsticks