mushroom guy

i’m eating grass in your backyard rn inst: @treehouseandmushrooms twt: @treehouseghost :-)

[treehouseandmushrooms]

first chapter of my webcomic ECOTONE is out on webtoon now!!!!!!

the comic is about teens, life struggles, ghosts and inbetween spaces✌️ also it’s lgbt+ yaayyyyyyy‼️‼️

i believe you can find it if you search “ECOTONE” but if it doesn’t show up here is the link to it:

https://www.webtoons.com/en/challenge/ecotone/list?title_no=877709

[vajrakali]

“While hiking in Olympic National Park a couple days ago I experienced something I had never heard of. It’s called a Brocken Spectre or Mountain Spectre.  It’s my shadow in the center of the Aura or “Glory”. It was probably the coolest thing I’ve ever experienced in all of my mountain days and I certainly felt very lucky. Here is a link to the short video I made that gives a better idea of the juxtaposition. https://youtu.be/CWZ03O_a0Qw” -  Nikki K

[lowkey-loki245]

LOOK AT THIS GOD TIER ANIMATION! (This cut didn't entirely make it, so there's no audio. But holy shit, Leo was gonna throw a full on gas truck at the Kraang.) Video is from Twitter.

[thebeetledude-deactivated202603]

So uh yeah might start posting stuff here aswell, new and old art like these doodles

[lily-of-the-valley-2001]

tokyo google maps

[lazysmirk]

Just in case you forget this exists.

It exists.

[dragonofdarknesschaos]

With those “when you want to design a character but you don’t know color theory” posts flying around I thought this would be relevant again.

[secretsivekept]

SLAMs THE REBLOG BUTTON

[niyarest]

there’s also Coolors website that gives you randomized palettes!

[tf2humbug]

Don’t forget ColourLovers, either! It’s a social media-esque site where you can browse tons of palettes and share your own.

You can browse the most popular ones or search for certain colors, themes, and even specific hex codes!

When you find one you like, you can download a wallpaper swatch of it and also select the specific colors it uses to look at more palettes that use those same ones.

ColourLovers is my go-to for when I’m having trouble coming up with a color scheme! It’s also been around for over a decade, so there’s plenty to browse through.

[treehouseandmushrooms]

HAPPY 3 YEAR ANNIVERSARY TO GAY PEOPLE !!!🚂♾💥💥💥💥

[emerald-honey]

[bearie]

i forget baby bugs don't really exist not in the way i want them too anywYs. i was like how come ive never seen a baby beetle i bet theyre soo cute and then i googled and i was like oh right. grub

[owlyfisher]

grasshopper nymph.

[jupiterswasphouse]

Mantis nymph

Katydid nymph

Assassin bug nymph

[heya-raccoon]

That little mantis is so baby!

I sketched this real quick over the photo to execute this little idea I had.

[wizardarchetypes]

The production value here is off the charts but this is also literally just what it feels like to play Uno.

legendaryjay_ on TikTok

[hirkyy-moved-deactivated2025071]

Frey und Odin (1952) by Norbertine Bresslern-Roth. Mixed technique on paper.

[artist-issues]

Disney doesn't need to change "the formula." That's the last thing that Wish proves.

What Wish proves is that "the formula" only works when you know why the ingredients are in it, and you use them the correct way.

The Princess Character is meant to wish for only half of the movie's message, and go through an adventure that teaches her what the other half is; what her dream was missing. Ariel dreamed of understanding but she was missing love. Tiana dreamed of achieving her goals but she was missing faith. Jasmine dreamed of freedom but she was missing trust. Belle dreamed of adventure but she was missing being understood.

The Villain is meant to highlight the opposite of the movie's message. Jafar gets what he wants through trickery and manipulation; that's the opposite of Aladdin's "truth will set you free" message, and he gets imprisoned in a lamp. Scar thinks being a King is having his way all the time and can't learn from his past of living in Mufasa's shadow; that's the opposite of The Lion King's "Let the past remind you of your responsibility to selflessness." Gaston loves only himself and is always obsessed with appearances; that's the opposite of Beauty & the Beast's "true love is found within a heart of self-sacrifice." That's what makes them such good villains. (and that clear direction is what drives good villain songs, since Magnifico's is what everyone is talking about)

The sidekick is supposed to compare/contrast with the main character's qualities. Abu is a greedy thief, which is what everyone in Agrabah thinks Aladdin is; when he scolds Abu and teaches him selflessness, it shows us who Aladdin actually is. Flounder is easily frightened and looks at the glass half-full; when Ariel coaxes him and leads by example, we see her bravery and positivity reflected in Flounder's tiny character arc. Timon & Pumbaa do whatever they want all day just like young Simba always dreamed of; when Simba goes to live with them, he finds that "getting his way all the time" makes him forget who he really is and feel empty.

The setting is supposed to show off the characters and highlight the movie's message. Rapunzel's tower is designed to be pretty on the inside because of her influence; if it were too dark and prison-shaped, we'd wonder why she didn't work up the courage to leave sooner. Just like how Quasimodo has made his corner of the bell-tower beautiful, too; they're taught the world is cruel and they're not strong enough for it, but they make their own worlds beautiful enough to hint that that's wrong right from the start. Ariel's grotto is shaped like a tower with no roof so that she only has one window to the forbidden Surface, and it's the light that comes from that forbidden world into her dark grotto which literally makes her able to see human things differently. Tiana's apartment has no interesting features except her father's picture, a perfectly made bed, a drawer with no extra outfits but stuffed with tip money, and only two dresses; both of which are for work.

None of that is happening in Wish, because they didn't know why the formula ingredients are there. Disney needs to understand and return to the formula the right way; forgetting it was what got them here.

Asha learns nothing to add to her dream, unless you count "the power to grant wishes is in me." Which you shouldn't, because we didn't even know she was confused about that until the animals sang a song that was completely off-topic and she had the chance to jump in and sing "I'm a Star!"

Magnifico does not demonstrate the opposite of Wish's message effectively because his character has nothing to do with a philosophy against making wishes, and everything to do with power. (He is the strongest character in the film. But because the message and core concept of what wishes are are so bad, that's not saying much.)

Valentino, and Asha's friends, do not highlight anything about her character through compare/contrast. Valentino is brave and all over the place. Her friends are seven-dwarfs parodies. Happy, Doc, Sneezy, Dopey, Bashful, Sleepy, Grumpy. None of that contrasts with Asha's vague characterization of "cares too much." None of it compares to that characterization, either.

The setting is empty. There are no interesting details that teach you something about any of the characters. None in Asha's home, none in the neat-and-tidy one-dimensional forest, none in the Rosas square, and none in the bland, empty castle. Magnifico's study is the closest anything gets; there's a loose concept that all of Asha's friends have to work together to open the roof, and take a leap of faith to weigh the pulley system down. Unfortunately, none of these characters is shown struggling to work together, OR to take leaps of faith, at all, before this point.

The ingredients of the formula are in Wish. They're just not being used correctly. This is how not to use the formula; it's not the formulas fault. If it ain't broke. They should never have let people convince them to try and fix it.

[artist-issues]

If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.

I’ll explain why, again: the message of Wish? Awful. Anti-Disney.

But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.

I'll explain.

Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."

≠

Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."

Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.

Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)

Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.

Trust in a higher power—COMBINED WITH:

—diligence to do what’s good.

The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.

Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?

Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.

Jeez, that’s the whole point of The Princess and the Frog!

Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.

It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.

But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?

Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.

More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.

Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.

How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?

Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.

How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?

Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.

Or Simba?

Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.

How about something more recent? Zootopia.

Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.

This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)

The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.

But Wish?

Not only is it bad at showing instead of telling. Not only is it lazy and soulless.

But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”

That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.

And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.

[treehouseandmushrooms]

spring doggie 🌷

[jam-ham]

Could I make a character based on this guy?

[treehouseandmushrooms]

yeah sure! if you do, please tag me, i would looove to see it !!! :-))

[jam-ham]

The doodle has been done!!

@treehouseandmushrooms had a very cute idea! Spring dog!

[treehouseandmushrooms]

OMG LOOK AT THIS EVERYONE!!! so cute and adorable omg T_T💕💕💕

[nature-travel-photography]

Green Mossy World - somewhere in the Olympic Range, WA [OC] [4032 x 3024] - Author: GlitteringLlama on reddit

[passionpeachy]

“You know, when a person is very, very sad, they like sunsets.”

“And were you very, very sad on the day you watched forty-four sunsets?”

But the little prince did not reply.

[ghibli-collector]

Studio Ghibli - The Day I Bought a Star - Dir. Hayao MIyazaki (2006)

“Nana, a young boy tired of the city, escapes into the country. When trying to bring vegetables to the market to sell, his cart breaks down and he exchanges the vegetables for a mystical seed…”

Released in 2006 this 16 minute film is based on a story by Naohisa Inoue and set in the mysterious world of “Iblard” which inspired the art for the fantasy scenes in Whisper of the Heart (1995).

When i booked my trip to Japan earlier in the year i was praying to the gods that this would be one of the films being shown when i visited the Ghibli Museum and thankfully it was :D

The film is incredibly beautiful with an utterly enchanting and mysterious story and characters, so it feels like a little bit of a shame that not many people will get to see it…  Then on the other it makes the Ghibli museum experience even more magical to visit leaving you with an incredible memory to take away with you which i think is what the museum is all about.