are u alive? do u have coronavirus? BE SAFE!
:O WHO ARE YOU
d e v o n
Alisa U Zemlji Chuda

❣ Chile in a Photography ❣
wallacepolsom
Xuebing Du
Not today Justin
AnasAbdin
let's talk about Bridgerton tea, my ask is open

shark vs the universe
h
todays bird
we're not kids anymore.
Cosmic Funnies

@theartofmadeline
Keni
Sweet Seals For You, Always
Today's Document

if i look back, i am lost
Show & Tell
styofa doing anything
seen from United Kingdom
seen from Türkiye

seen from Iraq
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Denmark

seen from France

seen from Malaysia

seen from United States

seen from United States
seen from United States

seen from Guernsey
seen from France
seen from United States
@trentaine
are u alive? do u have coronavirus? BE SAFE!
:O WHO ARE YOU
A Day in Class
Lucan @ Select by Letty schmiterlow
Lindsey Wixson by Matteo Montanari for Twin Winter 2014
Maggie Rizer/Vogue Italia March 1999 “Floating” by Steven Meisel
I understand, all right. The hopeless dream of being - not seeming, but being. At every waking moment, alert. The gulf between what you are with others and what you are alone. The vertigo and the constant hunger to be exposed, to be seen through, perhaps even wiped out. Every inflection and every gesture a lie, every smile a grimace. Suicide? No, too vulgar. But you can refuse to move, refuse to talk, so that you don’t have to lie. You can shut yourself in. Then you needn’t play any parts or make wrong gestures. Or so you thought. But reality is diabolical. Your hiding place isn’t watertight. Life trickles in from the outside, and you’re forced to react. No one asks if it is true or false, if you’re genuine or just a sham. Such things matter only in the theatre, and hardly there either. I understand why you don’t speak, why you don’t move, why you’ve created a part for yourself out of apathy. I understand. I admire. You should go on with this part until it is played out, until it loses interest for you. Then you can leave it, just as you’ve left your other parts one by one.
Ingmar Bergman (via neuseks)
andrea jiapel li fw 2016
Suvi Koponen for Marni S/S 2016, by Tom Hunter.
Suzanne Diaz by Glen Luchford for V #42
the orangey undetectable lip & dry hair & glossy skin are exactly where i’m @ rn
Freha Beha Erichsen at Alexander Mcqueen s/s 2007 ready-to-wear
John Singer Sargent (1866 - 1925)
Comme Des Garcons, Malgosia Bela photographed by Paolo Roversi for High Fashion Magazine April 2000