rosalie crutchley in make me an offer! (1954)

Janaina Medeiros

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rosalie crutchley in make me an offer! (1954)
Sandy Dennis and George Segal taking a break from filming Who's Afraid of Virginia Woolf? in 1966.
i literally need joe ackerley's entire bibliography on my shelf rn im reading everything hes ever written
Opening Night (1977)
we've got hugh laurie as peter guillam before gta 6 or whatever the kids say these days
You remember the first rule of retirement, George? No moonlighting. No fooling with loose ends. No private enterprise ever. You remember who preaches this rule, at Sarratt, in the corridors? George Smiley did. Quote: “When it’s over, it’s over. Pull down the shutters. Go home.” Unquote. We’re over, George. We got no license. They don’t want us any more. Forget it.
10 Caps from Smiley’s People S01E03 - Part 3
A map of central Hong Kong, and a map detailing Nelson Ko’s escape route, as featured in The Honourable Schoolboy; from Smiley’s Circus: A Guide to the Secret World of John le Carré by David Monaghan.
The military regime banned: long hair, miniskirts, Sophocles, Tolstoy, Euripides, Russian-style toasts, strikes, Aristophanes, Ionesco, Sartre, Albee, Pinter, freedom of the press, sociology, Beckett, Dostoyevsky, modern music, pop music, new math, and the letter Z, which means HE LIVES in Ancient Greek.
Z (1969) dir. Costa-Gavras
thinking abt a legacy of spies again and how guillam and smiley are shown to have moved on from their life in the circus and back to their roots peter to his house in brittany and george to his beloved books and like Boom here's jim prideaux in the same exact place we left him 40 years ago in the same boarding school in the same caravan parked in the same exact place and when he sees peter hes like you're not sending me to czecho again are ya son 😭 i need to throw hands w you jlc omfg
cactus flower ingrid bergman brat club classics edit if you even care
Michael Jayston, making a smart move
Actors aren’t reckoned to be the best dressers in the world; nor would it seem to bother them. The good ones have a kind of magnetic quality that overrides clothes and Michael Jayston is like that.
Still never averse to gilding the lily, I asked Jayston (who is appearing in this week’s Armchair Theatre play Competition) to wear the casuals pictured left. Oh, and I asked him to let me change his hairstyle, with the help of Peter and Leonard of Mayfair.
An easy-going sort of chap, he agreed, although he couldn’t quite see why.
“I’m not fashionable, never have been and can’t say I really want to be,” he explained.
Happily, he ended up wanting to buy the clothes in much the same way he’ll buy a fellow-Thespian’s cast-offs if he likes them, rather than bother with shopping; that morning, he had on David Warner’s shoes. Jayston was wearing a corduroy jacket, yellow sweater and black trousers (as in the picture, right) The effect was comfy, baggy, lived-in, charming and totally unsmart. It seemed a shame to change him, that is until we stood back and viewed the end result. For a chap who is supposed not to follow fashion, he proved surprisingly sharp. He approved of his new hairstyle, and his new narrow sweater and his new wider trousers. Of the jazzy, check jacket, buttoned nice and high, he said “This is certainly my kind of outfit: it’s smart and casual and what’s more, very masculine, which is more than you can say for a lot of the gear seen around today.” He even kept them all on when he left.
From 1971, thanks to @woodg31 on twitter for sharing this article
we think the world of you (1988)
we think the world of you (1988)
WHOREMEMBERS IAN BANNEN JIM TYRONE FRANCES DE LA TOUR JOSIE HOGAN. WHOOOOOOO!!!
ian bannen saw ttss 1979 literally 8 times hes sooo hfhskdhkfsdhksjh