cherry valley forever

❣ Chile in a Photography ❣
NASA
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todays bird
Not today Justin
we're not kids anymore.
noise dept.
DEAR READER

Andulka
Mike Driver
styofa doing anything
One Nice Bug Per Day
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium

shark vs the universe
almost home

ellievsbear

izzy's playlists!

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@truemang
Michael Fassbender and Steve McQueen - Behind the Scenes
Hunger (2008) | Shame (2011) | 12 Years a Slave (2013)
Cat: Nobody mauls my humans but me! [video]
Deleuze & Guattari
thewinterlightning oops looks like someone misspelled our band name DELEUZE AND GUITTARI 4EVR
David Agenjo born in Madrid, Spain 1977 is a self-taught artist living and working in London. After a brief career as a graphic designer, he now devotes himself entirely to painting. He has been exhibited in New York, London, Dublin and Madrid.
Agenjo always uses a secondary canvas as a palette, this second canvas/palette becomes the new surface on which to overlay and merge the next figurative composition. This palette, covered in random color combinations and textures, becomes the underlayer for his next figurative painting.
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But the difficulty of Nietzsche depends less on conceptual analysis than on practical evaluations which evoke a whole atmosphere, all kinds of emotional dispositions in the reader. Like Spinoza, Nietzsche always maintained that there is the deepest relationship between concept and affect. Conceptual analyses are indispensable and Nietzsche takes them further than anyone else. But they will always he ineffective if the reader grasps them in an atmosphere which is not that of Nietzsche. As long as the reader persists in: 1) seeing the Nietzschean “slave” as someone who finds himself dominated by a master, and deserves to be; 2) understanding the will to power as a will which wants and seeks power; 3) conceiving the eternal return as the tedious return of the same; 4) imagining the Overman as a given master race — no positive relationship between Nietzsche and his reader will be possible. Nietzsche will appear a nihilist, or worse, a fascist and at best as an obscure and terrifying prophet. Nietzsche knew this, he knew the fate that lay in store for him, he who gave Zarathustra an “ape” or “buffoon” as a double, foretelling that Zarathustra would be confused with his ape (a prophet, a fascist or a madman …). This is why a book about Nietzsche must try hard to correct the practical or emotional misunderstanding as well as re- establishing the conceptual analysis.
Gilles Deleuze, Nietzsche and Philosophy (via freudscokedealer)
My definition of love is being robbed in an alley eight times in a row and hoping that there’s something about today that makes all of this different.
Rudy Francisco (via man-of-prose)
Click for grunge☻
History of the World (1981)
Gurl, you rock - 2. Lindsay Weir
“Just ‘cause a girl speaks her mind doesn’t mean she’s a psycho.”
It was a lovely night, one of those nights, dear reader, which can only happen when you are young. The sky was so bright and starry that when you looked at it the first question that came into your mind was whether it was really possible that all sorts of bed-tempered and unstable people could live under such a glorious sky.
Fyodor Dostoyevsky. A Disgraceful Affair: Stories. 2009. Page 5. (via xennicole)