conference of the birds

I still dont know why...

[u-t-o-p-e]

[tanxxx-deactivated20221025]

[tanxxx-deactivated20221025]

sans titre (couple) linogravure 3 couleurs sur papier wenzhou >>> http://tanx.free-h.fr/shop/GRAVURES/GRAVURES/20180325-couple1.jpg.php

[denvolnov]

[klarozipton-deactivated20210417]

An efficient successful person… If you want to be an icon you have to accept to be an object, just like a robot, but never forget the spiritual lyrics.

[u-t-o-p-e]

Rashomon (1950) -Akira Kurosawa-

[fotomomonga]

[weirdlandtv]

“I can’t stand it! I want to see the world I knew again!”

[sharontates]

A young woman stands in front of a novelty mirror at Southend-on-Sea in England, C.1930’s

[u-t-o-p-e]

#Surgissement

[chacoco]

[sinead-o-finn-deactivated201901]

Quand parfois heureusement, les biscuits sont là.

#PasD'amoureuxMaisDesBiscuits #TendresseEtSexe #BeaucoupPlusSimple

[passidina]

[sinead-o-finn-deactivated201901]

Quand c'est pas bien vu d'avoir plusieurs biscuits.

#EtantCélibataireJeFaisCeQueJeVeux #PlusDeBiscuitsPlusDePlaisir #AToutMomentDeLaJournée

[pragmaticam]

[aintthatakick]

[moonlightsdreaming]

by 有寺 

[decadentiacoprofaga-deactivated]

De El Hombre sin talento por Yoshiharu Tsuge.

[snubpollard]

Delighted to see that Lucile Hadžihalilović will have a new film out this year; she’s probably best known as a Gaspar Noé cohort (producer, I Stand Alone; co-writer, Enter the Void), but her 2004 feature Innocence is a truly unique allegory of adolescent reverie/dread. This is a panel from the official manga adaptation(!!!!!) of her first film, 1996′s La Bouche de Jean-Pierre, drawn by Robot Okuda, who pairs full-page images (such as this) on right-facing pages with text and photography on left-facing pages, leaving only crucial scenes to appear as ‘full’ comics… (Mimi - La Bouche de Jean-Pierre, Robot Okuda c. 1998)

[pragmaticam]