
Origami Around
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pixel skylines
YOU ARE THE REASON
occasionally subtle
let's talk about Bridgerton tea, my ask is open

izzy's playlists!
Monterey Bay Aquarium
The Stonewall Inn
noise dept.
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❣ Chile in a Photography ❣
macklin celebrini has autism
Today's Document

roma★
tumblr dot com
Noah Kahan
KIROKAZE
almost home

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@ubermensch
Nils Udo
Wendy my darling, light of my life
Amy Lincoln, Lightning Seascape, Blue and Gold, 2021, Acrylic on panel, 20 x 16 in.
Monkey playing a dulcimer, from Trivulzio Book of Hours, 15th c. Koninklijke Bibliotheek.
From J. Paul Getty Pinterest.
A musical katydid. The Etude. March 1946.
Internet Archive
If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change.
Ray Bradbury, Fahrenheit 451 (via devilduck)
The Simple Truth | Philip Levine
I bought a dollar and a half’s worth of small red potatoes, took them home, boiled them in their jackets and ate them for dinner with a little butter and salt. Then I walked through the dried fields on the edge of town. In middle June the light hung on in the dark furrows at my feet, and in the mountain oaks overhead the birds were gathering for the night, the jays and mockers squawking back and forth, the finches still darting into the dusty light. The woman who sold me the potatoes was from Poland; she was someone out of my childhood in a pink spangled sweater and sunglasses praising the perfection of all her fruits and vegetables at the road-side stand and urging me to taste even the pale, raw sweet corn trucked all the way, she swore, from New Jersey. “Eat, eat” she said, “Even if you don’t I’ll say you did.” Some things you know all your life. They are so simple and true they must be said without elegance, meter and rhyme, they must be laid on the table beside the salt shaker, the glass of water, the absence of light gathering in the shadows of picture frames, they must be naked and alone, they must stand for themselves. My friend Henri and I arrived at this together in 1965 before I went away, before he began to kill himself, and the two of us to betray our love. Can you taste what I’m saying? It is onions or potatoes, a pinch of simple salt, the wealth of melting butter, it is obvious, it stays in the back of your throat like a truth you never uttered because the time was always wrong, it stays there for the rest of your life, unspoken, made of that dirt we call earth, the metal we call salt, in a form we have no words for, and you live on it.
Zdzisław Beksiński (Polska, 1929-2005) - Untitled; Bez tytułu, AB73 [olej na płycie], 1973, Muzeum Historyczne w Sanoku.
Untitled (Insect Window), 1994, Gregory Crewdson
Valentin Korotkov (b.1982) - Evening. 2014. Oil on canvas.
You Are Not Wasting Time; It Was Given To You As A Gift, Freely and Generously; Is Rain Wasted Because It Falls On Gardens, Grass, Disgruntled Birds, and Umbrellas All The Same?
Hanna Kim - Get some fresh air after a long time, 2019
Chui Pui-chee - Nine Abysses VII, 2020