Hii, do you have any mick jagger fanfics recomendations ?.
Anything @undermycitadel is lovely, she writes amazingly and most of it is Mick! So check her outtt
@oldschoolimagineblog is my favorite. Check out the work!
Misplaced Lens Cap
Keni
Monterey Bay Aquarium
TVSTRANGERTHINGS
Not today Justin
No title available
todays bird

izzy's playlists!
Lint Roller? I Barely Know Her
Stranger Things

@theartofmadeline

ellievsbear
No title available
Alisa U Zemlji Chuda

Kaledo Art
NASA
Game of Thrones Daily

roma★
Show & Tell

No title available

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Iraq
seen from United States
seen from United Kingdom
seen from France
seen from Sweden
seen from United States
seen from United Kingdom

seen from United States

seen from Vietnam
seen from France

seen from New Zealand
seen from Sweden
seen from United States
@undermycitadel
Hii, do you have any mick jagger fanfics recomendations ?.
Anything @undermycitadel is lovely, she writes amazingly and most of it is Mick! So check her outtt
@oldschoolimagineblog is my favorite. Check out the work!
It’s Dark Up Here
Belong (oneshot)
Written by: musicandkink Rating: M for smut, SoloF, SoloM, bondage, sex toys Fandom: Real Person Fiction
A small glimpse into David and his girlfriend relationship. Total smut. There is no specific Bowie mentioned so it is more to your imagination. Current one shot but may be extended into a longer series with an actual narrative.
Keep reading
MY FAVORITE
Imagine Mick Jagger moaning as you run your tongue down his cock, keeping him tied to the bed helpless. He looks down at you with yearning in his eyes. “Just sit on my cock already, sit on my face, anything darling–oh god!” He groans deeply, cutting his whines short as you start pumping his cock and rubbing his balls.
One of my favorites
my girl brenda out here straight stuntin
Brenda
You over me - Ray Manzarek
Pairing: Ray Manzarek x Reader
Words: 1200+
Request: Can I have a Ray Manzarek fluff please? + For the Ray Manzarek fluff you have on your list, can you make it where Ray is stressed before a show and the reader is trying to relax him?
Category: Fluff
A/N: Bless your patience (creds go to @undermycitadel)
The birds continue to sing when the day turns low. I sit at my desk with the same book in my hand as the evening prior. It’s a different story every day around this hour but as of late I have felt a stronger attachment to things than I would normally. Items may vary, but this past week has glued an Oscar Wilde to my hands that I can’t put down. The book is thick and rich with words and makes me think about average things as I shouldn’t. I agree that it is complicated to analyze, but I like the book, so I continue to read from the line I read last. I read in a whisper, “Nowadays people know the price of everything and the value of nothing.“ I acknowledge the quote and move forward with the passage.
I cannot save myself from the pages. I need to get to around to what needs my attention before the clock strikes ten but it’s too addicting to put down. I assume that if Ray were to scoop me up from this chair then I would have no choice but to leave but until that happens I won’t move anything except for my fingers and the pages. What doe is my sudden cringe at a thunder at the organ across the hall. In contrast to the Arcadian music that flows daily from the piped instrument, this was a sound of venom, unlike what I have heard before. I put my book down and turn to the noise and it is the fault of Ray. I’m not angry with him. “You okay?” I ask he who slumps over the keys. He doesn’t answer, instead, he sighs almost dramatically.
I know Ray, so I know there is something locked away under this. That this means something that, even if it is the smallest of things, needs never to be where it is and thrown away for good. This gets me to move more than my head, fingers, and the pages. I put my book down carefully and go to him. He is tracing his fingers over the same five keys in this pattern over and over again, his hunch is still there, and I straighten him out. I drape myself over him and cross my arms over his chest. “What’s up with you?” I ask him softly.
Ray presses his hands down on the organ that makes a beautiful final note that I doubt was what caused him trouble. “This simple note- it shouldn’t be twisting me up like this but it’s cool.”
“Are you sure?”
“Yeah, I mean…” He turns around on his bench. I am on his lap, latching my hands around him. “What’ll happen is that I’ll get it down eventually and go to bed. Then, I’d kiss you goodbye, drive to the venue, get fucked by the weather, and have to deal with whatever happens when we get to the show.”
“I’ve never been to one of your shows,” I smirk.
“Then you’ve never seen how nasty it can get,” he chuckles, my smirk fades.
“Would you like to talk about it?”
“…I don’t think you’d want to hear it.”
“No, I’ll listen, I promise. I don’t want you to hold onto anything.”
“Nah, it’s groovy. Don’t worry about it.”
We don’t talk for a moment. Instead of arguing over what will be shared the silence and instead of talking I’m thinking. I’m thinking of ways to get him to cool down. It doesn’t take long for it to come to me. I stand from his lap and take his hand.
I lure him by the hand and heart to the bedroom. He is hesitant and requires a greater force to pull him into me but luckily I have the strength and Ray looks particularly fair as the night grows. The house lights have been dimmed and they create shadows over the hollows of his face. He looks so defenseless, so warm that at this moment it would be worse to leave him as he is. Ray smiles and shakes his head. “What are you doing?” he asks me, “I have to get this solo down for tomorrow,” I say nothing and keep true to the bedroom.
“You need a break, let’s have a break.”
I open the door and swing Ray to the bed. He sits at the edge and I walk to the vanity and remove my jewelry. “You know, I really must-” he starts to say before I go to him. I guide his back to the bed and straddle him. I pat my kissed at his neck. My hands are tracing lines at his jaw and cuddling his head. A spot where the creases lay is where I spend the most time, nipping and sucking until I hear him make the sounds I like and a purple mark is left in the wake of the moment. His hands find their way up my back and lull below my blouse. I go lower with my love bites until I touch the buttons of his shirt. I make it a point to undo them all. Ray looks at me and I see a sliver of him as I am halfway done with the secondary task. He tries to pick himself up from the sheets.
“No, no, no, I’ve got it. Stay there, please.” I kiss him. He goes back down. I finish off the last button and continue where I left off. His skin is so warm. Surprisingly warm inside when outside is so chilly and cold. “I want you to be cool, baby….” I lean into him and kiss his mouth and as he finally gives into me I feel his hips grind against mine and his body dip further into the soft surface of the bed. I ask him, “can I do more to you?”
Ray leans backward and smiles. “Do you really have to ask?” He sits himself up and kisses me back harder than I had.
“I guess not,” I say in between kisses, “but you know how I am by now…” He kisses lower and lower. “Always feeling the need to- oh… ask,” he nips at my neck. Ray’s hands caress my waist and pull me closer. He holds me closer and kisses me harder and leaves me speechless. My guard is down, this is no longer about him but I don’t want it to be about me. He is between my legs, kissing my navel. I can tell that he is ready to venture off into bigger and louder events. “No, no,” I feel myself wanting to yell out and reverse the roles, “don’t make this about me,” but this attention can be easily diverted. I let him move where he wants and do what he pleases. It is too dark to see but we can still feel each other. Every curve and every arch is defined. Ray sounds so sweet. I don’t believe his mind is anywhere else but here, and as we spend our last moments of sunlight together I remember all of the things that had to be done as merely things that have gotten in my way.
Writing with Color: Description Guide - Words for Skin Tone
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
So let’s get to it.
S T A N D A R D D E S C R I P T I O N
B a s i c C o l o r s
Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
C o m p l e x C o l o r s
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
M o d i f i e r s
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
D a r k - D e e p - R i c h - C o o l
W a r m - M e d i u m - T a n
F a i r - L i g h t - P a l e
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
U n d e r t o n e s
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.
Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
C R E A T I V E D E S C R I P T I O N
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
N A T U R AL S E T T I N G S - S K Y
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them to.
Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
Even creative descriptions tend to draw help from your standard words.
F L O W E R S
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
You’ll definitely want to avoid purple-prose here.
Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
A S S O R T E D P L A N T S & N A T U R E
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“
I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
W O O D
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
M E T A L S
Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skin…
I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
“The dress of fine white silks popped against the deep bronze of her skin.”
G E M S T O N E S - M I N E R A LS
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually “fits” the book or scene.
Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
P H Y S I C A L D E S C R I P T I ON
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
G E N E R A L T I P S
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
Skin Tone Resources
List of Color Names
The Color Thesaurus
Things that are Brown (blog)
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as “red” & “brown”)
Don’t Call me Pastries: Creative Skin Tones w/ pics 3 2 1
Writing & Description Guides
WWC Featured Description Posts
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
Edie Sedgwick and Andy Warhol, 1965
Commonly Used Words and their Synonyms!
Instead of using… You can use the word…
Looked — observed, peered, gazed, glanced, explored, glimpsed, stared, eyed, viewed, noticed, watched, inspected, examined, and peeked.
Said — told, stated, replied, phrased, announced, articulated, reported, expressed, voiced, mentioned, communicated, uttered, spoke, and vocalised.
Shouted — yelled, roared, exclaimed, hollered, cried, called out, squealed, wailed, screeched, squawked, bellowed, shrieked, screamed, and howled.
Laughed — chuckled, smiled, giggled, grinned, snickered, cracked up, hooted, roared, snorted, howled, erupt into laughter, and burst into laughter.
Good — great, pleasant, wonderful, positive, awesome, rad, splendid, worthy, superb, superior, marvellous, stellar, excellent, and super.
Bad — awful, atrocious, terrible, negative, unfortunate, rough, dreadful, dismal., poor, appalling, lousy, unpleasant, crummy, and miserable.
Nice — polite, kind, respectable, friendly, well-mannered, admirable, wonderful, affable, lovely, nifty, pleasant, inviting, enjoyable, and fine.
Mean — nasty, evil, unkind, vicious, cruel, wicked, bothersome, spiteful, unpleasant, hateful, malicious, harsh, uncaring, and insensitive.
Tried — weary, burned out, sleepy, sluggish, exhausted, drowsy, fatigued, heavy-eyed, beat, lifeless, drained, lazy, worn out, and droopy.
Scared — frightened, worried, afraid, anxious, fearful, timid, startled, suspicious, alarmed, apprehensive, petrified, shaken, terrified, and panicked.
Happy — glad, ecstatic, joyful, jovial, delighted, merry, content, elated, blissful, gleeful, cheerful, thrilled, pleasant, and overjoyed.
Sad — unhappy, disappointed, miserable, blue, depressed, sorrowful, gloomy, melancholy, down in the dumps, dismal, heartbroken, down, and full of woe.
Mad — angry, outraged, grouchy, fuming, furious, frantic, irritated, cranky, annoyed, irate, livid, enraged, infuriated, and heated.
Excited — eager, wired, enthusiastic, simulated, thrilled, jubilant, hysterical, jumpy, charged, anxious, awakened, fired up, nervous, and on edge.
Pretty — beautiful, charming, attractive, elegant, handsome, gorgeous, dazzling, captivating, nice-looking, glamorous, lovely, stunning, appealing, and memorising.
Ugly — unpleasant, gruesome, horrid, gross, dreadful, beastly, grotesque, deformed, appalling, plain, unsightly, loathsome, hideous, and homely.
Little — small, young, tiny, mini, petite, short, minute, slim, pocket-sized, slight, pint-sized, minor, miniature, and wee.
Big — humongous, ginormous, gigantic, hefty, large, jumbo, huge, massive, enormous, oversize, vast, great, giant, and abundant.
Funny — humorous, whimsical, hilarious, eccentric, amusing, side-splitting, comical, lighthearted, witty, jolly, nutty, hysterical, jokey, and droll.
Fun — entertaining, interesting, pleasurable, a blast, exciting, captivating, enjoyable, fascinating, engaging, gratifying, action-filled, lively, amusing, and enchanting.
Smart — keen, intelligent, clever, cunning, screwed, knowledgeable, brilliant, sharp-witted, wise, scholarly, bright, gifted, canny, and brainy.
Like — love, care about, adore, value, fond of, treasure, cherish, appreciate, admire, enjoy, passionate about, crazy about, and devoted to.
Hate — loathe, detest, dislike greatly, despise, execrate, feel revulsion towards, feel hostile towards, be repelled by, be revolted by, regard with disgust, be unable to stomach, find intolerable, shudder at, and recoil from.
Hot — sweltering, fiery, overly warm, heated, burning up, stuffy, sizzling, spicy, blistering, humid, boiling, blazing, scorching, and scalding.
Cold — chilly, very cold, icy, bitter, frigid, arctic, frosty, nippy, crisp, harsh, wintry, biting, freezing, and polar.
Fast — quick, speedy, sudden, hurried, abrupt, rushed, rapid, instantly, brisk, dashing, hasty, accelerated, swift, and prompt.
Slow — unhurried, inactive, leisurely, slothful, sluggish, passive, gradual, snail-like, slack, time-consuming, stagnant, decelerate, delay, and losing speed.
could you please do “Now, not to be forward, but I love you.” with brian jones?
Summary: “Could you please do “Now, not to be forward, but I love you.” with Brian Jones?”
Word Count: 1,376
Pairing: Brian Jones x Original character
A/N: Bless your patience… I rather like this one.
The Hollow Living Room
Summary: “If you do xreader requests, can I request one where Mick meets the reader, a young American heiress, and is low key crushing on her but she is wary of his intentions. So he writes her a song.”
Pairing: Mick Jaggerxwhoever
Word Count: 3,054
A/N: God bless your patience, and enjoy.
What artists do you write for?
You can ask for any member of the Stones, I write for members of Zeppelin, Doors, and maybe Pink Floyd. The bands I write for are the ones I dig. I also do Bowie, too. If you want to request anyone else in the future there should be no problem, I’ll get into that with no trouble. All I’d have to do is a bit of research so that I could get a sense of who the band member is as a person, because if you’re familiar with him/her then I don’t want to tarnish their personality because I’m not.
My goal is to create a figment of what you would like them to do, not a complete fabrication of their personality.
Mick Jagger and Billy Preston
Evangelina//Request//Part 3
Performance, 1970
Anita Pallenberg and Mick Jagger in PERFORMANCE (1970) directed by Donald Cammell and Nicolas Roeg