patroclus: [trips on air]
achilles: hah babe you're so clumsy
[later when pat is not around]
achilles, punching the air: who do you think you are, wHO THE FUCK DO YOU THINK-
Misplaced Lens Cap
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we're not kids anymore.
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patroclus: [trips on air]
achilles: hah babe you're so clumsy
[later when pat is not around]
achilles, punching the air: who do you think you are, wHO THE FUCK DO YOU THINK-
“women in the rain” - marina abramović, balkan erotic epic
thinking about how orpheus turning to look back at eurydice isn’t a sign of mortal frailness but a sign of love
“Eurydice, dying now a second time, uttered no complaint against her husband. What was there to complain of, but that she had been loved?” ― Ovid, Metamorphoses
This is true no matter the version you're reading.
1. Eurydice trips and Orpheus turns to help her because he loves her.
2. Orpheus cannot hear Eurydice behind him, and fearing that he's been tricked, turns to make sure she's there.
3. Orpheus makes it out of the Underworld, and so full of love and excitement to be with Eurydice, turns to embrace her, forgetting that they both need to be out of the Underworld.
No matter what happens in the story, Orpheus loses Eurydice because his love for her compels him to look.
Orpheus, I can forgive you, then, There’s not a soul alive who wouldn’t have looked back
The Descent, by Tyler King
Don’t forget Gluck’s opera, where Eurydice doesn’t know Orpheus is forbidden to look back, Orpheus is also forbidden to tell her, she assumes he must not love her anymore, and Orpheus finally looks back to reassure her of his love because he can’t bear her anguish.
In that version in particular, but possibly in all retellings, a part of us wants Orpheus to look back, because his failure proves his love.
tumblr is on the verge of rediscovering regular degular sexual attraction to other humans and i dont know if we can handle it, collectively
this exchange in nick dear’s stage adaption of frankenstein sums up the whole novel in 3 lines