the best part about having a job is being able to go through doors other people aren’t allowed to use the worst part is everything else
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@unspeakblhorror
the best part about having a job is being able to go through doors other people aren’t allowed to use the worst part is everything else
there’s nobody better than u 🚬
[ID: a 7-page comic about Jon and Martin from The Magnus Archives, set to the lyrics of Goodbye, My Danish Sweetheart by Mitski. Jon is depicted as a brown man with long, dark hair, a tired face, and circular scars flecking his skin. Martin is depicted as a white man with big, round glasses, short hair, and a sweet face. They both wear a lot of jumpers. Smoke is a recurring visual theme, and the pages are slightly animated to show its flowing movement. Full description under the cut due to length concerns.
Keep reading
(ID copied from under the cut)
Page 1: The first panel is a portrait of Martin, with his head turned slightly away and head partially obscured by smoke from Jon’s cigarette further down the page. The text reads, in all caps, “There’s nobody better than you”. The next two panels show, on the right, Jon from the knees up looking tired and holding a cigarette. He says, “it took me a while till I knew. but you knew from the start it was us didn’t you?” On the left, Jon and Martin are standing close together in the archives, with Jon looking down at a paper in his hand and Martin looking into his face and reaching to touch his arm. The bottom of the page reads, “it just took me a while till I knew.”
Page 2: The first panel is Jon, laying on his bed, staring at the ceiling. The next panel, to the right, is more smoke and a simple “Call” icon, like from a cell phone. The text reads, “Now here I lay as a study a blank wall. Would you spare me your voice if I call?” The third panel shows Jon and Martin’s hands as Martin hands him a steaming mug of tea. The text reads, “Cause you waited and watered my heart till it grew. You just grew a little smarter too.”
Page 3: Smoke nearly bisects the entire page diagonally. The first panel shows the original 3 archival assistants – Martin, Sasha, and Tim, in inaudible conversation. Martin, who is facing us, looks faintly troubled. The text reads, “so I don’t blame you if you want to / bury me in your memory / I’m not the girl I ought to be.” At the bottom, it says, “but maybe when you tell your friends you” and then cuts off. On the next panel, on the other side, we see a slightly younger Jon with shorter hair. He is looking down at his wringing hands, which are raised slightly in front of his chest. The text continues, “can tell them what you saw in me”. The final panel shows him, mirrored amidst the smoke, with much longer hair and surrounded by eyes in darkness. The text finishes, “and now how I turned out to be.”
Page 4: This page shows him at his desk, smoking. The first shot is zoomed in on his face, eyes closed as he takes a drag, then he turns away from the viewer and leans heavily on his elbows, which rest on his desk. In the empty space not inhabited by panels, we see a lighter with a web pattern on it. The text reads, “there’s some kind of burning inside me / it’s kept me from falling apart / and I’m sure that you’ve seen / what it’s done to my heart / but it’s kept me from falling apart.”
Page 5: The page is mostly occupied by a shot of Jon and Martin standing together in the Archives. Jon reaches out to clasp Martin’s shoulders. There are tears on both their faces, and they look lost. There is a closeup of Jon’s right eye, pinched with sadness and with tears flowing from it. The text reads, “Now here I lay as I wonder about you / would you just tell me what I’m meant to do? / cause I waited and watered my heart till it grew / you can see how it’s blossomed for you.”
Page 6: Martin looks down as Jon raises a hand to hold his cheek in the first panel. The next is of their faces drawing closer, nearly obscured by smoke. In the third, Martin turns away slightly, but we see now that his hands are on Jon’s shoulders, now. The text reads, “and I don’t mean to make your heart blue / but could we be what we’re meant to be / I’m just about to beg you please / then when you tell your friends you can tell them what you saw in me and not the way I used to be”
Page 7: The two of them, shown from the knees up, the smoke flowing around them but no longer obscuring their faces. Jon has one hand on the small of Martin’s back and one on his cheek as he leans in again, eyes closed. Martin holds his shoulders and is no longer turned away. End ID]
delighted that we now canonically have some kind of shambling tape recorder beast with waaaaay too many fucking eyes. welcome back fanon monster jon design!
one fabulous kiss
new artstyle who dis?
Happy 1 year anniversary...
(I watched the finale and descended into madness like 2 months later, but this is one to celebrate)
odysseus trying to convince achilles to contribute to the war effort
no matter how bad things get at least im not the guy that pushed the crowdstrike update that bluescreened all windows computers and grounded every flight worldwide. what a week
guys wake up y2k happened
A 10-millionth visitor to the Rijksmuseum of Netherlands was allowed to spend the night at Rembrandt's painting "Night Watch" with a bottle of wine and dinner.
me in my animal crossing house after that fox has sold me another fake painting
HIT ME LIKE A TRUCK
confusing Odysseus and Orpheus is like confusing a liar and a lyre. send post
Who do you think would win in a fight between The Boneturner and Mr bonzo?
Why on earth would they fight? That's the steamiest romance of 2025.
feeling extremely normal about 'chester' and 'norris', as you can see
big fan of lady mowbray
gertie and gerry :3
this makes me want to bawl my fucking eyes out honestly. the acknowledgement that despite everything you've suffered, and all the wrong choices you've made along the way, it's led to you finding the people and things that make it all worth it. that would have you go through it all again, given the chance to do it all over, just for those connections you've made.
Circe and Calypso have very different roles in the Odyssey
First the similarities: they're both steps to overcame on his nostos and they're both desirable women (Homer throws bits about Odysseus playing the role of lover/father all around the poem for us to see what could've been and long for this family's reunion).
Only one of them plays a role as an abuser.
Circe has a parallel in Protesilaus, as a deity who has to be tamed through a very specific set of steps, and if done right, will give you important knowledge to go back home. Only in her case, the "ritual" involves intercourse. Because woman 🤷♂️. There's no attraction from Odysseus' part but neither from Circe. She must think her life is at risk to look for a way to buy his mercy and then keep on with the rest of the steps. I honestly don't think it's supposed to be about sa but a task. This ritual only ends once both have earned each other's trust. Because of it Circe nurses all the crew back to health for a year along with giving them the info. There's also a subtext of male subduing female (women at the time are seen like untamed nature that men come and civilize, therefore the luscious landscapes both women inhabit), and specifically this type of female who is unwed, doesn't like men and subdues them for her benefit. What we'd call a man-eater. Hehe that pun wasn't intentional but I'll leave it.
Calypso has a parallel in every male god who has taken women for themselves (eyes turn to Zeus), her words not mine. But that's not her main role, I see it as a little something Homer added. She's is the only foe who cannot be defeated by Odysseus himself but with the gods literally plucking him from Ogigia. She's the "game over" screen. Homer directly addresses the theme of sa, like "hey I know we don't really care about women's consent but WHAT IF I PUT LITTLE BABY IN THAT PLACE DO YOU FEEL EMPATHY NOW". I think he does it as a personal artistic liberty and it's honestly heartwarming. But Calypso's role in the myth per se is just temptation. Consider it: a woman, a paradise, eternal life, etc. Things any man would supposedly want (look at it like the very common story about the man who becomes successful and rich so he gets himself a beautiful new wife and leaves his family behind). But Odysseus not only chooses his family but Homer has him crying every day. There's also the bits about him laying with Calypso literally against his will, but that changes between translations: some say he doesn't want "it" specifically, some are more vague. It's clear he's very unhappy with his situation, anyway.
I'll not address the "cheating" because now I'm sure there was no way for a husband to cheat. Ok I'll address it. Odysseus not wanting to bed other women other than Penelope is not supposed to be the standard, is just him being extra. Like a millennial treating their pet like a child. The bare minimum for him to be considered a perfect husband would be just taking good care of Penelope. Yeah, for Homer he's a super-douper, excellent, shiny, glittery husband.
What's my point? Who knows. I just wanted to add to the conversation. I don't think Odysseus is supposed to be a sa survivor in the myth that existed beyond Homer. But I do think it's a really good conversation to have, because yes, for modern standards there's a lot of filth to discuss in there.
So ye.
rip Achilles you would've loved hightop sneakers