Some more Barad-Dur Sauron and Namo!!
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@vanha-paholainen
Some more Barad-Dur Sauron and Namo!!
When Dostoevsky said, "Pain changes you, but it teaches. That is its mercy." but Kafka said, "Pain changes nothing. It just repeats itself until you forget who you were before it started."
I feel weird connection between song Brutus by The Buttress and EuroVarg ship dynamics.
It's as if this song partly describes the feelings he might have felt when killing Øystein. Admiration, rejection, hatred, resentment, the pain of betrayal that occurred only in his head — and now he is already stabbing Øystein in a rage.
I imagine Varg clutching his own throat with his fingers out of anger, spewing out streams of obscenities mixed with words of love on the eve of the night of the murder. He loves Øystein so much that he hates it — and these two feelings are intertwined in him, forming a malignant tumor of rage in his heart. He cannot, does not want to let go of the memory of this pathetic failed relationship, and he is not ready to let go of someone who did not reciprocate his feelings.
When everything happens and he stands over the bloody body, the rage and pain that he put into each blow gradually subside, and realization comes. Varg will justify himself, find the strength to go on with his head held high — but he will always remember how he chased someone down the stairs whom he loved so much that he was ready to kill.
Where sea lions play
What draws me to Egon Schiele's self-portraits is that they almost perfectly capture the disconnect, the struggle for liberation between the body and the soul (or the self?). He masterfully depicts the distorted chaos that arises when the body fights for dominance over the self, while the soul tries to claw its way out of the flesh.
This rupture between body and self doesn't feel like just a stylistic choice — it feels existential. The figure is emaciated, twisted, often staring directly at us with unsettling awareness. It is hyper-aware of its own skin, its own edges, as if trying to understand or escape the limits of its form. The body is no longer a sanctuary but a cage. The soul is no longer a resident but a renegade. Muscles don’t relax; they contract, grip and resist. The hands claw or tremble. The spines bend unnaturally. The eyes accuse, plead and surrender.
It seems as if Schiele didn't just paint himself — he painted the experience of being himself. Of inhabiting a body that often refuses to cooperate with the self’s desires. His self-portraits seem like moments frozen in the act of becoming or unbecoming.
musings on Schiele's Self Portraits
“You see, my brain was no longer able to bear the pain and anxiety with which it had been burdened.” Kafka wrote to Milena Jesenská about hi
Jean Seberg in Joan of Arc 1957
Forest Lake with Water Lilies in Bloom and Numerous Insects, c. 1869.
Anthonore Christensen, (Danish, 1849 - 1926)
musings on april
Sylvia Plath (Leon Dabo), Edna St. Vincent Millay, E. E. Cummings, Naguib Mahfouz (Edgar Degas), E. E. Cummings (Édouard Manet), Rabindranath Tagore, T. S. Eliot (Edgar Degas), F. Scott Fitzgerald (Alphonse Osbert)
posting some of my metalocalypse stuff (but its 90% my skwisgaar stuff) !!!
i really like skwisgaar (his gender makes me envious)
always loooooved the detail of nathan punching murderface after noticing that he pushed skwisgaar over 😭😭 nategaar 🔛🔝 fr
Hugging Dethklok is...
Just some little headcanons on what it would be like to hug the boys (+Charles) when you're having a rough time.
Thank you. It made me feel a bit safer than I was.
Old man’s lost hope
I don't remember if I was reblogging it, so yeah. I love it so much.
Say sorry :(
Hi! I wanted to request a TH/fem reader and RZMM/fem reader
Maybe like a how would they show possessiveness over someone? A little angsty bc they're big guys and they would definitely manhandle their so in the heat of the moment
How Thomas Hewitt and RZ!Michael Myers Show Possessiveness Over You
Warnings: smut (18+), aggressive sex, slight mention of dumbification, manhandling, bruising/mark making, angst, obsession, stripping, stalking, slight yandere i guess?, possessiveness, canon-typical violence, control.
Words: 2.7K
A/N: Anon, thank you so much for my first slasher request! I love these boys so much and wanted to delve into their intentions behind their protectiveness a little, cause I think it would be very different for both. This is my first time writing a headcanon, I hope I've done you proud. I’d love to know what you all think to this, and feel free to send me more requests 💌
Thomas Hewitt
→ Thomas's struggle with social norms makes his possessiveness glaringly apparent. He perceives everyone outside the family as a potential threat to his happiness, particularly when it concerns you. His demeanour shifts abruptly at the slightest hint of danger; his typically measured movements become swift and aggressive. Despite his efforts to restrain his emotions in public, such as at the Cele Community Centre where you and his mother work, Thomas often finds himself instinctively drawn to your side. His hand firmly grasps the fabric of your shirt, his protective stance evident to anyone who dares to look at you. His gaze sweeps the surroundings with a discerning eye, meticulously assessing each customer until you gently remove his grip and convince him to wait in the back.
→ Thomas's overprotectiveness occasionally acts as a double-edged sword, simultaneously shielding you from harm while subtly restricting your freedom. As a man of few words, he struggles to articulate the depth of his need to keep you safe, resulting in actions that may be misinterpreted as possessiveness rather than genuine concern or fear of losing you. He means well, but it can feel suffocating.
→ Preferring to keep you within his line of sight whenever possible, Thomas's protective instincts often clash with the demands of daily life, leading to occasional conflicts with Charlie over the use of his time. The older man's frustration with what he perceives as your bad influence over Thomas' attention to his work further exacerbates tensions within the household.
HUGE HEADCANON & seven swordsman childhoods :0
bruh i have this REALLY huge idea, i really want to animate it but i have little 2 no experience with animation (i can draw tho thats like the least i can do) and i watched the S2 Glitchtale series and it gave me such a huge inspiration for something!!! (warning this post is *very* long)
so the seven ninja swordsmen weren't always ruthless, matter of fact, they were never ruthless, they were only trying to protect kirigakure from enemies, the reason why it started was because during the 1st mizukage's reign there was a huge human trafficking rumor going around which turned out to be true, enemy villages were kidnapping children from kiri & the seven ninja swordsman was formed, throughtout the years the seven ninja swordsman were labled as this ruthless group of people who killed just because they wanted to & that wasn't the case.
the swords have a mind of their own much like samehada and in most cases the blade's souls would take over their weilder and have them do ruthless & heartless shit.
the last generation (y'know ameyuri ringo mangetsu hozuki and those guys) were the best at keeping a distance between the swords souls & themselves, making them the strongest generation ever, but, why were they so ruthless during the 4th great ninja war?
kabuto had the help of a friend who terroized many of the last generation when they were younger (especially kushimaru for one sole reason: his power), and had extracted their original souls in replacement of the blade's souls.
during their lifetime, they were all branded as ruthless, heartless, coldblooded thugs outside of the village, but in kiri, they were known as heros, loving, and protective over their village, the fourth mizukage was not always ruthless, when obito had placed him under genjutsu and controlled him, thats when the "bloody mist era" began.
ameyuri ringo worked as a scientist alongside her lover, ace (an oc of mine :3) and specialized in lightning style which she had no effort in, her mother & father, alongside her elder brother had died around the end of the 2nd shinobi war, now homeless without a family, she was adopted and raised by them, a pretty decent childhood, she was playful & confident, can get a bit too overconfident at times but still, she was loved by everyone around her, ameyuri eventually met ace, and the two of them fell in love, as they were scientists, the two were responsible for the electricity in the mist, ameyuri was then drafted to fight in the third great ninja war, killing over 100 chunin and 50 jonin after kiba, her blade, had taken over her soul completely, ameyuri knew how to control kiba's soul, but kiba found other ways to take over ameyuri, eventually with the help of ace & kushimaru, ameyuri was finally feeling better, but was fatally ill, and soon, passed.
kushimaru kuriarare, being apart of this clan as the most strongest of all, despite having ptsd & major anxiety, still tried his best to make his life better after his traumatizing childhood, his clan was slaughtered at the hands of a shimogakure shinobi named mujōna which will later then start the war between kirigakure and shimogakure, in haunt for his soul, as it possessed an inhumane amount of dark chakra passed down by his mother, mujōna had created a sensei for him, which in turn had abused him constantly, his sensei and mujōna worked together to "power" him, having him tied down being bit by venomous spiders which gave him a huge amount of arachnophobia later, over the years he was staying with jinpachi's parents, and the two future swordsmen will later become like brothers, the two moved in together and kushimaru then later had a child out of wedlock which turned him into a single father, with the help of jinpachi, the two of them worked together to raise the child (don't judge me this is my favorite ship) in a household where there is no conflict & hatred. the third great ninja war had started and kushimaru was on the battlefield, while fighting might dai who was in his 8th gate form, kushimaru had a dark chakra sealed inside of him, whilst loosing control and also loosing control over nuibari's soul, inserting inside of kushimaru's body, he became a monster and killed everyone in his path, including jinpachi & jinin were were also fighting against might dai, kushimaru survived but was terribly injured, and for the rest of his life spent in a hospital bed, dying peacefully.
jinin akebino was known as a hero fighting in the 2nd shinobi war as a teen, deadly on the battlefield and showed no mercy, never letting kabutowari's soul take over him, a brave young man with a heart of steel. after the war had ended, he decided to settle down and become an academy teacher for a short period, while also taking care of his son & sick wife who was fatally ill with lung cancer, after his wife had died, he was now a single father taking care of his now 13 year old son, training him to become like him someday, his son grew older and eventually moved a new path, jinin now teaches young chunin how to control their jutsus and looks after the other swordsman on his team, the third great ninja war starts & jinin is fighting against might dai, noticing one of his teammates lost control of his soul in the process, being killed before might dai even makes a move on him
mangetsu was raised by the sea alongside his younger brother, the goddess of the sea had taken the young boys as her own after their parents had died in the 2nd war, they were then trained to fight to become one of the seven ninja swordsman, suigetsu had accidentally let his blade's soul take over his body, which had stayed attatched to him for the majority of his life, mangetsu on the other hand, had learned how to control his emotions and not let the sword's soul take over him, but mangetsu wasn't satisfied, he wanted to weild all 7 blades, in which he almost died while doing so, since the last person who wanted to weild all 7 swords had died in the process, while he tried to use shibuki, it would blow up out of nowhere, even when he wasn't even using it to train or fight, nuibari's wire would cut him deep & the other swords would even try to attack him on his own, hiramekarei (well, one half) was the only sword that didn't have an evil soul, which he kept by his side, eventually he got the ability to weild all 7 swords which also in the end, costed him his life.
[ im thinking of more headcanons soon so this is part 1 for now. ]
Viktor's past headcanons.
— Viktor was born on September 2 (by the way, on this day the Viktor Orthodox name day) in the family of street thug Jan and artist Esther. He looked like his fragile, dark-haired mother, but he did not inherit his character from any of his parents. After all, personality, with the exception of qualities determined by innate aspects of the psyche, is not inherited, and the similarity of the child's character with the parent is achieved by upbringing — and Viktor hardly remembers his mother and father. They died when he was three years old: both died at the hands of a chemical baron, to whom Jan crossed the road.
— Viktor was raised more by himself and less by his grandmother, Khava. Cold, stingy with emotions, she provided him with everything he needed, but she could hardly do more. She didn't love him or her dead daughter. All that remained for Viktor was to come home on time (which he coped with, because of the congenital problems with his leg he would not be able to walk for a long time) and not get into trouble (which he also coped with).
— He spent his childhood reading and playing with abandoned machinery. He did not play with other children, as if feeling in his gut that he would not be accepted, and communicating with books completely suited him.
— The only time Viktor tried to be friends with another child turned out to be extremely ridiculous and unpleasant for the little genius. His friend, Anhalt, was several years older than him, and one day, apparently deciding to amuse his ego, he pushed nine-year-old Viktor off the roof of the second floor. Having badly bruised his knee, he finally lost faith that at least someone needed him.
— Viktor came to Piltover at the age of fourteen. One day he decided to cross the bridge, and since this happened before the situation on the Piltover—Zaun border worsened, he managed to cross the bridge. To do this, he had to strip down to his underpants at the security checkpoint and wait three hours for his books and notebooks to be checked by the police, but eventually he was allowed to live in this huge city.
— At first, Viktor earned his living by distributing newspapers. He lived in a rented closet on the ground floor of an apartment building owned by a certain Roysmann, smoked the worst cigarettes he could find in Piltover, and suffered from constant insomnia. The neighbors upstairs, noisy second-hand dealers, considered it their duty to shout over his head. Victor had to fight with the fat owner's cat for a workplace: this shaggy bastard occupied the only table in the corridor entirely, and he was mostly afraid not of the shouts of an irritated Viktor, but of the broom with which he drove him from his place. The second floor always smelled of burnt pork fat and dog urine. He didn't want to live here at all, but it was also pernicious to return to Zaun: Viktor was so exhausted by his native slums that he no longer even wanted to think about them.
— If Heimerdinger hadn't noticed the genius who came to the academy to listen to lectures on mechanical engineering and higher mathematics, Viktor would hardly have gotten a higher education with the same ease. The dean was delighted with the abilities of the young talent, and Viktor, having passed only three exams, became part of the first-year students at the age of sixteen. After completing his bachelor's degree, he entered the master's program at the age of eighteen, and then, at just twenty, defended his PhD. The star of his pure mind burned so swiftly and brightly that other students, looking at him, whispered: "genius.".. It's just a pity that Viktor paid for his genius with his personal life, socialization and health.
— Viktor despises the concept of talent and genius. He recognizes his uniqueness, but only because he gets out of the statistics — and he considers this discrepancy to be the result of hard work on himself and the result of his cold temperament. "Everything is achieved only through hard work and effort."
— Viktor has never had romantic feelings in his life. More precisely, they undoubtedly were — but every time he began to like someone too much, he stifled all signs of affection. He loves humanity, but not anyone in particular. It cannot be otherwise.