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Enjoy the silence đđ» (presso Monte Marcello, Liguria, Italy)
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Pixies (also Piskies and Pigsies as they are sometimes known in Cornwall) are mythical creatures of folklore, considered to be particularly concentrated in the areas around Devon and Cornwall, suggesting some Celtic origin for the belief and name. In regional dialect, these mischievous little folk are sometimes referred to as piskies/piskeys or the little people. They are usually depicted with pointed ears, and often wearing a green outfit and pointed hat. Sometimes their eyes are described as being pointed upwards at the temple ends.
Pixies are winged human-like creatures often associated with England and Scotland. Pixies are variously described in folklore and fiction. In the legends associated with Dartmoor, Pixies are said to disguise themselves as a bundle of rags to lure children into their play. The pixies of Dartmoor are fond of music and dancing. These Pixies are said to be helpful to normal humans, sometimes helping needy widows and others with housework. They are often ill clothed. Lack of fashion sense has been taken by Rachael de Vienne, a fantasy writer, to mean that Pixies generally go unclothed, though they are sensitive to human need for covering.
In Devonshire Pixies are said to be âinvisibly small, and harmless or friendly to man.â Yet in some of the legends and historical accounts they are presented as having near human stature. For instance, a member of the Elford family in Tavistock, England, successfully hid from Cromwellâs troops in a Pixie house. A location in Devonshire associated with Pixies was the inspiration for Samuel Taylor Coleridgeâs poem Song of the Pixies.
Some Pixies are said to steal children or to lead travelers astray. This seems to be a cross over from Fairy mythology and not originally attached to Pixies. Thomas Keightley observed that much of Fairy myth is attached to Pixies by Devonshire mythology. Pixies are said to reward consideration and punish neglect on the part of larger humans. Keightley gives examples. By their presence they bring blessings to those who are fond of them. Pixies are drawn to horses, riding them for pleasure and making tangled ringlets in the manes of those horses they ride. They are âgreat explorers familiar with the caves of the ocean, the hidden sources of the streams and the recesses of the land.â
A Far Darrig or Fear Deang is a faerie of Irish mythology.Â
The name Far Darrig is an Anglophone pronunciation of the Irish words Fear Dearg, meaning âRed Manâ, as the Far Darrig is said to wear a red coat and cap.Â
According to Fairy and Folk Tales of the Irish Peasantry the Far Darrig is classified as a solitary creature along with the leprechaun and the clurichan, all of whom are "most sluttish, slouching, jeering, mischievous phantoms."Â
Like many other phantoms, he presides over evil dreams. Some legends hold that the Far Darrig is an unlucky former human who wandered into fairy land by mistake and now attempts to warn others from making the same mistake.
Despite this apparently good natured move, they revel in cruel and gruesome practical jokes, which they play upon those who have made the mistake of irritating them. A favorite trick is to make some poor mortal tramp over hedges and ditches, carrying a corpse on his back, or to make him turn it on a spit.
Possessing a similar lack of taste in their choice of foodstuffs, Far Darrigs consume carrion as their main staple.
Most active in winter, and found along polluted coastlines, in swamps, marshes and coastal ruins, it is best to avoid these creatures at almost any cost. Occasionally they venture into the land of humans, where they delight in startling people by knocking upon their doors in the dead of night and asking to warm themselves at the fire. Never refuse such a request, as it is exceedingly bad luck and you may wake to find a changeling in your child's crib or that your cows have come down with the pox.
Should you happen to encounter a Far Darrig, take great pains to be polite to it, lest you become the victim for one of its practical jokes.
Chalice
The chalice is one of the most intimate tools used in Wiccan and Neopaganism practice. The symbolic meanings of the chalice include the Goddess, the womb, water, hope and promise.
Choosing a Chalice As with choosing all magic supplies, it is important to use intuition when selecting a chalice. It may take some time to find a chalice to which one feels drawn, but it is important to feel a real connection with Magickal tools that are used for spell casting.
Wiccan stores, offer a wide range of beautiful chalices, from the elaborate to the very simple. It is also quite acceptable to adapt an ordinary goblet for use as a ritual chalice. Colored glass paints may be used on a suitable vessel, or a metal cup can be personalized with a suitable engraving for use as a Wiccan chalice.
The Chalice in Casting Magic Spells The best known ritual involving the Wiccan chalice is to dip the tip of the ritual dagger, or athame, into liquid held in the chalice. The symbolism is evident, and very moving, representing the union of the God and Goddess, infusing the liquid with potent fertility and promise.
Celebrations at each of the Celtic Festivals may be marked by sharing appropriate drinks from the chalice. Fresh milk at Imbolc, red wine at Samhain, cider at Beltane, and beer at Lughnasadh or Lammas.
Myths and Traditional Surrounding the Chalice Of all the tools, the chalice is the symbol most shared with other traditions, notably Christianity. One of the central, and most powerful, rituals of many Christian Churches, the Eucharist or Communion, involves sharing wine and bread among the church community, following the example of the Christ as the last supper.
The Grail of Arthurian Legends is a mysterious and enchanting example of a chalice in myth. The origins of the myth, and the associated genuine historical facts, remain hotly debated. However, many commentators believe that the medieval Christian associations draw heavily on pre-existing Celtic myth and folklore.
Certainly the symbol of the grail as the original cup that Christ shared at the last supper, and which Joseph of Arimathea used to catch the blood of Christ on the cross, are just as evocative as the image of the chalice as the fertile and generous Goddess.
Moon and Serpent is a jewellery line by Instambul-based metalsmith and designer Göksu ĆimĆek.Â
Inspired by alchemy and the occult, Göksu makes beautiful, rustic, darkened and dented handmade rings, looking like they were forged in the pits of Hell with the blackened hammer of some demon blacksmith.Â
You can pick up her very reasonably priced rings in her shop, and keep in mind that each one is hand crafted to order, so no two rings are exactly alike.
Moon and Serpentâs jewelry collections capture a magical, alchemical world with unaffected style and understated elegance.
Feeling under the weather? Boost your immunity with Elderberry Syrup!
Ingredients:
2/3 cup dried elderberries
3Â 1/2 cups of water
2 Tbsp fresh ginger root
1 tsp cinnamon powder
1/2 tsp whole cloves or clove powder
1 cup raw honey
Directions:
1. Pour water into medium saucepan and add elderberries, ginger, cinnamon and cloves
2. Bring to a boil and then cover and reduce to a simmer for about 45 minutes to an hour until the liquid has reduced by almost half.
3. Remove from heat and let cool.
4. Pour through a strainer into a bowl and discard the elderberriesÂ
5. When it is no longer hot, add 1 cup of honey and stir well
Store in the fridge, it will last several months!
The magician can learn much from the gnomes, and there is not a single book in existence that can bestow upon him as many secrets about the kingdom of the Earth as he can learn or experience in that kingdom. For example, he can learn from the gnomes all about the power and effect of various herbs and how to attain magical powers over certain stones; he will gain knowledge about hidden treasures and many other things. He will also be an eye-witness of all the things that exist in the earth, for instance water springs, coal, ore and so on. Besides that he will learn from the gnomes by watching them perform various magical practices which can be utilized through the earth element. In due course the magician will notice that amongst the Earth spirits in the kingdom of the gnomes there are different intelligence groups. He will meet gnomes that will teach him alchemy.
Franz Bardon, Initiation into Hermetics. (P. 316)
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Cauldron
In contemporary Witchcraft, the cauldron is an important magical tool that symbolically combines influences of the ancient elements of air, fire, water, and earth. Its shape is representative of Mother Nature, and the three legs upon which it stands correspond to the three aspects of the Triple Goddess, the three lunar phases (waxing, full and waning), and to three as a magical number. Additionally, the cauldron is a symbol of transformation (both physical and spiritual), enlightenment, wisdom, the womb, of the Mother Goddess, and rebirth.
Since early times, cauldrons have been used not only for boiling water and cooking food, but for heating magical brews, poisons, and healing potions. They have also been utilized by alchemists and by witches as tools of divination, containers for sacred fires and incense, and holy vessels for offerings to the gods of old.
If a large cauldron is needed in a ritual, it is generally placed next to the altar, on either side. Small cauldrons, such as ones used for burning of incense, can be placed on top of the altar.
The cauldron and its powers are associated with many goddesses from pre-Christian faiths, including Hecate (the protectress of all Witches), Demeter/Persephone (in the Eleusinian mysteries), the Greek enchantresses Circe and Medea, Siris (the Babylonian goddess of fate and mother of the stars, whose cauldron was made of lapis lazuli), the Celtic goddess Cerridwen, from whose cauldron bubbled forth the gifts of wisdom and inspiration. Although the cauldron has traditionally been a symbol of the divine feminine since the earliest of times, there exist a number of male deities from various Pagan pantheons who also have a connection to it. Among them are the Norse god Odin (who acquired his shape-shifting powers by drinking from the cauldron of wise blood), the Hundu sky god Indra (whose myth is similar to Odinâs), Bran the Blessed (the Welsh god of the sacred cauldron), and Cernunnos (the Celtic horned god who was dismembered and boiled in a cauldron to be reborn). The use of sacrificial cauldrons can be traced to the ancient religious and magical practices of various European cultures, as well as to some shamanic traditions. Human and animal victims would first be beheaded over the cauldrons and then have their blood drained out into the cauldron, where it would be boiled to produce a mystical substance. Among the Celts, a potion of inspiration was said to have been brewed in such a manner by the priestess of the lunar goddess.
The cauldron is also linked to the Holy Grail â a chalice that is beleived by Christians to have been used by Jesus Christ at the Last Supper. However, prior to its incorporation into Christian myth in the twelfth century, the Grail belonged to British paganism as a symbol of reincarnation and the divine womb of the Goddess.
Cauldron Spirit
Many Witches pour a bit of ordinary surgical spirit (rubbing alcohol) into their cast iron cauldrons and light it carefully dropping in a lit match. This is often done as part of healing rituals, invocations to the elemental spirit of fire, scrying divinations, sabbath fire festivals, and various working rituals. (Note: A quarter cup of alcohol will burn for approximately three minutes.) Be sure that the cauldron is resting securely on a fireproof stand and is not close to any flammable substances. Do not touch the cauldron while it is hot unless you cover your hands with protective oven mitts. If the fire must be extinguished before it burns itself out, smother it by covering the cauldron with a lid or by sprinkling salt or sand over the flames. Remember, whenever working with the element of fire, use caution and common sense, and respect the spirits of the flame.
The sight of a cauldron blazing with fire can be very magical and mesmerizing, and when the alcohol has ben steeped in aromatic herbs, a sweet but gentle incense-like fragrance is produced. To make an herbal cauldron spirit, put a small bunch of any or all of the following into a glass bottle: fresh lavender flowers and leaves, fresh mint leaves, fresh rosemary flowers and leaves, and fresh thyme flowers and leaves. Fill the bottle to the top with the alcohol, cap it tightly, and then give it a good shake. Keep it in a cool place for thirteen days, shaking it twice daily (every sunrise and moonrise). Strain it through a double thickness of muslin into clear bottle. Cap it and store it away from heat and flame. Cauldron spirit will keep indefintely.
Cauldron Usage
Using a cauldron, symbol of inspiration and rebirth, has brought new dimensions to both group and solitary work. A cauldron decorates the center of the Circle during Lesser Sabbats. An air cauldron at a spring rite creates a misty, magical quality for the ceremony. In summer, the cauldron will flash and spark. A blue flame burns mysteriously within the Water cauldron during the autumn festival. Throughout Yule, the Earth cauldron burns steadfast and constant. During moon rites, when magick is done, we write the purpose of our working on flash papers and toss them into the burning cauldron while chanting.
A working cauldron should be of cast iron, with a tight-fitting lid, three sturdy legs, and a strong handle. Season your cauldron before using it for the first time. Pour in generous helping of salt and lighter fluid, slosh it up to the rim and wipe dry. For indoor use it MUST have a fireproof base or your workings will summon up yellow-coated salamander spirits from the fire department.
EARTH Cauldron:Â Layer salt, wax shavings, three powdered or ground herbs, lighter fluid and ivy leaves in the cauldron while focus and chanting. Use a candle to light it. When the smoke starts to roll, extinguish the cauldron by putting the lid on.
AIR Cauldron:Â Using tongs, put a chunk of dry ice is a small glass or ceramic bowl and place the bowl on a cloth in the bottom of the cauldron. Allow the cauldron to smoke as long as the ice lasts. The mists create excellent images for scrying.
FIRE Cauldron:Â Cover the inside bottom with dirt or sand to dissipate heat. Light incense charcoal and add either salt-peter for flame and spark or flash powder for a different but spectacular effect. To assist in releasing or firing off peak energy, try using flash âbombsâ. Make a small pocket in a piece of flash paper, fill with flash powder and tie with thread. The âbombâ should be about the size of your smallest fingernail. The results are spectacularly bright, so use the powder sparingly. Donât look directly at the flash as you drop the âbombâ in the cauldron.
WATER Cauldron:Â At least seven days before the ritual, place equal quantities of three appropriate herbs in a pint glass jar. Fill the rest of the jar with Everclear (200 proof alcohol), cap tightly, and shake gently while concentrating on the purpose of the ritual. Add a chant if its feels right. Let the jar rest in a dark, warm spot and shake twice daily, charging with purpose. Before the ritual, place a fireproof ceramic or glass bowl in the cauldron. Pour in the herb mixture, being careful none spills into the cauldron. Light with a candle to produce a beautiful blue flame.
The cauldron, as the fifth elemental spirit, symbolizes inspiration, rebirth, illumination and rejuvenation. Use a Fire cauldron with salt-peter to cast a Circle. Use the mists of an Air cauldron for an initiation. Burn away hate, prejudice and negative self-images, with a Water cauldron. The Earth cauldron is ideal for indoor Beltane rites.
Remember to place a burning cauldron on a fireproof surface. Practice safety when using any volatile materials and you will enjoy your cauldron for many rites.
Cauldron Lore The cauldron or pot symbolizes cyclical time and the lunar calendar.This is because the cauldron represents the womb of rebirth, the bowl of blood held by the Hindu Kali and other goddesses. This blood is the Wise Blood from the Cosmic Womb. It has been called soma by the Hindus, red claret by the Celts, and greal by the Welsh Bards. In Vedic myth, Indra stole the soma so that he could rule over all the gods, a reference to the stealing of importance and power from the Goddess for a patriarchal god.
The Goddess and Her cauldron is the center of all feminine power andevery female group. Spiritual transformation can only come through Hercauldron,or belly-womb. Ancient tradition says that only women can tap into the great power of the cauldron, for only women are made in the image of the Goddess with Her all-renewing womb of rebirth and transformation. This tradition remains in the figure of the witch and her cauldron.
The cauldron is also the repository of inspiration and magick, asseen in Cerridwenâs cauldron which was sought by the Bards. The Goddess has long been considered to be the source of inspiration and the Mistress of Magick. When a true initiation takes place, the initiate willingly descends into the cauldron, she is often filled with ecstatic emotions when she returns to her present state. She may sing, play music, dance, prophesy, see visions, or become creative in poetry and prose. In short, she is filled with Goddess spirit and inspiration, the type of power that only comes from the sacred cauldron. Such Bards as Taliesin stated that they regularly âdrankâfrom the cauldron to promote their creativity and divine inspiration.
Magickal Meaning: development of psychic gifts; creative talentsbeing used Coming to terms with physical death, either through the death of someone close to you, or a very personal experience in dreams and/or meditation.â