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Daily Drawing Warm-Up: January 11th, 2017 - Vice Design Co.

Been watching too many too much Caged Heat and I Spit on Your Grave-like movies lately maybe. Today's piece shows those influences as well as some strange Grudge-style side-neck action. Actual drawing time: 45min

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Happy New Year 2017 from Vice Design! 

New year, new look! I've got a new logo, what do you think?

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All I wanna do today is THUMP

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Happy Holidays from Vice Design Co.  It's in my nature to get a little snarky jerky punky at the holidays and this little doodle carries that vibe.

Actual drawing time: 1.5hrs

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Daily Drawing Warm-up Nov. 24th: Continuing on this hand lettering illustration piece I started earlier in that week. Thursday is all about flowers, ankhs, and Immortal Technique!

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Happy Chinese New Year from Vice Design!

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MELANINzine #1, OUTSIDER is here! Lots of hard work went into this, and there are some incredible pieces in there. Click through to read!

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My daily doodle is glad I bought a new analog Sketchpad so I can make dumb drawings like this

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Saw this great painting at Mario Angel's show Collages in Phnom Penh. Check out my highlights on ArtCult at ow.ly/HVv7j

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What is Art Cult.? Find out more about my newest ‪#‎art‬ & culture project in Phnom Penh at http://www.art-cult.asia

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The amazing Rococo/Deco Steam Punk sculptures of Kris Kuksi.

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Sweet hipster Winston Churchill painting by Amit Shimoni

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Ftrack V3 is out!  This is looking to be a really great project management suite for design teams

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10 questions you should always ask your printer

Here are the questions you need to ask your printing company to make sure your designs get printed properly.

Here are our top 10 questions to ask a printing company when you're finalising a printed project.

01. What are my choices?

Ask your printer which print process is best for you. Quantities will often determine whether the job should be digital or litho, so find out how it will be printed. Work with the printer to find the best option for your budget.

02. What's the creep and bleed?

If you're printing a brochure or book, you should always check if you need to allow for creep. This can take a long time to adjust for pre-designed work. Bleed should always be checked whatever the job: 3mm is a standard safety net.

03. What about paper stock?

You might know what you want already, but if you give your printer an idea of the finish you're after, they will be able to advise on stocks, how the ink handles on them, the most cost-effective and environmentally friendly options.

Make sure to provide your printer with an idea of the finish you're after so they can advise the most cost-effective options

04. Should I mark it up?

I like to mark up my artwork with the specs and the colours printed, and any guides, just so everyone knows what's going on. Set the guides up in a single spot colour and call it 'GUIDES ONLY - DO NOT PRINT'.

05. And what size?

If you can be flexible, it's always worth speaking about the size you want your piece to be. Quite often a difference of a few millimetres can mean you can plan up more pages per sheet and have a much more economical print. This might leave you with extra budget to get that metallic.

06. What are your supply requirements?

Find out if there are any specific colour profiles you should be working to and make sure nothing is set to overprint unless it's meant to be. It's worth checking whether the printer wants the fonts outlined or packaged up and sent with the artwork, as well.

Always check if there are any specific colour profiles you should be working to and that nothing is set to overprint

07. Can I use folds or unusual formats?

Your printer will also be able to advise on any unusual folds or die-cuts. Different printers might want artwork adjusted to allow for folding, so go through how you want your final piece to look and they will figure out how to do it.

08. Can I see a proof?

Crazy things can happen when work goes to print, so even if it's just a PDF proof, make sure you see something. Ideally your printer would invite you to check the material as it's being printed - a practice known  as to 'press-pass' or 'pass on press'. But with more time and budget restrictions, this happens less and less.

09. How fast can you do it?

Find out from your client when they need the finished items and where they want them delivered. Your printer will then be able to work backwards from that time and give you a deadline for the artwork. It's always best to do this sooner rather than later in a project.

10. Can I call you at any time?

Check in with your printer on a regular basis. If there is a problem your printer should get in touch, but it's always good to call up and hear that everything is running nicely and delivery will be on time. If you're aware of everything at every stage, it can't go wrong.

[Copped from Creative Bloq]

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Cool Packaging design - The pioneer of “gourmet souvenirs”, Young and Beautifood brand reresh by Supperstudio

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Had some new business cards printed. Time to do some networking!

If you're looking for a freelance designer check out my portfolio at http://bit.ly/vicework

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Finished off a step-and-repeat backdrop for a BMW Cambodia golf tournament that happened last Saturday in Phnom Penh | www.bmw.com.kh